Shivpreet Singh
Shivpreet Singh
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On November 25th, 1915, Albert Einstein unveiled his general theory of relativity to the Prussian Academy of Sciences, the result of nearly a decade of intense research. This two-page paper would elevate Einstein to worldwide fame and secure his place as one of the greatest physicists in history. A few days before this presentation, Einstein wrote a letter to his 11-year-old son, Hans Albert, who was residing in Vienna with his second son, Eduard 'Tete,' and his estranged wife, Mileva. The letter, which can be found in the book "Posterity: Letters of Great Americans to Their Children," features advice from Einstein to his son Hans Albert on love, learning, creativity and passion.

Albert Einstein's letter to his son 

My dear Albert,

Yesterday I received your dear letter and was very happy with it. I was already afraid you wouldn’t write to me at all any more. You told me when I was in Zurich, that it is awkward for you when I come to Zurich. Therefore I think it is better if we get together in a different place, where nobody will interfere with our comfort. I will in any case urge that each year we spend a whole month together, so that you see that you have a father who is fond of you and who loves you. You can also learn many good and beautiful things from me, something another cannot as easily offer you. What I have achieved through such a lot of strenuous work shall not only be there for strangers but especially for my own boys. These days I have completed one of the most beautiful works of my life, when you are bigger, I will tell you about it.

I am very pleased that you find joy with the piano. This and carpentry are in my opinion for your age the best pursuits, better even than school. Because those are things which fit a young person such as you very well. Mainly play the things on the piano which please you, even if the teacher does not assign those. That is the way to learn the most, that when you are doing something with such enjoyment that you don’t notice that the time passes. I am sometimes so wrapped up in my work that I forget about the noon meal. . . .

Be with Tete kissed by your

Papa.

Regards to Mama.


Love is central to learning 

I often say that if you are not singing at work, you need to work on your singing. You have to love what you do. The most poignant sentence I found in this letter is the following: Mainly play the things on the piano which please you, even if the teacher does not assign those. He taught him the timeless lesson that love is central to learning. 

Love is a powerful emotion that can play a significant role in the learning process. When we love something or someone, we are more likely to be motivated to learn about it or them, and to put in the effort to understand and appreciate them more fully. Love also creates a positive and supportive environment for learning, as it fosters a sense of safety and security that allows us to take risks and explore new ideas without fear of failure.

Research has also shown that love can have a direct impact on the way our brains process information and form connections. Studies have found that when we are in a state of love, our brains release oxytocin, a hormone that promotes feelings of trust, attachment and emotional bonding. Oxytocin also increases the activity in the hippocampus, the part of the brain responsible for memory and learning. This means that when we love something or someone, our brains are more active and better able to process new information and form lasting memories.

Furthermore, when children feel loved and supported by their parents or caregivers, they are more likely to develop a positive self-concept and self-esteem, which are essential for a healthy psychological development and academic success.

In summary, Love plays a fundamental role in learning, it creates a positive and supportive environment, it fosters motivation, it can have a direct impact on the way our brain processes information and forms connections, and it is essential for a healthy psychological development and academic success.

I thought how this can be tested using historical and literary examples. 

One example of fatherly love from history is the relationship between Alexander the Great and his father, Philip II of Macedon. Despite Philip having multiple wives and children, he had a strong bond with Alexander and was a dedicated and involved father. Philip recognized Alexander's potential and provided him with the best education, hiring Aristotle to be his personal tutor. He also took Alexander with him on military campaigns and gave him important responsibilities, grooming him to be his successor. Alexander deeply respected and loved his father and was deeply affected by his assassination. He even named one of his cities after him, Alexandria.

An example of fatherly love from literature is Atticus Finch from Harper Lee's "To Kill a Mockingbird." Atticus is a single father raising his two children, Jem and Scout, in the 1930s in Alabama. Despite the racism and prejudice of the time, Atticus teaches his children to be fair and just, and to treat everyone with kindness and respect. He also shows them the importance of courage and standing up for what is right. Atticus's love for his children is evident throughout the book and he is willing to put himself in harm's way to protect them.


Learned today that Dhrupad ... comes from dhruv + pad ... a pad sung with dhruv or rest (very slowly) from the video below. Ustad Nasseruddin Saami seems very well read on history and music and worth learning from.  I have heard him once before and was superbly impressed by his singing (https://www.youtube.com/watch?v=RF__Jlrnv90). 

According to Wikipedia is a Sanskrit name, derived from the words dhruva (immovable, permanent) and pada (verse), a combination that means "pillar". It could either mean that the song is moving slowly, or immovable ... or it is praising the "immovable" lord ... both seem good conjectures. But the second makes more sense, because there are some fast dhrupads as well. 


More from Wikipedia on Dhrupad as of Aug 2020: 

Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest style of major vocal styles associated with Hindustani classical music, Haveli Sangeet and also related to the South Indian Carnatic tradition.[1][2] It is a Sanskrit name, derived from the words dhruva (immovable, permanent) and pada (verse), a combination that means "pillar". The roots of Dhrupad are ancient, and it is discussed in the Hindu Sanskrit text Natyashastra (~200 BCE – 200 CE).[3][4] It is also described in other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the Bhagavata Purana (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized.[4]

A Dhrupad has at least four stanzas, called Sthayi (or Asthayi), Antara, Sancari and Abhoga. The Sthayi part is a melody that uses the middle octave's first tetrachord and the lower octave notes.[7] The Antara part uses the middle octave's second tetrachord and the higher octave notes.[7] The Samcari part is the development phase, which holistically builds using parts of Sthayi and Antara already played, and it uses melodic material built with all the three octave notes.[7] The Abhoga is the concluding section, that brings the listener back to the familiar starting point of Sthayi, albeit with rhythmic variations, with diminished notes like a gentle goodbye, that are ideally mathematical fractions such as dagun (half), tigun (third) or caugun (fourth).[8] Sometimes a fifth stanza called Bhoga is included. Though usually related to philosophical or Bhakti (emotional devotion to a god or goddess) themes, some Dhrupads were composed to praise kings.[6][8] The term denotes both the verse form of the poetry and the style in which it is sung.[5] It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination.[6][7] Thematic matter ranges from the religious and spiritual (mostly in praise of Hindu deities) to royal panegyrics, musicology and romance.

