Shivpreet Singh
Shivpreet Singh
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These couplets are found in the the Asa ki vaar. I see this as a dialog between Guru Nanak and Guru Angad emphasizing the significance of the Guru. 

Guru Nanak says, "I absolutely love my Guru. For it does not even take him an instant to infuse divinity into ordinary humans."

And Guru Angad responds,  "Even if 100 moons grew, and 1000 suns rose, without the Guru it would be pitch dark."

The Guru Granth Sahib has many such conversations between enlightened beings.  It is wonderful to be sitting amidst these conversations. 

Balhaari Gur Aapne - Recordings and Composition


Here is a recording of this shabad. I completed this composition as part of celebrating Guru Nanak's 550th birth anniversary.  I really love the groove the Guru inspired me to create for this composition.  This is one of the shabads where I have played the bansuri myself:




Here is a recording of my daughter singing this shabad with me. I think she is 6 years in this video:




I heard some people got together today in Kartarpur to commemorate the 480th death anniversary of Guru Nanak. This reminds me of this incident with my grandfather, Papaji and his brother, Chachaji.  While Chachaji who was only two years younger to Papaji, he was a lot more active and seemed a lot more younger. They had a very funny and frank relationship.  So that day, Chachaji reminded Papaji that he should write his will, just in case "something" happens. He also suggested that he should leave Chachaji instructions on how to execute the will.  Papaji thought about it for a bit, and with a straight face quipped, "Who knows if I will die first or you?" It left Chachaji startled and it became a story that was told and retold in the family. I remember Papaji very sad remembering this when Chachaji actually died suddenly while Papaji was around.

Coincidently, recently I completed an album that includes 5 poems of Guru Nanak that deal with death. In the first line of the first poem, Guru Nanak says, "Who can we really complain to? God doesn't ask anyone before he takes someone away."

Folks often ask what mic and equipment I use.  I primarily use the following equipment for my recordings.

  1. Cubase (software) 
  2. Macbook (hardware)
  3. Scarlett Focusrite (sound interface)
  4. Yamaha MOX keyboard
  5. Mic: Rode NT1 (first generation)
  6. Aiwa monitors for mixing/mastering
  7. Final Cut Pro (video creation)
While I primarily use these, I have used studios to record with different microphones (Neumann, AKJ), software (Ableton, Pro Tools) and keyboards. I love buying good quality sampled instruments that can be played using my keyboard as a MIDI controller; my favorite piano is Eagle from Steinberg (part of Halion 6). 

While a lot of people who ask me this question want to replicate what I do in my studio. Its not the equipment that makes a difference. In fact, you can get much better equipment than this (and I have recorded with really good equipment in amazing studios, but to me it didn't make a difference). Its really the voice training and the love that goes into the singing, listening, production and mixing. Similar results as I obtain can be obtained just by hard work and perseverance, not necessarily using the equipment that I use.  

Today is my little sister Simer’s wedding in India. While I couldn’t attend in person, I am celebrating with the release of “Saajan” - an album with 5 shabads. Saajan means “Beloved”. The cover concept and design is by my 13 year old daughter Jania. It shows Guru Nanak and his Rebab playing bard, Bhai Mardana. Superimposed on this is Simer’s wedding dress. The colors coordinate with the Raags in the album.


I’m grateful to five musicians have contributed to this: Ahsan Ali (Sarangi and vocals), Rajesh Prasanna (Bansuri), Jeremy Marais (Saxophone), Rajvinder Singh (Tabla), and Abhijit Chakraborty (Bass). 

Here is the first shabad from this album:


Here Emily Dickinson praises craziness; she says if an eye is discerning enough they would see the divinity in madness. It reminds me of Kabir saying “I know I am crazy, but I am yours my love!” in Jo Haun Baura. 


