Shivpreet Singh
Shivpreet Singh
  • Home
  • Music
    • Spotify
    • Apple Music
    • Amazon
    • Pandora
    • SoundCloud
    • Google
    • You Tube
      • Music on YouTube
      • Uplifting Shabads
      • Guru Nanak Shabads
      • Meditation & Chanting
      • Shabads for Kids
      • Shabads of Guru Arjan
      • Shabads of Guru Gobind Singh
  • Videos
    • Latest
    • Popular
    • Uplifting
    • Guru Nanak
    • Meditation
    • For Kids
    • Guru Arjan
    • Guru Gobind Singh
  • Projects
    • DhunAnand Foundation
    • Pandemic 2020
    • Guru Nanak 550
    • Namdev 750
    • Thoughts and Ruminations
    • What I Love to Read
  • News
  • Meet Me
    • Meet Me
    • Request
    • Send Email
    • Newsletter
    • FAQs
  • About
    • Biography
    • Photos
    • Music
    • FAQs



Pavan, the Guru

I sit 

in the middle of the Golden Gate of all poetry 
squinting backwards into the past.
To me its somewhat unclear 
how I ever got here.

Then I stare into an obscure future 
through the smoky 
California 
sky

into two hills 
on the horizon looking 
directly into the subdued sun
appearing relatively victorious today.

A few days ago here
the he forgot
to rise.

Where were you?
And where are 
we going?

Look ...
in this smoke is lost 
any sign of any passage 
to anything even remotely soulful.

As I sit here today
You will sit one day
reflecting upon your fires

You ...
singer of all
modern connections, Walt!
Have you heard of the survival rule of 3's 
which says that one can live without 
food  for 3 weeks, without water 
for 3 days, but sans air 
just 3 minutes.

I heard some have returned
to mother earth
waiting for 
a gasp.

And you have not yet clarified
which is more victorious:
death or dismay?

Am I in 
your midst.
Where are you?

O tranquil song 
of the air,
where?

Pavan
O Wind!
Carrier of all
working night and day
Where are you to eclaricise,
O Guru of all gurus, to clear the way?


Questions. 
EM Foresters book by the same name may have been based on this poem. It came a few decades after Whitman’s poem. It was confirmed in a YouTube video that it was. Hmm. Will be interesting to hear the story. It brought a lot of acclaim to the writer. 




 

https://youtu.be/KNnbyfDHo1k

Walt Whitman's Passage to India

1
Singing my days,  
Singing the great achievements of the present,  
Singing the strong light works of engineers,  
Our modern wonders, (the antique ponderous Seven outvied,)  
In the Old World the east the Suez canal,
The New by its mighty railroad spann’d,  
The seas inlaid with eloquent gentle wires;  
Yet first to sound, and ever sound, the cry with thee O soul,   
The Past! the Past! the Past!  
  
The Past— the dark unfathom’d retrospect!
The teeming gulf—the sleepers and the shadows!  
The past—the infinite greatness of the past!  
For what is the present after all but a growth out of the past?  
(As a projectile, form’d, impell’d, passing a certain line, still keeps on,   
So the present, utterly form’d, impell’d by the past.)
 
2
Passage O soul to India!  
Eclaircise the myths Asiatic, the primitive fables.  
  
Not you alone proud truths of the world!  
Nor you alone ye facts of modern science,  
But myths and fables of eld, Asia’s, Africa’s fables,
The far-darting beams of the spirit, the unloos’d dreams!  
The deep diving bibles and legends,  
The daring plots of the poets, the elder religions;  
O you temples fairer than lilies pour’d over by the rising sun!  
O you fables spurning the known, eluding the hold of the known, mounting to heaven!
You lofty and dazzling towers, pinnacled, red as roses, burnish’d with gold!   
Towers of fables immortal fashion’d from mortal dreams!  
You too I welcome and fully the same as the rest!  
You too with joy I sing.  
Passage to India!
Lo, soul, seest thou not God’s purpose from the first?  
The earth to be spann’d, connected by network,    
The races, neighbors, to marry and be given in marriage,  
The oceans to be cross’d, the distant brought near, 
The lands to be welded together.  
  
A worship new I sing, 
You captains, voyagers, explorers, yours,  
You engineers, you architects, machinists, yours,   
You, not for trade or transportation only, 
But in God’s name, and for thy sake O soul.  

