Shivpreet Singh
Shivpreet Singh
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Tera Sadra - Guru Nanak




Shabad in Gurbani

ਜੋਗੀ ਹੋਵੈ ਜੋਗਵੈ ਭੋਗੀ ਹੋਵੈ ਖਾਇ ॥
ਤਪੀਆ ਹੋਵੈ ਤਪੁ ਕਰੇ ਤੀਰਥਿ ਮਲਿ ਮਲਿ ਨਾਇ ॥੧॥

ਤੇਰਾ ਸਦੜਾ ਸੁਣੀਜੈ ਭਾਈ ਜੇ ਕੋ ਬਹੈ ਅਲਾਇ ॥੧॥ ਰਹਾਉ ॥

ਜੈਸਾ ਬੀਜੈ ਸੋ ਲੁਣੇ ਜੋ ਖਟੇ ਸੋੁ ਖਾਇ ॥
ਅਗੈ ਪੁਛ ਨ ਹੋਵਈ ਜੇ ਸਣੁ ਨੀਸਾਣੈ ਜਾਇ ॥੨॥

ਤੈਸੋ ਜੈਸਾ ਕਾਢੀਐ ਜੈਸੀ ਕਾਰ ਕਮਾਇ ॥
ਜੋ ਦਮੁ ਚਿਤਿ ਨ ਆਵਈ ਸੋ ਦਮੁ ਬਿਰਥਾ ਜਾਇ ॥੩॥

ਇਹੁ ਤਨੁ ਵੇਚੀ ਬੈ ਕਰੀ ਜੇ ਕੋ ਲਏ ਵਿਕਾਇ ॥
ਨਾਨਕ ਕੰਮਿ ਨ ਆਵਈ ਜਿਤੁ ਤਨਿ ਨਾਹੀ ਸਚਾ ਨਾਉ ॥੪॥੫॥੭॥

Shabad in Hindi

जोगी होवै जोगवै भोगी होवै खाऎ ॥
तपीया होवै तप करे तीरथ मल मल नाऎ ॥१॥

तेरा सदड़ा सुणीजै भाई जे को बहै अलाऎ ॥१॥ रहाओ ॥

जैसा बीजै सो लुणे जो खटे सो खाऎ ॥
अगै पुछ न होवई जे सण नीसाणै जाऎ ॥२॥

तैसो जैसा काढीऐ जैसी कार कमाऎ ॥
जो दम चिति न आवई सो दम बिरथा जाऎ ॥३॥

इहो तन वेची बै करी जे को लए विकाऎ ॥
नानक कम न आवई जित तन नाही सचा नाओ ॥४॥५॥७॥


Shabad in English
Jogī hovai jogvai bẖogī hovai kẖāe.
Ŧapī▫ā hovai ṯap kare ṯirath mal mal nāe. ||1||

Ŧerā saḏṛā suṇījai bẖāī je ko bahai alāe. ||1|| rahā▫o.

Jaisā bījai so luṇe jo kẖate so kẖāe.
Agai pucẖẖ na hovaī je saṇ nīsāṇai jāe. ||2||

Ŧaiso jaisā kādẖīai jaisī kār kamāe.
Jo ḏam cẖiṯ na āvī so ḏam birthā jāe. ||3||

Eh ṯan vecẖī bai karī je ko lae vikāe.
Nānak kamm na āvaī jiṯ ṯan nāhī sacẖā nāo. ||4||5||7||


Translation by Dr. Sant Singh Khalsa
The Yogi practices yoga, and the pleasure-seeker practices eating.
The austere practice austerities, bathing and rubbing themselves at sacred shrines of pilgrimage. ||1||

Let me hear some news of You, O Beloved; if only someone would come and sit with me, and tell me. ||1||Pause||

As one plants, so does he harvest; whatever he earns, he eats.
In the world hereafter, his account is not called for, if he goes with the insignia of the Lord. ||2||

According to the actions the mortal commits, so is he proclaimed.
And that breath which is drawn without thinking of the Lord, that breath goes in vain. ||3||

I would sell this body, if someone would only purchase it.
O Nanak, that body is of no use at all, if it does not enshrine the Name of the True Lord. ||4||5||7||


