I have been contemplating the following mantra from Bhagat Ravidas, and wrote the following poem based on my thinking.
ਪੜੀਐ ਗੁਨੀਐ ਨਾਮੁ ਸਭੁ ਸੁਨੀਐ ਅਨਭਉ ਭਾਉ ਨ ਦਰਸੈ ॥
You can read, reflect, hear all the names on and on.
but it is the experience of love makes love dawn.
Being the Seed
I do not wish to read oneness,
or even to understand it.
I want to be the curve of Om.
I do not want to read truth,
or memorize all its names.
I want to live its pulse.
I don't want to read about the doings,
or analyze their ways.
I want to create myself whole.
I do not want to act brave,
or write poems about courage.
I want to be the space that scares fear.
I have already seen forgiveness.
I no longer wish to forgive.
I want to dwell where there is no other.
I do not long to conquer time.
I want to be the still point inside it,
not a clock, but the silence between ticks.
I do not seek escape from birth and death.
I want to know the place
where neither arrives.
I do not need proof of self-existence.
I want to be the light
that doesn’t have a switch.
I do not ask for the Guru’s gift
as something outside me.
I want to dissolve into blessing.
Listening to this today today, and working on a translation:
Lyrics
Tere ishq ne dera mere andar keeta
Bhar ke zehar pyala, main taan aape peeta
Jhabde wahundi tabiba, nahi te main mar gayaan
Tere ishq nachaaiyaan, kar ke thaiyaa thaiyaa
Chup gaye ve sooraj, bahar reh gayi laali
Ve main sadqe hova, devein murjey vikhali
Peera main bhul gayaan, tere naal na gaiyaan
Tere ishq nachaaiyaan, kar ke thaiyaa thaiyaa
Ais ishq de kolon mainu hatak na maaye
Laahu jaandey berrey, kehrram mor laya
Meri akal jun bhulli, naal mhaniyaan dey gaiyaan
Tere ishq nachaaiyaan, kar ke thaiyaa thaiyaa
Ais ishq di jhangi vich mor bulenda
Sanu qibla ton kaaba, sohna yaar disenda
Saanu ghayal karke, phir khabar na laaiyaan
Tere ishq nachaaiyaan, kar ke thaiyaa thaiyaa
Bullah Shah, na aounda mainu inayat de buhe
Jisne mainu awaye, chole saave te suhe
Jaan main maari aye, addi mil paya hai vahaiya
Tere ishq nachaaiyaan, kar ke thaiyaa thaiyaa
Translation:
Your love has taken up residence within me,
I drank the poisoned chalice with my own hands.
O wandering healer, if you do not come, I will perish—
Your love has spun me into a frenzied dance.
The sun has slipped away, leaving only its crimson glow.
I would give my life for one more glimpse of you.
My wounds were forgotten, but I did not follow when you called—
Your love has spun me into a frenzied dance.
Do not try to turn me away from this path of love.
Can you halt the boats that drift upon the tides?
Foolish, I cast aside my wisdom and followed the boatman—
Your love has spun me into a frenzied dance.
A peacock cries in the wild grove of passion,
For me, my beloved is both Qibla and Kaaba.
You wounded me and never turned back to see—
Your love has spun me into a frenzied dance.
Bulleh Shah lingers at the door of Inayat,
Who clothed me in robes of green and red.
I leaped, but he caught me before I could fly—
Your love has spun me into a frenzied dance.
Poem -
Counting Notes at Baba Bulleh Shah’s
The singer at Baba Bulleh Shah’s shrine
counts notes in one hand,
sings of love and longing with the other.
It is a delicate balancing act,
like patting your head while rubbing your stomach,
or reading a love letter
while checking the price of wheat.
I wonder if the words—
Tere Ishq nachaaiyaan, kar ke thaiyaa thaiyaa—
are so deeply etched in his heart
that they spill out effortlessly,
the way breath continues
even when we forget to inhale,
or if they are nothing more
than a familiar refrain,
a worn path in the brain,
something to be sung
while the real work of life
is done in the margins.
And at the edge of the night sky,
no stars appear—
or perhaps I cannot count
while desire still flickers.
Launching this shabad as part of Guru Nanak's 555th birth centenary celebrations. I also wrote a poem inspired by this shabad while I was visiting New Jersey last week. For me the celebrations continue long after the supposed birthday is over. May the Guru continue to bless you!
Here is an excerpt from my poem:
Where you belong
Some moments you don’t want to end— standing across the Hudson, Manhattan glowing like a promise, its lights flickering into the water ...
On my birthday this year, my daughter drew a picture of me. It reminded me of the following limerick I had recently read:
There was a young man who said "Damn! I perceive with regret that I am But a creature that moves In predestinate grooves I'm not even a bus, I'm a tram."
It also reminded me of a playful limerick that my daughter wrote about me:
There was a girl named Geet She was incredibly sweet Her dad was fat Nobody likes that But she loved him head to feet
More background on the first limerick:
I have seen several versions of the first limerick here, attributed to Maurice E. Hare, 1905. The reply was authored by Nicholas Humphrey, and first appeared in Nicholas Humphrey, “Predispositions to learn,” in Constraints on Learning, ed. R. A. Hinde and J. Stevenson-Hinde, pp. 301- 304, Academic Press, London, 1973. To me, these limericks address the topics of free will, determinism, and biological constraints on development.