3
Passage to India!  
Lo soul for thee of tableaus twain,  
I see in one the Suez canal initiated, open’d,  
I see the procession of steamships, the Empress Eugenie’s leading the van,  
I mark, from on deck the strange landscape, the pure sky, the level sand in the distance,   
I pass swiftly the picturesque groups, the workmen gather’d,  
The gigantic dredging machines.  
  
In one again, different, (yet thine, all thine, O soul, the same,)  
I see over my own continent the Pacific Railroad, surmounting every barrier,
I see continual trains of cars winding along the Platte, carrying freight and passengers,    
I hear the locomotives rushing and roaring, and the shrill steam-whistle,   
I hear the echoes reverberate through the grandest scenery in the world,  
I cross the Laramie plains, I note the rocks in grotesque shapes, the buttes,   
I see the plentiful larkspur and wild onions, the barren, colorless, sage-deserts,
I see in glimpses afar or towering immediately above me the great mountains, I see the Wind River and the Wahsatch mountains,   
I see the Monument mountain and the Eagle’s Nest, I pass the Promontory, I ascend the Nevadas,  
I scan the noble Elk mountain and wind around its base,    
I see the Humboldt range, I thread the valley and cross the river,  
I see the clear waters of Lake Tahoe, I see forests of majestic pines,
Or crossing the great desert, the alkaline plains, I behold enchanting mirages of waters and meadows,    
Marking through these and after all, in duplicate slender lines,  
Bridging the three or four thousand miles of land travel,  
Tying the Eastern to the Western sea,  
The road between Europe and Asia.
  
(Ah Genoese thy dream! thy dream!  
Centuries after thou art laid in thy grave,  
The shore thou foundest verifies thy dream.)  

4
Passage to India!  
Struggles of many a captain, tales of many a sailor dead,
Over my mood stealing and spreading they come,  
Like clouds and cloudlets in the unreach’d sky.  
  
Along all history, down the slopes,  
As a rivulet running, sinking now, and now again to the surface rising,  
A ceaseless thought, a varied train—lo, soul, to thee, thy sight, they rise,
The plans, the voyages again, the expeditions;  
Again Vasco de Gama sails forth,  
Again the knowledge gain’d, the mariner’s compass,  
Lands found and nations born, thou born America,  
For purpose vast, man’s long probation fill’d,
Thou, rondure of the world at last accomplish’d.  

5
O vast Rondure, swimming in space,   
Cover’d all over with visible power and beauty,  
Alternate light and day, and the teeming spiritual darkness,  
Unspeakable high processions of sun and moon and countless stars above,
Below, the manifold grass and waters, animals, mountains, trees,  
With inscrutable purpose, some hidden prophetic intention,  
Now first it seems my thought begins to span thee.  
  
Down from the gardens of Asia descending radiating,  
Adam and Eve appear, then their myriad progeny after them,
Wandering, yearning, curious, with restless explorations,  
With questionings, baffled, formless, feverish, with never-happy hearts,   
With that sad, incessant refrain, Wherefore, unsatisfied soul? and Whither O mocking life?  
  
Ah who shall soothe these feverish children?  
Who justify these restless explorations?
Who speak the secret of impassive earth?  
Who bind it to us? What is this separate Nature, so unnatural?  
What is this earth, to our affections? (unloving earth, without a throb to answer ours,    
Cold earth, the place of graves.)  
  
Yet soul be sure the first intent remains, and shall be carried out,
Perhaps even now the time has arrived.  
  
After the seas are all cross’d, (as they seem already cross’d,)  
After the great captains and engineers have accomplish’d their work,  
After the noble inventors, after the scientists, the chemist, the geologist, ethnologist,  
Finally shall come the poet worthy that name,
The true Son of God shall come singing his songs.  
  
Then not your deeds only O voyagers, O scientists and inventors, shall be justified,   
All these hearts as of fretted children shall be sooth’d,  
All affection shall be fully responded to, the secret shall be told,   
All these separations and gaps shall be taken up and hook’d and link’d together, 
The whole earth, this cold, impassive, voiceless earth, shall be completely justified,   
Trinitas divine shall be gloriously accomplish’d and compacted by the true son of God, the poet,  
(He shall indeed pass the straits and conquer the mountains,  
He shall double the Cape of Good Hope to some purpose,)  
Nature and Man shall be disjoin’d and diffused no more,
The true son of God shall absolutely fuse them.  
  