Much Madness is divinest Sense -
To a discerning Eye -
Much Sense - the starkest Madness -
’Tis the Majority
In this, as all, prevail -
Assent - and you are sane -
Demur - you’re straightway dangerous -
And handled with a Chain -


The Ādittapariyāya Sutta (Pali, "Fire Sermon Discourse") or, more simply, Āditta Sutta is a discourse from the Pali Canon, popularly known as the Fire Sermon. In this discourse, the Buddha preaches about achieving liberation from suffering through detachment from the five senses and mind.

The Fire Sermon was given by Buddha to 1,000 priests who were followers who wished to achieve enlightenment. Fire in this context representing desire.

"Then The Blessed One, having dwelt in Uruvela as long as he wished, proceeded on his wanderings in the direction of Gaya Head, accompanied by a great congregation of priests, a thousand in number, who had all of them aforetime been monks with matted hair. And there in Gaya, on Gaya Head, the Blessed One dwelt, together with the thousand priests. And there The Blessed One addressed the priests:

'All things, O priests, are on fire. And what, O priests, are all these things which are on fire?'

'The eye, O priests, is on fire; forms are on fire; eye-consciousness is on fire; impressions received by the eye are on fire; and whatever sensation, pleasant, unpleasant, or indifferent, originates in dependence on impressions received by the eye, that also is on fire.'

'And with what are these on fire?'

'With the fire of passion, say I, with the fire of hatred, with the fire of infatuation; with birth, old age, death, sorrow, lamentation, misery, grief, and despair are they on fire.'

'The ear is on fire; sounds are on fire...the nose is on fire; odours are on fire...the tongue is on fire; tastes are on fire...the body is on fire; things tangible are on fire...the mind is on fire; ideas are on fire...mind-consciousness is on fire; impressions received by the mind are on fire; and whatever sensation, pleasant, unpleasant, or indifferent, originates in dependence on impressions received by the mind, that also is on fire.'

'Perceiving this, O priests, the learned and noble disciple conceives an aversion for the eye, conceives an aversion for forms, conceives an aversion for eye-consciousness, conceives an aversion for the impressions received by the eye; and whatever sensation, pleasant, unpleasant, or indifferent, originates in dependence on impressions received by the eye, for that also he conceives an aversion. Conceives an aversion for the ear, conceives an aversion for sounds...conceives an aversion for the nose, conceives an aversion for odours...conceives an aversion for the tongue, conceives an aversion for tastes...conceives an aversion for the body, conceives an aversion for things tangible...conceives an aversion for the mind, conceives an aversion for ideas, conceives an aversion for mind-consciousness, conceives an aversion for the impressions received by the mind; and whatever sensation, pleasant, unpleasant, or indifferent, originates in dependence on impressions received by the mind, for this also he conceives an aversion. And in conceiving this aversion, he becomes divested of passion, and by the absence of passion he becomes free, and when he is free he becomes aware that he is free; and he knows that rebirth is exhausted, that he has lived the holy life, that he has done what it behooved him to do, and that he is no more for this world.'

Now while this exposition was being delivered, the minds of the thousand priests became free from attachment and delivered from the depravities.

Here Endeth the Fire-Sermon.


"So God lives in the colors around us," said my 5 year old daughter when she heard this shabad by Guru Nanak. Lyrics and Translations are at the end. 


An alternate read of this shabad: 


My Lord and Master is filled with love. His love is everywhere and in everything.
He is the one who enjoys, and He is also the enjoyment itself. He captures everyone's heart.
He is like both the bride and the groom in a wedding. He is like the fisherman and the fish, the water, and the net. He loves in many different ways. He is my Beloved, and He brings joy to all.
Nanak prays, please listen to my prayer: You are like a peaceful pool, and You are the graceful swan.
You are like a beautiful lotus in the daytime and a lovely water-lily at night. You see and experience everything and bloom with happiness.

Discovering Divine Unity With Guru Nanak

The poem by Guru Nanak beautifully encapsulates the idea of oneness with all creation and the presence of God within this unity. Guru Nanak's verses emphasize the omnipresence of God, suggesting that God is not a distant entity but rather an intrinsic part of every aspect of existence. This concept aligns with the broader spiritual belief that we are interconnected with all living beings and the entire universe, and that the divine essence can be found within this interconnectedness.