There was a young man who said "Damn! I perceive with regret that I am But a creature that moves In predestinate grooves I'm not even a bus, I'm a tram."
"Young man you should stay your complaint, For the grooves that you call a constraint Are there to contrive That you learn to survive; Trams arrive, buses may or they mayn't."
There once was an old man who said, ‘Damn! It is borne in upon me I am An engine that moves In determinate grooves, I’m not even a bus, I’m a tram.
First Jane's poem, and then my own musing on singing songs.
The Poet
She is working now, in a room not unlike this one, the one where I write, or you read. Her table is covered with paper. The light of the lamp would be tempered by a shade, where the bulb's single harshness might dissolve, but it is not, she has taken it off. Her poems? I will never know them, though they are the ones I most need. Even the alphabet she writes in I cannot decipher. Her chair -- Let us imagine whether it is leather or canvas, vinyl or wicker. Let her have a chair, her shadeless lamp, the table. Let one or two she loves be in the next room. Let the door be closed, the sleeping ones healthy. Let her have time, and silence, enough paper to make mistakes and go on.
- Jane Hirshfield
Give yourself
It is not easy to sing
it is hard says
the Guru
What makes it
hard specifically
are two steps:
First, deciding what you are going to sing.
Second, having the patience
to sing this song.
A good singer
gives himself
the time the patience and the courage to sing your song ...
whatever his song is ... a home, a family, a bridge, a poem, a friendship, a painting. He lets himself expand his horizons.
And if he get lucky in the end
he gets to hear your song
in his own voice
- Shivpreet Singh
Today we need to pick ourselves up, unruffle our feathers and renew our singing. We need to soar into this winter knowing that a spring awaits around the corner.
We need to make new love songs -- not the flaky and fake ones -- real bold silver pinions of equality that wave over our heads.
We need to perch on all her branches to keep spilling their essence until we have infected all the rest and can hear America singing again.
- Shivpreet Singh
More Songs of American Renewal
1. Long, too long America - Walt Whitman (written after Civil War)
Long, too long America, Traveling roads all even and peaceful you learn'd from joys and prosperity only, But now, ah now, to learn from crises of anguish, advancing, grappling with direst fate and recoiling not, And now to conceive and show to the world what your children en-masse really are, (For who except myself has yet conceiv'd what your children en-masse really are?)
2. Hope - Emily Brontë
Hope
Hope was but a timid friend;
She sat without the grated den,
Watching how my fate would tend,
Even as selfish-hearted men.
She was cruel in her fear;
Through the bars one dreary day,
I looked out to see her there,
And she turned her face away!
Like a false guard, false watch keeping,
Still, in strife, she whispered peace;
She would sing while I was weeping;
If I listened, she would cease.
False she was, and unrelenting;
When my last joys strewed the ground,
Even Sorrow saw, repenting,
Those sad relics scattered round;
Hope, whose whisper would have given
Balm to all my frenzied pain,
Stretched her wings, and soared to heaven,
Went, and ne’er returned again!
3. To Hope - John Keats
To Hope
When by my solitary hearth I sit,
When no fair dreams before my ‘mind’s eye’ flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head.
Whene’er I wander, at the fall of night,
Where woven boughs shut out the moon’s bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moon-beams through the leafy roof,
And keep that fiend Despondence far aloof.
Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chase him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!
Whene’er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o’er my head!
4. Grace - Jo Harjo
Grace
Joy Harjo
Grace
- for Darlene Wind and James Welch
I think of Wind and her wild ways the year we had nothing to lose and lost it anyway in the cursed country of the fox. We still talk about that winter, how the cold froze imaginary buffalo on the stuffed horizon of snowbanks. The haunting voices of the starved and mutilated broke fences, crashed our thermostat dreams, and we couldn’t stand it one more time. So once again we lost a winter in stubborn memory, walked through cheap apartment walls, skated through fields of ghosts into a town that never wanted us, in the epic search for grace.
Like Coyote, like Rabbit, we could not contain our terror and clowned our way through a season of false midnights. We had to swallow that town with laughter, so it would go down easy as honey. And one morning as the sun struggled to break ice, and our dreams had found us with coffee and pancakes in a truck stop along Highway 80, we found grace.
I could say grace was a woman with time on her hands, or a white buffalo escaped from memory. But in that dingy light it was a promise of balance. We once again understood the talk of animals, and spring was lean and hungry with the hope of children and corn.
I would like to say, with grace, we picked ourselves up and walked into the spring thaw. We didn’t; the next season was worse. You went home to Leech Lake to work with the tribe and I went south. And, Wind, I am still crazy. I know there is something larger than the memory of a dispossessed people. We have seen it.
5. “Hope” is the thing with feathers - Emily Dickinson
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -
I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
6. From The Cure of Troy - Seamus Heaney
This is from Seamus Heaney'a poetic drama The Cure at Troy, a version of a play by the Greek dramatist Sophocles (fifth century BCE), and addresses questions of personal morality, deceit and political expediency, suffering and healing.