6
Year at whose wide-flung door I sing!  
Year of the purpose accomplish’d!  
Year of the marriage of continents, climates and oceans!  
(No mere doge of Venice now wedding the Adriatic,)
I see, O year in you the vast terraqueous globe given and giving all,  
Europe to Asia, Africa join’d, and they to the New World,   
The lands, geographies, dancing before you, holding a festival garland,  
As brides and bridegrooms hand in hand.  
  
Passage to India!
Cooling airs from Caucasus far, soothing cradle of man,  
The river Euphrates flowing, the past lit up again.  
  
Lo soul, the retrospect brought forward,   
The old, most populous, wealthiest of earth’s lands,  
The streams of the Indus and the Ganges, and their many affluents,
(I my shores of America walking to-day behold, resuming all,)   
The tale of Alexander, on his warlike marches suddenly dying,  
On one side China and on the other side Persia and Arabia,  
To the south the great seas and the Bay of Bengal,  
The flowing literatures, tremendous epics, religions, castes,
Old occult Brahma interminably far back, the tender and junior Buddha,  
Central and southern empires and all their belongings, possessors,  
The wars of Tamerlane, the reign of Aurungzebe,  
The traders, rulers, explorers, Moslems, Venetians, Byzantium, the Arabs, Portuguese,   
The first travelers famous yet, Marco Polo, Batouta the Moor,
Doubts to be solv’d, the map incognita, blanks to be fill’d,  
The foot of man unstay’d, the hands never at rest,  
Thyself O soul that will not brook a challenge.  
The medieval navigators rise before me,  
The world of 1492, with its awaken’d enterprise,
Something swelling in humanity now like the sap of the earth in spring,  
The sunset splendor of chivalry declining.  
  
And who art thou, sad shade?  
Gigantic, visionary, thyself a visionary,  
With majestic limbs, and pious beaming eyes,
Spreading around, with every look of thine, a golden world,  
Enhuing it with gorgeous hues.  
  
As the chief histrion,  
Down to the footlights walks in some great scena,  
Dominating the rest I see the Admiral himself,
(History’s type of courage, action, faith,)  
Behold him sail from Palos leading his little fleet,  
His voyage behold, his return, his great fame,  
His misfortunes, calumniators, behold him a prisoner, chain’d,   
Behold his dejection, poverty, death.
  
(Curious in time, I stand, noting the efforts of heroes,   
Is the deferment long? bitter the slander, poverty, death?  
Lies the seed unreck’d for centuries in the ground? lo, to God’s due occasion,   
Uprising in the night, it sprouts, blooms,  
And fills the earth with use and beauty.) 
  
7
Passage indeed O soul to primal thought,  
Not lands and seas alone, thy own clear freshness,  
The young maturity of brood and bloom,   
To realms of budding bibles.  
  
O soul, repressless, I with thee and thou with me,
Thy circumnavigation of the world begin,   
Of man, the voyage of his mind’s return,  
To reason’s early paradise,  
Back, back to wisdom’s birth, to innocent intuitions,  
Again with fair creation. 
  
8
O we can wait no longer,   
We too take ship O soul,  
Joyous we too launch out on trackless seas,  
Fearless for unknown shores on waves of ecstasy to sail,  
Amid the wafting winds, (thou pressing me to thee, I thee to me, O soul,)
Caroling free, singing our song of God,  
Chanting our chant of pleasant exploration.  
  
With laugh, and many a kiss,  
(Let others deprecate, let others weep for sin, remorse, humiliation,)   
O soul, thou pleasest me, I thee.
  
Ah more than any priest O soul we too believe in God,  
But with the mystery of God we dare not dally.  
  
O soul thou pleasest me, I thee,   
Sailing these seas or on the hills, or waking in the night,  
Thoughts, silent thoughts, of Time and Space and Death, like waters flowing,
Bear me indeed as through the regions infinite,  
Whose air I breathe, whose ripples hear, lave me all over,   
Bathe me O God in thee, mounting to thee,  
I and my soul to range in range of thee.  
  