God is the ultimate source of love and enjoyment, permeating and pervading all. This imagery signifies that every aspect of creation is infused with the divine presence. When Guru Nanak describes God as both the bride and bridegroom, the fisherman and the fish, or the water and the net, it symbolizes the idea that God is not separate from these elements but rather the essence that animates them. This mirrors the belief that God is not just present in grand moments or holy places but is inherent in the everyday, mundane aspects of life. It implies that recognizing God's presence requires a shift in perspective, a realization that divinity is not something to be sought externally but rather discovered within the interconnected fabric of existence.

The poem also touches upon the theme of love and devotion. Guru Nanak's depiction of God's love for all beings and the soul-brides' longing for God reinforces the idea that the divine connection is deeply personal and accessible to all. It suggests that by recognizing the oneness of all creation, individuals can experience a profound connection with God, much like a soul-bride's union with her Beloved. This spiritual union implies that when we see the divine within ourselves and others, we can cultivate a sense of unity, compassion, and love, reinforcing the belief that God resides within the oneness of creation itself.

In essence through this poem I am reminded that I am not separate from the universe or from God. I am interconnected with all of creation and the presence of God within this oneness.

Lyrics and Alternative Translation


ਸਿਰੀਰਾਗੁ ਮਹਲਾ ੧ ਘਰੁ ਦੂਜਾ ੨ ॥
सिरीरागु महला १ घरु दूजा २ ॥
Sirīrāg mėhlā 1 gẖar ḏūjā 2.
Siree Raag, First Mehl, Second House:


ਆਪੇ ਰਸੀਆ ਆਪਿ ਰਸੁ ਆਪੇ ਰਾਵਣਹਾਰੁ ॥
आपे रसीआ आपि रसु आपे रावणहारु ॥
Āpe rasī ā āp ras āpe ravaṇhār.
He Himself is the Enjoyer, and He Himself is the Enjoyment. He Himself is the Ravisher of all.

ਆਪੇ ਹੋਵੈ ਚੋਲੜਾ ਆਪੇ ਸੇਜ ਭਤਾਰੁ ॥੧॥
आपे होवै चोलड़ा आपे सेज भतारु ॥१॥
Āpe hovai cẖolṛā āpe sej bẖaṯār. ||1||
He Himself is the Bride in her dress, He Himself is the Bridegroom on the bed. ||1||


ਰੰਗਿ ਰਤਾ ਮੇਰਾ ਸਾਹਿਬੁ ਰਵਿ ਰਹਿਆ ਭਰਪੂਰਿ ॥੧॥ ਰਹਾਉ ॥
रंगि रता मेरा साहिबु रवि रहिआ भरपूरि ॥१॥ रहाउ ॥
Rang raṯā merā sāhib rav rahiā bẖarpūr. ||1|| rahā o.
My Lord and Master is imbued with love; He is totally permeating and pervading all. ||1||Pause||


ਆਪੇ ਮਾਛੀ ਮਛੁਲੀ ਆਪੇ ਪਾਣੀ ਜਾਲੁ ॥
आपे माछी मछुली आपे पाणी जालु ॥
Āpe mācẖẖī macẖẖulī āpe pāṇī jāl.
He Himself is the fisherman and the fish; He Himself is the water and the net.

ਆਪੇ ਜਾਲ ਮਣਕੜਾ ਆਪੇ ਅੰਦਰਿ ਲਾਲੁ ॥੨॥
आपे जाल मणकड़ा आपे अंदरि लालु ॥२॥
Āpe jāl maṇkaṛā āpe anḏar lāl. ||2||
He Himself is the sinker, and He Himself is the bait. ||2||

ਆਪੇ ਬਹੁ ਬਿਧਿ ਰੰਗੁਲਾ ਸਖੀਏ ਮੇਰਾ ਲਾਲੁ ॥
आपे बहु बिधि रंगुला सखीए मेरा लालु ॥
Āpe baho biḏẖ rangulā sakẖī e merā lāl.
He Himself loves in so many ways. O sister soul-brides, He is my Beloved.