Bhai Manmohan Singh Teeka
ਤਿਆਗੀ ਤਿਆਗ ਕਮਾਉਂਦਾ ਹੈ ਅਤੇ ਪੇਟੂ ਖਾਈ ਹੀ ਜਾਂਦਾ ਹੈ। ਜੋ ਤਪੱਸਵੀ ਹੈ, ਉਹ ਤਪੱਸਿਆ ਕਮਾਉਂਦਾ ਹੈ ਅਤੇ ਧਰਮ ਅਸਥਾਨਾਂ ਤੇ ਮਲ ਮਲ ਕੇ ਨਹਾਉਂਦਾ ਹੈ। 
ਮੈਂ ਤੇਰੀ ਕਣਸੋ ਸੁਣਨਾ ਚਾਹੁੰਦਾ ਹਾਂ, ਹੇ ਪਿਆਰਿਆ! ਜੇਕਰ ਕੋਈ ਬਹਿ ਕੇ ਮੈਨੂੰ ਦੱਸੇ। ਠਹਿਰਾਉ। 
ਜਿਹੋ ਜਿਹਾ ਬੰਦਾ ਬੀਜਦਾ ਹੈ, ਉਹੋ ਜੇਹਾ ਹੀ ਉਹ ਵੱਢਦਾ ਹੈ ਅਤੇ ਜਿਹੜਾ ਕੁਛ ਉਹ ਕਮਾਉਂਦਾ ਹੈ, ਉਹੀ ਖਾਂਦਾ ਹੈ। ਏਦੂੰ ਮਗਰੋਂ, ਉਸ ਪਾਸੋਂ ਕੋਈ ਹਿਸਾਬ ਨਹੀਂ ਪੁਛਿਆ ਜਾਂਦਾ, ਜੋ ਉਥੇ ਨਾਮ ਦੇ ਝੰਡੇ ਨਾਲ ਜਾਂਦਾ ਹੈ। 
ਜਿਹੋ ਜਿਹੇ ਕਰਮ ਪ੍ਰਾਨੀ ਕਰਦਾ ਹੈ, ਉਹੋ ਜਿਹਾ ਹੀ ਉਹ ਆਖਿਆ ਜਾਂਦਾ ਹੈ। ਜਿਹੜਾ ਸਾਹ ਸੁਆਮੀ ਦੇ ਸਿਮਰਨ ਦੇ ਬਿਨਾਂ ਲਿਆ ਜਾਂਦਾ ਹੈ ਉਹ ਸਾਹ ਵਿਅਰਥ ਜਾਂਦਾ ਹੈ। 
ਜੇਕਰ ਕੋਈ ਖਰੀਦਣ ਵਾਲਾ ਹੋਵੇ ਤਾਂ ਮੈਂ ਆਪਣੀ ਇਸ ਦੇਹ ਨੂੰ ਆਪਣੇ ਸਾਈਂ ਦੀ ਖਾਤਰ ਵੇਚ, ਵੇਚ ਦੇਵਾਂਗਾ। ਨਾਨਕ, ਉਹ ਸਰੀਰ ਕਿਸੇ ਕੰਮ ਨਹੀਂ ਆਉਂਦਾ, ਜਿਸ ਦੇ ਅੰਦਰ ਸਤਿਨਾਮ ਦਾ ਨਿਵਾਸ ਨਹੀਂ।