O Thou transcendant,
Nameless, the fibre and the breath,   
Light of the light, shedding forth universes, thou centre of them,   
Thou mightier centre of the true, the good, the loving,   
Thou moral, spiritual fountain— affection’s source— thou reservoir,   
(O pensive soul of me— O thirst unsatisfied— waitest not there?
Waitest not haply for us somewhere there the Comrade perfect?)  
Thou pulse— thou motive of the stars, suns, systems,  
That, circling, move in order, safe, harmonious,  
Athwart the shapeless vastnesses of space,  
How should I think, how breathe a single breath, how speak, if, out of myself,
I could not launch, to those, superior universes?  
  
Swiftly I shrivel at the thought of God,  
At Nature and its wonders, Time and Space and Death,  
But that I, turning, call to thee O soul, thou actual Me,  
And lo, thou gently masterest the orbs,
Thou matest Time, smilest content at Death,  
And fillest, swellest full the vastnesses of Space.  
  
Greater than stars or suns,  
Bounding O soul thou journeyest forth;  
What love than thine and ours could wider amplify?
What aspirations, wishes, outvie thine and ours, O soul?  
What dreams of the ideal? what plans of purity, perfection, strength?   
What cheerful willingness for others’ sake, to give up all?  
For others’ sake to suffer all?  
  
Reckoning ahead O soul, when thou, the time achiev’d,
The seas all cross’d, weather’d the capes, the voyage done,  
Surrounded, copest, frontest God, yieldest, the aim attain’d,  
As fill’d with friendship, love complete, the Elder Brother found,   
The Younger melts in fondness in his arms.  
  
9
Passage to more than India!
Are thy wings plumed indeed for such far flights?  
O Soul, voyagest thou indeed on voyages like these?  
Disportest thou on waters such as those?  
Soundest below the Sanscrit and the Vedas?  
Then have thy bent unleash’d.
  
Passage to you, your shores, ye aged fierce enigmas!  
Passage to you, to mastership of you, ye strangling problems!  
You, strew’d with the wrecks of skeletons, that, living, never reach’d you.  
Passage to more than India!  
O secret of the earth and sky!
Of you O waters of the sea! O winding creeks and rivers!  
Of you O woods and fields! Of you strong mountains of my land!   
Of you O prairies! of you, gray rocks!  
O morning red! O clouds! O rain and snows!  
O day and night, passage to you!
  
O sun and moon, and all you stars! Sirius and Jupiter!  
Passage to you!  
  
Passage, immediate passage! the blood burns in my veins!  
Away O soul! hoist instantly the anchor!  
Cut the hawsers—haul out—shake out every sail!
Have we not stood here like trees in the ground long enough?  
Have we not grovell’d here long enough, eating and drinking like mere brutes?   
Have we not darken’d and dazed ourselves with books long enough?   
  
Sail forth— steer for the deep waters only,   
Reckless O soul, exploring, I with thee, and thou with me,
For we are bound where mariner has not yet dared to go,  
And we will risk the ship, ourselves and all.  
  
O my brave soul!  
O farther farther sail!  
O daring joy, but safe! are they not all the seas of God?
O farther, farther, farther sail!


Passage To India References

https://poets.org/poem/passage-india

https://poemanalysis.com/walt-whitman/passage-to-india/

https://www.poetryfoundation.org/articles/69413/walt-whitman-a-passage-to-india

https://ir.uiowa.edu/cgi/viewcontent.cgi?article=1002&context=wwqr

https://www.jstor.org/stable/461642?read-now=1&seq=1#page_scan_tab_contents

https://www.cliffsnotes.com/literature/l/leaves-of-grass/summary-and-analysis-calamus/passage-to-india#:~:text=The%20poet%20and%20his%20soul%2C%20like%20two%20lovers%2C%20are%20united,God%20as%20a%20transcendental%20deity.&text=In%20section%209%2C%20the%20journey,is%20a%20challenging%20spiritual%20journey.




This ghazal written by Shaad Azeemabadi (1846 - 1927) showcases the journey of a lover who is imploring his beloved to join him. Or perhaps its a journey of self discovery.

Dhoondo Ge Agar Mulkon Mulkon
Milne Ke Nahin Nayaab Hain Hum
Tabeer Hai Jiski Hasrat-O-Gham
Aye Humnafaso Woh Khwaab Hain Hum

Even if you search from nation to nation 
You won’t find me, for I’m a rare jewel.
With a willingness to handle grief and sorrow, 
O friends! I am an embodiment of that dream.


