Shivpreet Singh
Shivpreet Singh
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Kuchh Hosh Bhi Hai Ae Dast-e-junoon


O inciter of passion (craziness), do you know what happened?
The neck is so torn it has reached the skirt

Oh God, such innocence, such carelessnesss
They come to his dead body and ask what happened?

Did I see you or did I die?
There used to be a heart, who knows what happened!

No one should exceed their limits in love.
The drop that blows into a bubble bursts!

Come on 'Asir', now this is what occupies
One cries and the other asks what happened


Lyrics in Hindi

कुछ होश भी है ऐ दस्त-ए-जुनूँ देख क्या हुआ
दामन तक आ गया है गरेबाँ फटा हुआ
(दस्त-ए-जुनूँ = पागलपन का हाथ), (गरेबाँ = गरिबान/ कंठी)

अल्लाह रे ये कमसिनी इतना नहीं ख़्याल
मय्यत पे आके पूछते हैं इनको क्या हुआ

(कमसिनी = बचपना)

नज़र-ए-अदा हुआ के नियाज़-ए-क़ज़ा हुआ
पहलू में एक दिल था ख़ुदा जाने क्या हुआ

(नज़र-ए-अदा = प्रियतम की अदाओं की भेंट), (नियाज़-ए-क़ज़ा = मौत की इच्छा/ कामना)

अपनी हदूद से ना बढे़ इश्क़ में कोई
क़तरा हुबाब बन के जो उभरा फ़ना हुआ

(हदूद = मर्यादाओं, सीमाओं), (हुबाब = पानी का बुलबुला), (फ़ना = बर्बादी, तबाही, मृत्यु)

आओ 'असीर' अब तो यही मशग़ला सही
एक रोये और दूसरा पूछे के क्या हुआ

(मशगला = शगल करना, दिल बहलाव)

-असीर अलीगढ़ी

Lyrics in English: Kuch hosh bhi hai dast-e-junoon dekh kya hua


Kuch hosh bhi hai dast-e-junoon dekh kya hua
Daaman tak aa gaya hai garebaan phataa hua

Allah re ye kamsini itnaa nahin khayal
Mayyat pe aake poochhte hain inko kya hua

Nazr-e-adaa hua, ki niyaaz-e-qaza hua
Pehlu mein ek dil tha khuda jaane kya hua

Apni hadood se na badhe ishq mein koi
Qatra hubaab banke jo ubhra fanaa hua

Aao 'Asir' ab to yahi mashgala sahi
Ek roye aur dusara pooche ke kya hua

-Aseer Aligadhi
This morning I was meditating upon Witchgrass by Louise Glück. Let me share the poem, and then some thoughts on the same.

Witchgrass

Louise Glück

Something
comes into the world unwelcome
calling disorder, disorder—

If you hate me so much
don’t bother to give me
a name: do you need
one more slur
in your language, another
way to blame
one tribe for everything—

as we both know,
if you worship
one god, you only need
One enemy—

I’m not the enemy.
Only a ruse to ignore
what you see happening
right here in this bed,
a little paradigm
of failure. One of your precious flowers
dies here almost every day
and you can’t rest until
you attack the cause, meaning
whatever is left, whatever
happens to be sturdier
than your personal passion—

It was not meant
to last forever in the real world.
But why admit that, when you can go on
doing what you always do,
mourning and laying blame,
always the two together.

I don’t need your praise
to survive. I was here first,
before you were here, before
you ever planted a garden.
And I’ll be here when only the sun and moon
are left, and the sea, and the wide field.

I will constitute the field. 

This poem delves into the intricate power dynamics between human language and the natural world. Through the personification of the weed, specifically referred to as "witchgrass," the poem highlights its discontent with the negative connotations associated with its name. The weed argues that it has been wrongly accused of causing the death of delicate flowers cultivated by humans. In truth, it asserts that the flowers were destined to wither and die naturally, and it has merely become a scapegoat for their demise.