ਨਿਤ ਰਵੈ ਸੋਹਾਗਣੀ ਦੇਖੁ ਹਮਾਰਾ ਹਾਲੁ ॥੩॥
नित रवै सोहागणी देखु हमारा हालु ॥३॥
Niṯ ravai sohāgaṇī ḏekẖ hamārā hāl. ||3||
He continually ravishes and enjoys the happy soul-brides; just look at the plight I am in without Him! ||3||

ਪ੍ਰਣਵੈ ਨਾਨਕੁ ਬੇਨਤੀ ਤੂ ਸਰਵਰੁ ਤੂ ਹੰਸੁ ॥
प्रणवै नानकु बेनती तू सरवरु तू हंसु ॥
Paraṇvai Nānak benṯī ṯū sarvar ṯū hans.
Prays Nanak, please hear my prayer: You are the pool, and You are the soul-swan.

ਕਉਲੁ ਤੂ ਹੈ ਕਵੀਆ ਤੂ ਹੈ ਆਪੇ ਵੇਖਿ ਵਿਗਸੁ ॥੪॥੨੫॥
कउलु तू है कवीआ तू है आपे वेखि विगसु ॥४॥२५॥
Ka ul ṯū hai kavī ā ṯū hai āpe vekẖ vigas. ||4||25||
You are the lotus flower of the day and You are the water-lily of the night. You Yourself behold them, and blossom forth in bliss. ||4||25||


The celebration of Guru Nanak's 550 birth anniversary continues. Here is a new composition of one of my favorite Shabad's by Guru Nanak - Vadde Mere Sahiba. This is just a concept recording ... the idea is to keep developing this composition ... Feel free to share with your heart, mind, soul, friends and family!


ਆਸਾ ਮਹਲਾ ੧ ॥
आसा महला १ ॥
Āsā mėhlā 1.
Aasaa, First Mehl:

ਸੁਣਿ ਵਡਾ ਆਖੈ ਸਭੁ ਕੋਇ ॥
सुणि वडा आखै सभु कोइ ॥
Suṇ vadā ākẖai sabẖ ko▫e.
Hearing of His Greatness, everyone calls Him Great.

ਕੇਵਡੁ ਵਡਾ ਡੀਠਾ ਹੋਇ ॥
केवडु वडा डीठा होइ ॥
Kevad vadā dīṯẖā ho▫e.
But just how Great His Greatness is-this is known only to those who have seen Him.

ਕੀਮਤਿ ਪਾਇ ਨ ਕਹਿਆ ਜਾਇ ॥
कीमति पाइ न कहिआ जाइ ॥
Kīmaṯ pā▫e na kahi▫ā jā▫e.
His Value cannot be estimated; He cannot be described.

ਕਹਣੈ ਵਾਲੇ ਤੇਰੇ ਰਹੇ ਸਮਾਇ ॥੧॥
कहणै वाले तेरे रहे समाइ ॥१॥
Kahṇai vāle ṯere rahe samā▫e. ||1||
Those who describe You, Lord, remain immersed and absorbed in You. ||1||

ਵਡੇ ਮੇਰੇ ਸਾਹਿਬਾ ਗਹਿਰ ਗੰਭੀਰਾ ਗੁਣੀ ਗਹੀਰਾ ॥
वडे मेरे साहिबा गहिर ग्मभीरा गुणी गहीरा ॥
vade mere sāhibā gahir gambẖīrā guṇī gahīrā.
O my Great Lord and Master of Unfathomable Depth, You are the Ocean of Excellence.