Roman Script
Dhoondo Ge Agar Mulkon Mulkon
Milne Ke Nahin Nayaab Hain Hum
Tabeer Hai Jiski Hasrat-O-Gham
Aye Humnafaso Woh Khwaab Hain Hum

Translation
Even if you search from nation to nation,
You won’t find me, for I’m a rare jewel.
With a willingness to handle grief and sorrow,
O friends! I am an embodiment of that dream.

Tabeer - Interpretation of a dream

Roman Script
Aye Dard Bata Kuch Tu Hi Pata
Ab Tak Yeh Mu’ammya Hal Na Hua
Hum Mein Hain Dil-E-Betaab Nihan
Yah Aap Dil-E-Betaab Hain Hum

Translation
O grief! Please help me understand
For the situation hasn't resolved itself yet,
Whether a restless heart is embedded inside me
Or am I the restless heart itself?


Roman Script
Main Hairat-O-Hasrat Ka Maara
Khamosh Khada Hoon Sahil Par
Dariya-E-Mohabbat Kehta Hai
“Aa Kuch Bhi Nahin Payaab Hain Hum”

Translation
I, driven by wonder and desire
Stand quietly at the bank of a river.
The river of love beckons,
"Don't be afraid, I am shallow and fordable”


Roman Script
Lakhon Hi Musafir Chalte Hain
Manzil pohunchte Hain Do Ik
Aye Ahl-E-Zamana Qadr Karo
Nayaab Na Hon Kamyaab Hain Hum

Translation
Millions of travelers walk,
Only a handful reach their destinations,
O my contemporaries! Appreciate me for I am,
rare, if not elusive.


Roman Script
Murghan-E-Qafas Ko Phoolon Ne
Aye Shaad Ye Kahla Bheja Hai
Aa Jao Jo Tum Ko Aana Ho
Aise Mein Abhi Shadaab Hain Hum

Translation
O Shaad! The flowers have dispatched
This message to birds in captivity
"Come if you wish to,
I am resplendent in the present moment."


Translation and further explanation can be found here: http://gurmeet.net/poetry/dhoondoge-agar-mulkon-mulkon/



Highway, Road, Markers, Travel, Journey, Asphalt

Perpetual Motion
Tony Hoagland

In a little while I’ll be drifting up an on-ramp,
sipping coffee from a styrofoam container,
checking my gas gauge with one eye
and twisting the dial of the radio
with the fingers of my third hand,
Looking for a station I can steer to Saturn on.

It seems I have the traveling disease
again, an outbreak of that virus
celebrated by the cracked lips
of a thousand blues musicians—song
about a rooster and a traintrack,
a sunrise and a jug of cherry cherry wine.

It's the kind of perceptual confusion
that makes your loved ones into strangers,
that makes a highway look like a woman
with air conditioned arms. With a
bottomless cup of coffee for a mouth
and jewelry shaped like pay phone booths
dripping from her ears.

In a little while the radio will
almost have me convinced
that I am doing something romantic,
something to do with “freedom” and “becoming”
instead of fright and flight into
an anonymity so deep

it has no bottom,
only signs to tell you what direction
you are falling in: CHEYENNE, SEATTLE,
WICHITA, DETROIT—Do you hear me,
do you feel me moving through?
With my foot upon the gas,
between the future and the past,
I am here—
here where the desire to vanish
is stronger than the desire to appear.

My Take:

The narrator of the poem is going to start on a car journey. He wants to go very far -- he says he wants to go to Saturn. Perhaps he just wants to escape his life, his now. He just wants to go. It's a feeling that he has no control over. It's like a disease he has contracted. Perhaps he is inflicted by pessimism, because it is an outbreak that is celebrated by so many blues musicians.

He is so pessimistic that loved ones have become strangers. Thats an interesting point because we often hear about how optimism -- the walt whitman kind of optimism -- the optimism that can convert strangers into friends. Pessimism converts loved ones into strangers -- another clue that thats what has happened to the narrator.

