Shivpreet Singh
Shivpreet Singh
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Bob Hass is one of the poets who encouraged me when I started reading contemporary poetry. He introduced me to the poetry of Jane Hirshfield.  Today I read the poem "A Supple Wreath Of Myrtle" From "Time and Materials" written by Bob Hass. First the poem, and then some of my thoughts. 

A Supple Wreath Of Myrtle
Robert Hass

Poor Nietzsche in Turin, eating sausage his mother
Mails to him from Basel. A rented room,
A small square window framing August clouds
Above the mountain. Brooding on the form
Of things: the dangling spur
Of an Alpine columbine, winter-tortured trunks
Of cedar in the summer sun, the warp in the aspen's trunk
Where it torqued up through the snowpack.

"Everywhere the wasteland grows; woe
To him whose wasteland is within."

Dying of syphilis. Trimming a luxuriant mustache.
In love with the opera of Biznet.


This is a 12 line poem that introduced me to Nietzsche, a German philosopher whose most often quoted line is the following:
The wasteland grows. Woe to him who hides the wasteland within.
I am wondering what the context was. Nietzsche was probably thinking about the destruction from the war. That we are creating a bigger and bigger wasteland. The second Nietzsche line is more mysterious. To me it reads that there is so much waste outside, but that is not the cause of much woe. Much of human woe is caused from the wasteland that is within. There is the potential for the human soul to emerge from the surrounding wasteland. There is the hope for a pristine lotus from within.

The poem lays a contrast between this man -- who apparently enjoys sausage, his loving mother, beautiful trees (which he seems to find faults in), the luxury of an exaggerated mustache (seen on most pics of his I found), and the opera of Bizet -- and his philosophy which states "woe to the one who hides the wasteland within".  Is it possible that onside and out Nietzsche is part of the wasteland, and his actions may imply that he doesn't care? 

He is thinking of lofty things among the mundane.  Observing the kinks in nature.  At the same time, he is not in great shape. He is dependent on his mother for food. He is poor; he is dying in a room that he has rented. 

Wreaths are obviously used in memory of someone who is loved that has departed. Myrtle is a plant that was sacred to the Greek goddess Aphrodite. It was also a symbol of love. Hass indicates through the title, that he loves both the aspects of this hero: the lofty external observations and the wasteland within. 

Interestingly, I found a nice article by Brenda Hillman, Bob Hass' wife, picking this poem as one of her favorites of his poems. She says, "The poem suggests that the daily and the heroic are always intertwined."

Also found an interesting cartoon that goes well with the poem: 

The Nietzsche Family Circus

"I think I am too sarcastic to believe in myself."
Philosophical poetry


What the world needs now is love sweet love. Listening to the song. How can one disagree with the idea, but just because I am feeling like being a rebel, I wrote a poem about it. Below you can find the lyrics of the song too. 

Valentine's Day at Mt. Diablo

after Hal David

Sure, love is nice,
a warm blanket, maybe
a cup of chai in February.
But honestly, have you seen
Mt. Diablo lately?
You can’t hike up love
or sled down it.

Love won’t whisper to you
in twelve dialects of wind,
or wear a monastery
like a crown on its bald head.
You can’t pitch a tent
on affection and call it adventure.

And when was the last time
you looked at a hug
and thought: tectonic majesty?
Or said: behold,
the mountain of you and me?
Did you ever climb on love
and experience heaven 
in the valley of this world?

I’m not against love.
It’s fine, like oatmeal,
or those feel-good ads
with dogs rescuing children.
But give me granite and fog
slipping down ridgelines
like forgotten thoughts of God.

Maybe what the world needs
is to remember how to be small again,
for instance give us a try,
navigating dragonflies
and falling pinecones
not too far from the sky.

Lyrics - Love Sweet Love


What the world needs now is love sweet love,
It's the only thing that there's just too little of.
What the world needs now is love sweet love,
no not just for some but for everyone.

Lord we don't need another mountain,
There are mountains and hillsides enough to climb,
There are oceans and rivers enough to cross
Enough to last until the end of time

What the world needs now is love sweet love,
it's the only thing that theres just too little of,
what the world needs now is love sweet love,
no not just for some but for everyone

Lord, we dont need another meadow,
there are corn fields and wheat fields enough to grow,
there are sunbeams and moonbeams enough to shine,
oh listen Lord, if you want to know

What the world needs now is love sweet love,
its the only thing that theres just too little of.
what the world needs now is love sweet love,
no not just for some, oh but just for every every everyone.

what the world (whoa whoa) needs now,
is love (is love) sweet love
what the world ( oh oh) needs now
is love (is love) sweet love
what the world (whoa whoa) needs now
is love (is love) sweet love

We used to visit
my great grandmother
in the village of Badbar
in the season of summer
I would say I am hungry
I would say cook fast
she would turn lovingly
and sing back to me
this is not the city
we have to collect logs
and set them alight
only then can we cook
to fill your appetite
I remember her words
my great grandmother
there was so much
to learn from her
Singing lights the fire
to fill soul's hunger

- The purpose of life is to sing
http://www.shivpreetsingh.com

Location:Sherwood Ct,San Ramon,United States

There is another sky,
Ever serene and fair,
And there is another sunshine,
Though it be darkness there;
Never mind faded forests, Austin,
Never mind silent fields -
Here is a little forest,
Whose leaf is ever green;
Here is a brighter garden,
Where not a frost has been;
In its unfading flowers
I hear the bright bee hum:
Prithee, my brother,
Into my garden come!