Autobiography in Five Short Chapters

by Portia Nelson

I
I walk, down the street.
There is a deep hole in the sidewalk.
I fall in
I am lost.... I am helpless
It isn't my fault.
It takes forever to find a way out.

II
I walk down the same street.
There is a deep hole in the sidewalk.
I pretend I don't see it.
I fall in again
I can't believe I am in the same place but, it isn't my fault.
It still takes a long time to get out.

III
I walk down the same street
There is a deep hole in the sidewalk.
I see it there.'
I still fall in.... it's a habit, my eyes are open.
I know where I am.
It is my fault.
I get out immediately.

IV
I walk down the same street.
There is a deep hole in the sidewalk.
I walk around it.

V
I walk down another street.


Reminds me of: 
1. Jaan Boojh Kai Baavare - Guru Tegh Bahadur
2. Sobha Mere Laalan Ki (Navtan) - Guru Arjan Dev
One of the lessons I have learned about living a rejuvenated life comes from my father. He is turning 70 this year but every day for him continues to be an experiment. Every moment brings some excitement. And the reason why this is true is because he has the penchant to learn new things everyday. 

He writes a blog about the family: http://preetmohan.blogspot.com and whatever topic he is writing on, whether it is "removing the effect of the evil eye" or just plain "reading", he does a lot of research on the web and continues to learn. It makes his blogs very interesting and exciting. It also gives him fresh new material to talk about at the dinner table. Like, "Do you know what the highest minaret in India is?" was a question this week and we all got to learn how it was not Qutab minar. We also got to learn how tall Qutab minar was. 

Novelty in life makes it exciting. Innovation and learning brings this novelty. As long as we keep learning, every day remains new and exciting. We have something to share with our near and dear ones. We have reason to sing celebrations of wonder. We have the reason to have the sparkle of life in our eyes. Keep singing the song of learning. 

"My mind and body are newly colored everyday by the grace of oneness" - Guru Arjan (Sobha Mere laalan ki)
What was said to the rose
- Rumi

What was said to the rose that made it open
was said to me here in my chest.

What was told the Cypress that made it strong and straight,
what was whispered the jasmine so it is what it is,
whatever made sugarcane sweet,
whatever was said to the inhabitants of the town of Chigil in Turkestan that makes them so handsome,
whatever lets the pomegranate flower blush like a human face,
that is being said to me now.
I blush.

Whatever put eloquence in
language, that's happening here.
The great warehouse doors open; I fill with gratitude,
chewing a piece of sugarcane,
in love with the one to whom every that belongs!

RUMI





RAAG ASAA MEHLA 1 (PEHLA)
This shabad is written in raga named “Raag ASAA”. Mehla 1 (to be pronounced as "Mehla Pehla") means this shabad is written by the first Guru, Guru Nanak Dev ji.
In this shabad Guru Nanak Dev ji says there are many books of wisdom written by many knowledgeable people, but the source of all knowledge is only one God, just like there are days, nights, months, and seasons, but they all originate from one source – Sun.

CHHE GHAR CHHE GUR CHHE UPDES
There are six Shastras, written by six teachers, with six sets of teachings.
chhe: six, ghar: this word has many meanings, here it means books of knowledge called Shastras, written by Hindu philosophers, gur: teacher, implies writers of those Shastras, updes: teachings, principles

GUR GUR EKO VES ANEK.
(But the source of all knowledge) the Great Teacher, God, is only one, all those teachings are the expressions of His many forms.
Gur gur: God, the great teacher, eko: only one, ves: forms, anek: many

BAABAA JAI GHAR KARTE KEERAT HO-EY, SO GHAR RAAKH VADAA-EE TO-EY, II RAHAA-O II
O brother, keep the company of God loving people, where God’s praises are sung, that company is the best thing for you.
Baabaa: the wise one, way of addressing, jai ghar: that home, implies that company, karte: of the creator, keerat: praises, raakhh: keep, vadaaee: great or best, toey: for you.

VISU-E CHASI-AA GHAREE-AA PEHRAA THITEE VAAREE MAAH HO-AA.
SOORAJ EKO RUT ANEK NAANAK KARTEY KE KETE VES.

The seconds, minutes, hours, days, months, and various seasons, all originate from one source, which is the Sun. (Similarly, all knowledge – the Shastras, their writers, and their teachings - originate from one supreme source, God), Nanak says, these are the expressions of the various forms of the Creator.
Visue, chasiaa, gharee-aa, pehraa: in old times these units were used to measure time:

15 blinks of eye = 1 visua, 15 visue = 1 chasa, 30 chasas = 1 pal, 60 pal = 1 ghari, 7.5 ghareeaa = 1 pehr, 8 pehrs = 1 day (24 hours), thitee: date, vaaree: days of the week, maah: month, sooraj: sun, eko: only one, rut: seasons, anek: many, karte ke: of the creator, kete: many, ves: forms :
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SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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