He tries to escape his life, his friends, his loved ones, his now. And instead befriends the highway. A new path.  A renunciation, a sanyasa. This new path looks enticing, sexy -- like a girl with comfortable, air-conditioned arms. Phone booths which can be used to call his friends now appear like jewelry -- present not for the sake of connecting with the old loved ones, but as show pieces merely present to decorate the new enticements.

The radio helps in the escape. The songs playing give the false feeling that the narrator is not running from life, but being free. Doing something romantic -- something connected with love and passion. The narrator is moving.

The last few lines are beautiful:
Do you hear me,
do you feel me moving through?
With my foot upon the gas,
between the future and the past,
I am here—
here where the desire to vanish
is stronger than the desire to appear.

This is one of the poems about traveling where the metaphor is the path of life. Just like Robert Frost's poem about "miles to go before I sleep:" https://shivpreetsingh.blogspot.com/2010/11/robert-frost.html

But instead of rushing into activity, the narrator is trying to escape activity. Escape the future and the past, and all the people he knows -- all he wants is the highway. 

This character of Tony Hoagland's poem, "Perpetual Motion" talks about how he, disgusted by his life and loved ones, sets off on a journey, a perpetual journey to nowhere. The only love in his life is the highway. He loves the path and forgets everything else. He is moving between the past and his future, and despite being in the now, he is obviously diseased by pessimism. 

It creates a beautiful picture, and it is metaphor worth digging into: perpetual motion of the mind into nothingness.  Perhaps, when one is unhappy with life, one thinks of giving up everything to be happier. 

But are you happier really by renunciation? I doubt it. That is like shutting your eyes and assuming no one can see you. If you shut down your eyes, if you forget your past, and you don't dream of your future, it does not change where you are. I am not sure one has to renounce their past, future, friends and family to be in this perpetual motion. His desire is to vanish is really a desire to relinquish his ego - to disappear. And the title confirms that this motion -- this desire to move away from the past and future -- to here. And there is a perpetual motion needed for this. Sort of a constant reminder as in Guru Arjan's Saas Saas, every breath. It is perpetual motion into the desire to disappear. 

So my reading of this poem is metaphorical. It is not really a real trip. It is a perpetual motion of the mind into a state of the present, even if it seems like it is unattainable like Saturn. And then it makes a lot more sense. There is peace and pleasure in acceptance. As Guru Gobind Singh says in Re Man Aiso Kar Sanyasa, the true renunciation is of the mind. True peace is in accepting. 

The true spiritual pathway is inclusive of all. It includes a path, a highway. But it also includes loved ones. It's not about the blues of life. It's about a celebration. A colorful celebration. The purpose of life is to sing. 

Finding Balance Between Work and Leisure

For me, Robert Frost's famous poem "Stopping by Woods on a Snowy Evening" is about a common human pursuit of finding the right balance between work and leisure.  

People often try to find a balance between work and leisure because they want to achieve a sense of fulfillment in their lives. They understand that work is important for their financial stability and career growth, but they also recognize the importance of taking time off and engaging in leisure activities to recharge and relieve stress. I have always felt the need to evaluate the time I spend on growing myself professionally versus pursuing spiritual music which provides me immense pleasure. 

Finding the right balance can be challenging, as the demands of work and personal responsibilities can sometimes take up a lot of time and energy. Additionally, some people may feel a sense of guilt or pressure when taking time off for leisure, especially if they are high-achievers or work in demanding jobs.

Despite these challenges, many people still strive to find a balance between work and leisure because they believe it leads to a healthier and happier life. By setting aside time for leisure activities such as exercise, hobbies, and spending time with loved ones, people can boost their mood, reduce stress, and improve their overall well-being.

Ultimately, the balance between work and leisure is different for everyone, and what works for one person may not work for another. People may need to experiment and make adjustments to find the balance that works best for them. But the effort to find that balance is a common experience for many people, and it's a constant work in progress as their priorities and circumstances change over time.

Here is the beautiful poem: 

Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

- Robert Frost


I am often reminded of this poem because I go back with this poem like I don't with many. I have probably known this since I was a teenager.

This poem reminds me of Shri Krishna, and his message of righteous action. Krishna reminds in Chapter 2 of the Bhagwad Gita us that doing good work is our duty; not anticipating the fruits of our labor. It might be easier and more comfortable to do the alternative, but the path of righteousness must be actively chosen.