The weed proclaims its longevity and precedence over human presence, asserting that it existed before humans cultivated gardens and will likely persist long after their departure. Despite the unjust blame it receives, the weed confidently declares its ultimate victory, stating, "I will constitute the field." This phrase encapsulates the resilience and endurance of the weed, defying the accusations and asserting its integral role in the natural world.

I think the poet masterfully captures this song of rightful complaint, with the weed voicing its grievances against the unjust associations and blame placed upon it. The poem ultimately emphasizes the weed's resilience and challenges the limitations of human language in defining and categorizing the complexities of the natural world.

Other poems about name calling: 


In Gurbani Kabir says that people call him crazy, but God knows the mystery. He implies the truth that he might be the sane one in an insane world. Guru Nanak likewise says that people call him Diwana. I am reminded of a few other poems that cover name calling and the power of words:

"Sticks and Stones" by Dora Alice Holmes

This poem challenges the old adage "Sticks and stones may break my bones, but words will never hurt me." It reflects on the lasting impact of hurtful words and the emotional wounds they can inflict.

"Names" by Marilyn Nelson

In this poem, the speaker reflects on the power of names and how they can shape one's identity and perception. It explores the labels and stereotypes associated with different names, highlighting the impact they have on individuals.

"Label Poem" by Philip Levine

Levine's poem explores the way society categorizes and labels individuals, often based on superficial aspects such as appearance or occupation. It delves into the implications and limitations of these labels, questioning their accuracy and true representation of a person's essence.

"Slurs" by Martin Espada

Espada's poem confronts the use of racial slurs and the impact they have on individuals and communities. It challenges the power dynamics embedded in these derogatory terms and emphasizes the need for empathy, understanding, and respect.

"To This Day" by Shane Koyczan

While not explicitly focused on name-calling, this spoken word poem addresses the lasting effects of bullying, including the power of words used to demean and hurt others. It explores the pain and resilience of those who have been subjected to name-calling and emphasizes the importance of self-acceptance and kindness.


Other Themes and reminders 

  • Wild and crazy - Kabir's Baura; Nanak's Diwana
  • Longevity and Infinity
  • It might be losing the battle, but it will win the war and constitute the field - Guru Gobind Singh's Deh Shiva, Guru Nanak Man Jeetai Jagjit 

What is Witchgrass

Witchgass is a North American grass. The tufted grass is an annual plant that has hairy stems and large seed heads. It is the seed heads which give witchgrass weeds their name. When ripe, the seeds burst out and quickly scatter for long distances in the wind.



Read more at Gardening Know How: Witchgrass Weed Control – How To Get Rid Of Witchgrass https://www.gardeningknowhow.com/plant-problems/weeds/witchgrass-weed-control.htm







Other poems by Louise Gluck: https://shivpreetsingh.blogspot.com/2020/10/my-favorite-of-louise-glucks-poems.html
Bekhudi Le gayi kahaa.n humko - Mir Taqi Mir



बेख़ुदी ले गयी कहाँ हम को
देर से इंतज़ार है अपना

(बेख़ुदी = बेख़बरी, आत्मविस्मृति)

रोते फिरते हैं सारी-सारी रात
अब यही रोज़गार है अपना

दे के दिल हम जो हो गए मजबूर
इस में क्या इख़्तियार है अपना

(इख़्तियार = अधिकार, काबू, प्रभुत्व)

कुछ नही हम मिसाल-ए-अन्क़ा लेक
शहर-शहर इश्तेहार है अपना

(अन्क़ा  = फ़ारसी कविता का एक काल्पनिक पक्षी। इसे दु:साध्य और दुर्लभ के सन्दर्भ में प्रयुक्त किया है), (लेक = लेकिन)

जिस को तुम आसमान कहते हो
सो दिलों का ग़ुबार है अपना

-मीर तक़ी मीर
Here Emily Dickinson praises craziness; she says if an eye is discerning enough they would see the divinity in madness. It reminds me of Kabir saying “I know I am crazy, but I am yours my love!” in Jo Haun Baura. 