Faridkoti Teeka

ਜੋ ਜੋਗੀ ਹੋਵੇ ਹੈ ਵਹੁ ਜੋਗ ਕੀ ਕਿਰਿਆ ਕਰਤਾ ਹੈ ਜੋ ਭੋਗੀ ਹੋਵੈ ਹੈ ਵਹੁ ਖਾਇ ਕਰ ਪ੍ਰਸਿੰਨ ਹੋਤਾ ਹੈ ਜੋ ਤਪਸੀਆ ਹੈ ਸੋ ਤਪ ਕਰਤਾ ਹੈ ਜੋ ਤੀਰਥ ਜਾਤ੍ਰੀ ਹੈ ਸੋ ਤੀਰਥੋਂ ਮੇਂ ਮਲ ਮਲ ਨਾਉਤਾ ਹੈ॥੧॥ 
ਹੇ ਹਰੀ ਜੇ ਕੋਈ ਤੇਰਾ ਪ੍ਰੇਮੀ ਤੇਰਾ ਜਸ ਬੈਠਕੇ ਕਹੇ ਤਉ ਮੈਂ ਸੁਣਾਂ॥ 
ਜੈਸਾ ਬੀਜਤਾ ਹੈ ਕਿਸਾਨ ਤੈਸਾ ਹੀ ਅਨਾਜ ਕਾਟਤਾ ਹੈ ਤੈਸੇ ਹੀ ਜੈਸਾ ਪੰੁਨ ਪਾਪ ਰੂਪ ਕਰਮ ਕੋਈ ਕਰਤਾ ਹੈ ਤੈਸਾ ਹੀ ਅੰਤਸਕਰਣ ਮੈਂ ਅਦ੍ਰਿਸਟ ਰੂਪ ਹੋਕੇ ਇਸਥਿਤ ਹੋਤਾ ਹੈ ਸੋ ਇਸ ਜਨਮ ਮੇਂ ਭੋਗਤਾ ਹੈ ਆਗੇ ਜੋ ਧਰਮ ਅਧਰਮ ਖੱਟੇਗਾ ਭਾਵ ਜਮਾ ਕਰੇਗਾ ਉਸ ਕਾ ਫਲ ਸੁਖ ਦੁਖ ਜਨਮਾਂਤ੍ਰੋਂ ਮੈਂ ਭੋਗੇਗਾ॥ ਪਰੰਤੂ ਜੋ ਪੁਰਖ (ਸਣੁ ਨੀਸਾਣੈ) ਸਹਤ ਪਰਵਾਨੇ ਜਾਵੇਗਾ ਭਾਵ ਨਾਮ ਸੰਯੁਕਤ ਜਾਵੇਗਾ ਭਾਵ ਨਾਮ ਸੰਯੁਕਤ ਜਾਵੈਗਾ ਤਿਸ ਕਾ ਪਰਲੋਕ ਮੇਂ ਹਿਸਾਬ ਨਹੀਂ ਪੂਛੀਏਗਾ॥੨॥ 
ਜੈਸਾ ਪੁਰਸ਼ ਕਾਮ ਕਰਤਾ ਹੈ ਤੈਸਾ ਹੀ ਤਿਸ ਕਾ ਨਾਮ ਕਹੀਤਾ ਹੈ ਹੇ ਪਰਮੇਸ੍ਵਰ ਪਰੰਤੂ ਤੂੰ ਜਿਸ ਸ੍ਵਾਸ ਮੇਂ ਚਿਤ ਨ ਆਵੈ ਸੋ ਸ੍ਵਾਸ ਬਿ੍ਯਰਥ ਜਾਤਾ ਹੈ॥੩॥ 
ਇਸ ਸਰੀਰ ਕੋ ਵੇਚਾ ਮੁਲ ਕਰਕੇ ਜੋ ਕੋਈ ਵਿਕਦੇ ਕੋ ਗੁਰੂ ਸੰਤ ਲਵੇ ਭਾਵ ਦੇਹ ਅਭਿਮਾਨ ਤੇ ਰਹਤ ਹੋ ਸੇਵਾ ਕਰੇ ਮੋਲ ਵਿਕੇ ਕਾ ਮਾਨ ਨਹੀਂ ਹੋਤਾ ਗੁਰੂ ਜੀ ਕਹਤੇ ਹੈਂ ਹੇ ਪਰਮੇਸ੍ਵਰ ਏਹ ਤਨ ਕਿਸੇ ਕੰਮ ਨਹੀਂ ਆਉਤਾ ਜਿਸ ਸਰੀਰ ਮੇਂ ਤੇਰਾ ਸਚਾ ਨਾਮ ਨਹੀਂ॥੪॥੫॥੭॥

Potential Images for Album cover/Video: 









We liked the last picture the best, because the bird seems to be singing, it is sitting and it seems contemplative.


Thanks

Thanks to Abhijit Chakraborty, Harry Anand, and Jania Kapoor for their invaluable contributions on this project.



I prepared some adlib recordings to be used for a play enacted at a ONENESS USA event in New Jersey. These can be downloaded here:

https://www.pastemagazine.com/noisetrade/music/shivpreetsingh/guru-nanak-adlibs-for-oneness-drama

I am participating in an event organized by Oneness USA at the New Jersey Performing Arts Center on Nov 23. The organizers requested me to sing Satgur Nanak Pargateya for a portion of the program, so I made a composition yesterday and recorded myself practicing it (video below).