It also reminds me of Guru Gobind Singh's Deh Shiva ... where is asks for a boon from God for shubh karman, or good deeds.

Other Poems worth reading:
  • It would be neat if with the New Year by Jimmy Santiago Baca, a poem of loneliness, yet a poem a hope, spring and finding your path.
  • Guru Tegh Bahadhur's Ab Main Kaun Upao Karon


Older Posts Home

SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

Related Posts

Popular - 30 days

  • Vande Mataram - Lyrics and Translation
    I love the Vande Maataram composition in Raag Des sung by Lata Mangeshkar.  Vande Mataram is the national song of India. In 2003, BBC World ...
  • Kabir's Gao Gao Ri Dulhani - Lyrics and meanings
    One of my favorite Kabir's poem I call "Dulhani." In this beautiful poem, Kabir envisions himself as the bride and the univers...
  • The Many Types of Raag Malhar
    Pour love in your heart, like the rain pours on the land today. As I am working on a Meerabai song I am doing research on the different vari...
  • Jindari Lutti by Ghulam Farid - Lyrics/Translation and Performance by Bade Ghulam Ali Khan (Also Rohi or Dilri Lutti)
    Bade Ghulam Ali Khan's version of this Multani Kafi This is a beautiful spiritual song of separation written by Ghulam Farid.  I recentl...
  • Gulon Mein Rang Bhare - Lyrics and Translation of Mehdi Hassan Ghazal
    I was listening and meditating upon this beautiful ghazal by Faiz Ahmed Faiz, beautifully composed by Mehdi Hassan. It is one of my favorite...
  • Krishna's Cosmic Flute - Reflecting upon Bulleh Shah's Kafi, Bansi Kaanh Acharj Bajai
    Krishna's Cosmic Flute Playing Bulleh Shah in a kafi says, "You are playing a surprising, wondrous, flute O Krishna." Bulleh S...
  • Beethal Bhaila - Namdev Asa - Wherever I go, the playful Beethal is there
    I’ve been working on a musical composition for a beautiful shabad by Bhagat Naamdev, and it’s been making me think deeply about its message....
  • Ve Mahiya Tere Vekhan Nu - Tufail Niazi and Wadali Brothers
    I have recently heard this Bulleh Shah song and it has really touched my heart. Several people have sung it, but I love the original composi...
  • Praising Shri Krishna in the Guru Granth Sahib - Dhan Dhan O Raam Ben by Bhagat Namdev
    I made a new composition for this shabad today. Hopefully I will get to record it one day. I'd like to focus our discussion on this part...
  • Man Atkeya Beparwah De Naal - Lyrics and Translation of Shah Hussain
    Man Atkeya Beparwah De Naal - Listening and Singing this kaafi by Shah Hussain today ...  https://www.youtube.com/watch?v=SkYN2XlK1Vg Raag J...