Much Madness is divinest Sense -
To a discerning Eye -
Much Sense - the starkest Madness -
’Tis the Majority
In this, as all, prevail -
Assent - and you are sane -
Demur - you’re straightway dangerous -
And handled with a Chain -


In the following succinct couplet, Kabir ponders about how illogical world’s thinking is:
Rangi ko narangi kahe, bane doodh ko khoya
Chalti ko gaari kahe, yeh dekh Kabira roya.

They call an orange, non-colorful (na-rangi),
they call a delicious milk cake lost (khoya)
they call a moving object stuck (gaari)
Seeing this (hypocrisy of the world) Kabir cries

I am reminded of a shabad I sing:

The world calls me crazy, 
but love, I am yours. 
- Kabir 

Kabir in the World of Fake News

The beauty of Kabir's poetry is that it is timeless. We live in a world of "fake news. The term "fake news" refers to misinformation or deliberately false information that is spread through traditional and digital media channels. In the current times, it is a major issue that has gained significant attention and concern. The ease of access to digital technology and the internet has resulted in an increase in the spread of fake news, making it easier for individuals and organizations to spread false information. This has created a challenge for individuals to differentiate between real and fake news, and has resulted in the erosion of trust in traditional media sources. The impact of fake news can be significant, affecting people's opinions, beliefs, and decisions. Additionally, fake news has the potential to incite violence, create panic, or spread conspiracy theories. Hence, it is important for individuals to be vigilant and critical of the information they consume and to verify the authenticity of the news before accepting it as truth.

The World Does Not Recognize Truth

The idea that the world does not recognize the truth refers to the concept that people are often blind to what is actually true, despite evidence being presented to them. This can be due to a variety of reasons such as, personal beliefs, biases, lack of information, or even a deliberate decision to ignore the truth. In some cases, the truth may be distorted or suppressed in order to serve the interests of a particular group or individual. This phenomenon can lead to widespread misunderstanding, division and conflict. In order to promote a more equitable and just society, it is important to encourage critical thinking and to seek out the truth, even if it challenges one's own beliefs and opinions.

Guru Nanak on the Hypocrisy of the World

Guru Nanak catches the hypocrisy of the world in this very similar poem in Raag Gauri.

ਗਉੜੀ ਮਹਲਾ ੧ ॥
गउड़ी महला १ ॥
Gaoṛī mėhlā 1.
Gauree, First Mehl:

ਗੁਰ ਪਰਸਾਦੀ ਬੂਝਿ ਲੇ ਤਉ ਹੋਇ ਨਿਬੇਰਾ ॥
गुर परसादी बूझि ले तउ होइ निबेरा ॥
Gur parsādī būjẖ le ṯao hoe niberā.
By Guru's Grace, one comes to understand, and then, the account is settled.

ਘਰਿ ਘਰਿ ਨਾਮੁ ਨਿਰੰਜਨਾ ਸੋ ਠਾਕੁਰੁ ਮੇਰਾ ॥੧॥
घरि घरि नामु निरंजना सो ठाकुरु मेरा ॥१॥
Gẖar gẖar nām niranjanā so ṯẖākur merā. ||1||
In each and every heart is the Name of the Immaculate Lord; He is my Lord and Master. ||1||

ਬਿਨੁ ਗੁਰ ਸਬਦ ਨ ਛੂਟੀਐ ਦੇਖਹੁ ਵੀਚਾਰਾ ॥
बिनु गुर सबद न छूटीऐ देखहु वीचारा ॥
Bin gur sabaḏ na cẖẖūtīai ḏekẖhu vīcẖārā.
Without the Word of the Guru's Shabad, no one is emancipated. See this, and reflect upon it.

ਜੇ ਲਖ ਕਰਮ ਕਮਾਵਹੀ ਬਿਨੁ ਗੁਰ ਅੰਧਿਆਰਾ ॥੧॥ ਰਹਾਉ ॥
जे लख करम कमावही बिनु गुर अंधिआरा ॥१॥ रहाउ ॥
Je lakẖ karam kamāvahī bin gur anḏẖiārā. ||1|| rahāo.
Even though you may perform hundreds of thousands of rituals, without the Guru, there is only darkness. ||1||Pause||

ਅੰਧੇ ਅਕਲੀ ਬਾਹਰੇ ਕਿਆ ਤਿਨ ਸਿਉ ਕਹੀਐ ॥
अंधे अकली बाहरे किआ तिन सिउ कहीऐ ॥
Anḏẖe aklī bāhre kiā ṯin sio kahīai.
What can you say, to one who is blind and without wisdom?