This is the 157th composition for this year; most of the compositions are that of or about Guru Nanak. Its been a wonderful year of singing!





Bhai Gurdas' love for Guru Nanak shines through this one.

Sathguru Nanak pargateya miti dund jag chanan hoya 
With the emergence of the true Guru Nanak, the mist cleared and the light scattered all around. 

Jiou(n) kar sooraj nikaliaa thaarae shhapae a(n)dhhaer paloaa

As if at the sun rise the stars disappeared and the darkness dispelled. 

Si(n)gh bukae miragaavalee bha(n)nee jaaeae n dhheer dhharoaa
With the roar of the lion in the forest the flocks of escaping deer now cannot have endurance. 

Jithhai baabaa pair dhharai poojaa aasan thhaapan soaa
Wherever Baba put his feet, a religious place was erected and established. 

Sidhh aasan sabh jagath dhae naanak aadh mathae jae koaa
All the siddh-places now have been renamed on the name of Nanak. 

Ghar ghar a(n)dhar dhharamasaal hovai keerathan sadhaa visoaa
Everyhome has become a place of dharma where singing. 

Baabae thaarae chaar chak na kha(n)dd prithhamee sachaa dtoaa
Baba liberated all four directions and nine divisions of earth. 

Guramukh kal vich paragatt hoaa 
Gurmukh (Guru Nanak) has emerged in this kaliyug, the dark age.


This album is in celebration of the opening of the Kartarpur Corridor, a visa-free access for the lovers of Guru Nanak to go from India to the Pakistani town of Kartarpur, where Guru Nanak spent the last 18 years of his life. Much thanks to Janapriyan Levine who helped arrange a couple of the shabads in this album, and also to Jeremy Marais and Abhijit Chakraborty for playing the Saxophone and Bass respectively in one shabad each.

Dear friends ... my celebration for #GuruNanak550 continues as I release a new colorful album today, "Rang Rataa," which has five shabads in five different colors. Rang means color, and rataa means imbued.


The first shabad, Rang Rataa, which was released earlier this year as a single, features one of the best finger guitarists in the US and my wonderful friend, Muriel Anderson. This is one of the two compositions of this shabad ... the other one in Raag Shri is still in the making. The other four shabads are in the raag that Guru Nanak used to sing in.

My special gratitude to my dear friend Ahsan Ali for pouring his immense love and co-producing Mere Laal Rangeele in Raag Tukhari (a raag that Guru Nanak composed himself). In Mera Prabh Raang Guru Nanak uses Rajasthani and is sung in Raag Parbhati.

Kusambhare is a Baba Sheikh Farid shabad about the impermanence of life like the color of a flower, which Guru Nanak used to sing in Raag Suhi Lalit. This is a new take on this raag and I will explain at some point why I believe Guru Nanak sang it like this. The last shabad, "Manjeethra" in Raag Suhi is a direct response of Guru Nanak to the previous shabad "Kusambhare" and talks about how the color of Name is "Manjeethra" or permanent despite the impermanence of life.

You should be able to find the audio versions of this shabad on iTunes, Spotify and YouTube and many other platforms.

May you all be imbued in the color of love. Now I can continue on the celebration ...

Links to Music: Spotify, Apple Music, iTunes, Google Music, YouTube Music



These couplets are found in the the Asa ki vaar. I see this as a dialog between Guru Nanak and Guru Angad emphasizing the significance of the Guru. 

Guru Nanak says, "I absolutely love my Guru. For it does not even take him an instant to infuse divinity into ordinary humans."

And Guru Angad responds,  "Even if 100 moons grew, and 1000 suns rose, without the Guru it would be pitch dark."

The Guru Granth Sahib has many such conversations between enlightened beings.  It is wonderful to be sitting amidst these conversations. 

Balhaari Gur Aapne - Recordings and Composition


Here is a recording of this shabad. I completed this composition as part of celebrating Guru Nanak's 550th birth anniversary.  I really love the groove the Guru inspired me to create for this composition.  This is one of the shabads where I have played the bansuri myself:




Here is a recording of my daughter singing this shabad with me. I think she is 6 years in this video:



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SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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