Hukam Rajai
In Emily's garden
there is poetry
among this poetry
the sky is serene
the sun shines
leaves are evergreen
bees are bright
and so are flowers
Emily is Hukam Rajai



IOTA SUBSCRIPT

Seek not in me the big I capital,
Nor yet the little dotted in me seek.
If I have in me any I at all,
‘Tis the iota subscript of the Greek.

So small am I as an attention beggar.
The letter you will find me subscript to
Is neither alpha, eta, nor omega,
But upsilon which is the Greek for you.

- Robert Frost


Love

It takes setting aside I.
It takes getting subdued in You.
Be more interested than interesting.
Be smitten in the dark by morning due
Speak as sweet as strawberry cakes
Shiv, that is what love takes

-Shiv
IOTA SUBSCRIPT 

Seek not in me the big I capital, 
Nor yet the little dotted in me seek. 
If I have in me any I at all, 
‘Tis the iota subscript of the Greek. 

So small am I as an attention beggar. 
The letter you will find me subscript to  
Is neither alpha, eta, nor omega, 
But upsilon which is the Greek for you. 

 - Robert Frost 


In the poem "Iota Subscript" by Robert Frost, the speaker adopts a stance of humility and self-effacement. Throughout the poem, the speaker strives to diminish the prominence of their own ego, symbolized by the letter "I," whether capitalized or lowercase. Instead, the speaker is content with assuming the role of a mere "subscript" to the ubiquitous you. 

In a world where self-centeredness often takes precedence, where "me" comes before "you," and personal interests overshadow acts of service, the speaker of this poem dares to defy the norm by prioritizing the "you." This mindset of genuine other-focused consideration is a rarity in the contemporary world, a concept so foreign that Robert Frost employs the metaphor of the Greek language to underscore its exceptional nature. By using Greek in his poem, Frost suggests that this mode of thinking, characterized by its emphasis on others, is akin to something unfamiliar or exotic, almost as if it were a linguistic or philosophical outlier in a society largely preoccupied with self-interest.

This "you" can also be the reader. The notion of being a "subscript to you" encapsulates the speaker's willingness to subsume their identity for the sake of the reader's experience. It highlights the poet's belief that poetry is a shared endeavor, with the reader playing a pivotal role in extracting meaning and relevance from the verses. By embracing the role of a subscript, the speaker invites the reader to become an active participant in the poem's interpretation, underlining the collaborative and interactive nature of poetry. In doing so, Frost not only underscores the idea of humility but also emphasizes the importance of connection and engagement between the poet and the audience, where the reader's perspective is of equal significance.

Love 
It takes setting aside I.   
It takes getting subdued in You. 
Be more interested than interesting.   
Be smitten in the dark by morning due 

Speak as sweet as strawberry cakes 
Shiv, that is what love takes 

 -Shiv
Singing Lies
- Marni Mann

The song was bitter; its taste was sweet poison like the melody.
The voice was embedded, “You crave the rush.”
I memorized the pitch, became the tone.

I listened, five-years worth of repeated lines.
“You’re hungry for the nod.”
I heard the lyrics and closed my eyes. I nodded to the beat and bowed to its lies.

I heard the lyrics and opened my eyes. My stomach churned for more sweet pain.
“Find me,” the wax-paper packets, which were filled with white powder, screamed.
Each verse was a command.

I didn’t fight the music.
I couldn’t fight the sound.
“Dump the powder onto the spoon; heat it, light it, turn white powder into liquid lies.”

The song made me powerless.
“Take the orange cap off the syringe and fill the chamber.”
That, I managed just fine.

My family, "Stop this madness. The song killed your best friend."
“Empty the chamber into your vein.”
 It wasn’t going to kill me. Was that another lie?

I knew what I was doing; when to listen, how much to take in.
“You’ve fallen for the steady rhythm; selling your soul to buy the powder.”
And when I heard those lyrics and danced to that song, it didn’t bring me into a dark hole.

It warmed me like a blanket; it erased my past.
It showed me the quietness of the waves.
“You’ve fallen for me.”

And those waves?
They had powdered tips and a liquid center.
And when the waves hit my body?

The song became a twisted, dark copy of Staying Alive.
"Now taste me again.”
The purpose of life was to sing heroin’s sweet melody.


“You’ve fallen for me.”
I heard the lyrics and closed my eyes.
I nodded to the beat and bowed to its lies.





Sade wal mukhra mor pyareya, sade wal mukhra mor
Turn Your face towards us O Beloved. Turn Your face towards us.

Aape hi tu kundiyaan laiyaan
Aape khichnayen dor
Sade wal mukhra…

You Yourself have locked us in.
You alone are pulling us towards Yourself. O Beloved, turn Your face towards us.

Ishk day mare avain Phirde
jiven jangal dor

Arsh farash to bangan miliyaan
Makke pe gaya shor. Sade wal mukhra …

I have received the divine message from the earth and heaven (from within and without)
In Mecca (the holy place) an uproar has been created. O Beloved, turn Your face towards us.

Doli pake le chale khere
Ujar na chalda jor. Sade wal mukhra…

The Kheres are taking away (heer) after putting her in the palanquin.
She does not have any control. O Beloved, turn Your face towards us.

Je maae tenu khere pyare
Doli pa kise hor. Sade wal mukhra….

O mother if the Kheres are dear to you,
Put someone else in the palanquin. O Beloved, turn Your face towards us.

Bullehshah asi marna naahi
Mar jaave koi hor. Sade wal mukhra….

Bulleh Shah says, I am not going to die.
Some one else has died. O Beloved, turn Your face towards us.
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SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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