ਕੋਇ ਨ ਜਾਣੈ ਤੇਰਾ ਕੇਤਾ ਕੇਵਡੁ ਚੀਰਾ ॥੧॥ ਰਹਾਉ ॥
कोइ न जाणै तेरा केता केवडु चीरा ॥१॥ रहाउ ॥
Ko▫e na jāṇai ṯerā keṯā kevad cẖīrā. ||1|| rahā▫o.
No one knows the extent or the vastness of Your Expanse. ||1||Pause||

ਸਭਿ ਸੁਰਤੀ ਮਿਲਿ ਸੁਰਤਿ ਕਮਾਈ ॥
सभि सुरती मिलि सुरति कमाई ॥
Sabẖ surṯī mil suraṯ kamā▫ī.
All the intuitives met and practiced intuitive meditation.

ਸਭ ਕੀਮਤਿ ਮਿਲਿ ਕੀਮਤਿ ਪਾਈ ॥ 
सभ कीमति मिलि कीमति पाई ॥
Sabẖ kīmaṯ mil kīmaṯ pā▫ī.
All the appraisers met and made the appraisal.


ਗਿਆਨੀ ਧਿਆਨੀ ਗੁਰ ਗੁਰਹਾਈ ॥
गिआनी धिआनी गुर गुरहाई ॥
Gi▫ānī ḏẖi▫ānī gur gurhā▫ī.
The spiritual teachers, the teachers of meditation, and the teachers of teachers -


ਕਹਣੁ ਨ ਜਾਈ ਤੇਰੀ ਤਿਲੁ ਵਡਿਆਈ ॥੨॥
कहणु न जाई तेरी तिलु वडिआई ॥२॥
Kahaṇ na jā▫ī ṯerī ṯil vadi▫ā▫ī. ||2||
they cannot describe even an iota of Your Greatness. ||2||


ਸਭਿ ਸਤ ਸਭਿ ਤਪ ਸਭਿ ਚੰਗਿਆਈਆ ॥
सभि सत सभि तप सभि चंगिआईआ ॥
Sabẖ saṯ sabẖ ṯap sabẖ cẖang▫ā▫ī▫ā.
All Truth, all austere discipline, all goodness,

ਸਿਧਾ ਪੁਰਖਾ ਕੀਆ ਵਡਿਆਈਆ ॥
सिधा पुरखा कीआ वडिआईआ ॥
Siḏẖā purkẖā kī▫ā vaḏi▫ā▫ī▫ā.
all the great miraculous spiritual powers of the Siddhas -

ਤੁਧੁ ਵਿਣੁ ਸਿਧੀ ਕਿਨੈ ਨ ਪਾਈਆ ॥
तुधु विणु सिधी किनै न पाईआ ॥
Ŧuḏẖ viṇ siḏẖī kinai na pā▫ī▫ā.
without You, no one has attained such powers.

ਕਰਮਿ ਮਿਲੈ ਨਾਹੀ ਠਾਕਿ ਰਹਾਈਆ ॥੩॥
करमि मिलै नाही ठाकि रहाईआ ॥३॥
Karam milai nāhī ṯẖāk rahā▫ī▫ā. ||3||
They are received only by Your Grace. No one can block them or stop their flow. ||3||

ਆਖਣ ਵਾਲਾ ਕਿਆ ਵੇਚਾਰਾ ॥
आखण वाला किआ वेचारा ॥
Ākẖaṇ vālā ki▫ā vecẖārā.
What can the poor helpless creatures do?

ਸਿਫਤੀ ਭਰੇ ਤੇਰੇ ਭੰਡਾਰਾ ॥
सिफती भरे तेरे भंडारा ॥
Sifṯī bẖare ṯere bẖandārā.
Your Praises are overflowing with Your Treasures.

ਜਿਸੁ ਤੂ ਦੇਹਿ ਤਿਸੈ ਕਿਆ ਚਾਰਾ ॥
जिसु तू देहि तिसै किआ चारा ॥
Jis ṯū ḏėh ṯisai ki▫ā cẖārā.
Those, unto whom You give-how can they think of any other?
ਨਾਨਕ ਸਚੁ ਸਵਾਰਣਹਾਰਾ ॥੪॥੨॥
नानक सचु सवारणहारा ॥४॥२॥
Nānak sacẖ savāraṇhārā. ||4||2||
O Nanak, the True One embellishes and exalts. ||4||2||
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SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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