Blog Archive

  • ▼  2026 (12)
    • ▼  June (1)
      • Translation of Laavan - Shivpreet Singh
    • ►  May (1)
    • ►  April (1)
    • ►  March (6)
    • ►  February (1)
    • ►  January (2)
  • ►  2025 (24)
    • ►  October (5)
    • ►  September (7)
    • ►  August (2)
    • ►  July (2)
    • ►  June (3)
    • ►  March (1)
    • ►  February (2)
    • ►  January (2)
  • ►  2024 (21)
    • ►  December (1)
    • ►  November (2)
    • ►  October (3)
    • ►  September (2)
    • ►  August (4)
    • ►  July (2)
    • ►  June (3)
    • ►  May (1)
    • ►  April (1)
    • ►  February (1)
    • ►  January (1)
  • ►  2023 (41)
    • ►  December (4)
    • ►  November (3)
    • ►  October (4)
    • ►  September (7)
    • ►  August (5)
    • ►  July (7)
    • ►  June (3)
    • ►  May (3)
    • ►  April (1)
    • ►  March (1)
    • ►  February (3)
  • ►  2022 (8)
    • ►  March (2)
    • ►  January (6)
  • ►  2021 (139)
    • ►  December (15)
    • ►  November (2)
    • ►  October (6)
    • ►  September (7)
    • ►  August (2)
    • ►  July (4)
    • ►  May (21)
    • ►  April (21)
    • ►  March (35)
    • ►  February (23)
    • ►  January (3)
  • ►  2020 (150)
    • ►  December (2)
    • ►  November (13)
    • ►  October (32)
    • ►  September (47)
    • ►  August (37)
    • ►  July (5)
    • ►  June (3)
    • ►  May (3)
    • ►  April (3)
    • ►  March (2)
    • ►  February (1)
    • ►  January (2)
  • ►  2019 (43)
    • ►  December (5)
    • ►  November (8)
    • ►  October (13)
    • ►  September (4)
    • ►  July (3)
    • ►  June (1)
    • ►  May (2)
    • ►  March (1)
    • ►  February (1)
    • ►  January (5)
  • ►  2018 (53)
    • ►  December (8)
    • ►  November (5)
    • ►  October (3)
    • ►  September (4)
    • ►  August (6)
    • ►  July (3)
    • ►  June (4)
    • ►  May (6)
    • ►  April (5)
    • ►  March (2)
    • ►  February (4)
    • ►  January (3)
  • ►  2017 (73)
    • ►  December (2)
    • ►  November (12)
    • ►  October (8)
    • ►  September (1)
    • ►  August (7)
    • ►  July (6)
    • ►  June (12)
    • ►  May (5)
    • ►  April (4)
    • ►  March (8)
    • ►  February (3)
    • ►  January (5)
  • ►  2016 (141)
    • ►  December (1)
    • ►  November (9)
    • ►  October (16)
    • ►  September (19)
    • ►  August (2)
    • ►  July (5)
    • ►  June (7)
    • ►  May (3)
    • ►  April (18)
    • ►  March (34)
    • ►  February (16)
    • ►  January (11)
  • ►  2015 (28)
    • ►  December (1)
    • ►  November (1)
    • ►  October (2)
    • ►  September (12)
    • ►  August (1)
    • ►  May (1)
    • ►  April (7)
    • ►  March (1)
    • ►  February (1)
    • ►  January (1)
  • ►  2014 (107)
    • ►  December (1)
    • ►  November (6)
    • ►  October (1)
    • ►  August (2)
    • ►  July (1)
    • ►  June (11)
    • ►  April (10)
    • ►  March (15)
    • ►  February (24)
    • ►  January (36)
  • ►  2013 (242)
    • ►  December (13)
    • ►  October (5)
    • ►  September (3)
    • ►  August (3)
    • ►  June (7)
    • ►  May (62)
    • ►  April (79)
    • ►  March (12)
    • ►  February (23)
    • ►  January (35)
  • ►  2012 (145)
    • ►  December (29)
    • ►  November (31)
    • ►  October (44)
    • ►  September (5)
    • ►  August (9)
    • ►  July (7)
    • ►  June (1)
    • ►  May (3)
    • ►  April (1)
    • ►  March (4)
    • ►  February (9)
    • ►  January (2)
  • ►  2011 (252)
    • ►  December (1)
    • ►  November (1)
    • ►  October (4)
    • ►  September (13)
    • ►  August (28)
    • ►  July (44)
    • ►  June (33)
    • ►  May (15)
    • ►  April (2)
    • ►  March (45)
    • ►  February (43)
    • ►  January (23)
  • ►  2010 (70)
    • ►  December (31)
    • ►  November (20)
    • ►  October (2)
    • ►  September (3)
    • ►  August (1)
    • ►  July (2)
    • ►  May (5)
    • ►  March (4)
    • ►  February (1)
    • ►  January (1)
  • ►  2009 (15)
    • ►  December (1)
    • ►  November (3)
    • ►  October (2)
    • ►  September (2)
    • ►  August (1)
    • ►  June (1)
    • ►  April (1)
    • ►  March (1)
    • ►  February (1)
    • ►  January (2)
  • ►  2008 (15)
    • ►  November (1)
    • ►  July (2)
    • ►  June (5)
    • ►  May (1)
    • ►  April (2)
    • ►  March (1)
    • ►  February (1)
    • ►  January (2)
  • ►  2007 (9)
    • ►  November (4)
    • ►  October (2)
    • ►  September (1)
    • ►  August (2)
  • ►  1999 (1)
    • ►  May (1)

Message

Name

Email *

Message *

Twitter

Tweets by @shivpreetsingh


Copyright © Shivpreet Singh. Designed by OddThemes