ਬਿਨੁ ਗੁਰ ਪੰਥੁ ਨ ਸੂਝਈ ਕਿਤੁ ਬਿਧਿ ਨਿਰਬਹੀਐ ॥੨॥
बिनु गुर पंथु न सूझई कितु बिधि निरबहीऐ ॥२॥
Bin gur panth na sūjẖī kiṯ biḏẖ nirabahīai. ||2||
Without the Guru, the Path cannot be seen. How can anyone proceed? ||2||

ਖੋਟੇ ਕਉ ਖਰਾ ਕਹੈ ਖਰੇ ਸਾਰ ਨ ਜਾਣੈ ॥
खोटे कउ खरा कहै खरे सार न जाणै ॥
Kẖote kao kẖarā kahai kẖare sār na jāṇai.
He calls the counterfeit genuine, and does not know the value of the genuine.

ਅੰਧੇ ਕਾ ਨਾਉ ਪਾਰਖੂ ਕਲੀ ਕਾਲ ਵਿਡਾਣੈ ॥੩॥
अंधे का नाउ पारखू कली काल विडाणै ॥३॥
Anḏẖe kā nāo pārkẖū kalī kāl vidāṇai. ||3||
The blind man is known as an appraiser; this Dark Age of Kali Yuga is so strange! ||3||

ਸੂਤੇ ਕਉ ਜਾਗਤੁ ਕਹੈ ਜਾਗਤ ਕਉ ਸੂਤਾ ॥
सूते कउ जागतु कहै जागत कउ सूता ॥
Sūṯe kao jāgaṯ kahai jāgaṯ kao sūṯā.
The sleeper is said to be awake, and those who are awake are like sleepers.

ਜੀਵਤ ਕਉ ਮੂਆ ਕਹੈ ਮੂਏ ਨਹੀ ਰੋਤਾ ॥੪॥
जीवत कउ मूआ कहै मूए नही रोता ॥४॥
Jīvaṯ kao mūā kahai mūe nahī roṯā. ||4||
The living are said to be dead, and no one mourns for those who have died. ||4||

ਆਵਤ ਕਉ ਜਾਤਾ ਕਹੈ ਜਾਤੇ ਕਉ ਆਇਆ ॥
आवत कउ जाता कहै जाते कउ आइआ ॥
Āvaṯ kao jāṯā kahai jāṯe kao āiā.
One who is coming is said to be going, and one who is gone is said to have come.

ਪਰ ਕੀ ਕਉ ਅਪੁਨੀ ਕਹੈ ਅਪੁਨੋ ਨਹੀ ਭਾਇਆ ॥੫॥
पर की कउ अपुनी कहै अपुनो नही भाइआ ॥५॥
Par kī kao apunī kahai apuno nahī bẖāiā. ||5||
That which belongs to others, he calls his own, but he has no liking for that which is his. ||5||

ਮੀਠੇ ਕਉ ਕਉੜਾ ਕਹੈ ਕੜੂਏ ਕਉ ਮੀਠਾ ॥
मीठे कउ कउड़ा कहै कड़ूए कउ मीठा ॥
Mīṯẖe kao kauṛā kahai kaṛūe kao mīṯẖā.
That which is sweet is said to be bitter, and the bitter is said to be sweet.

ਰਾਤੇ ਕੀ ਨਿੰਦਾ ਕਰਹਿ ਐਸਾ ਕਲਿ ਮਹਿ ਡੀਠਾ ॥੬॥
राते की निंदा करहि ऐसा कलि महि डीठा ॥६॥
Rāṯe kī ninḏā karahi aisā kal mėh dīṯẖā. ||6||
One who is imbued with the Lord's Love is slandered - his is what I have seen in this Dark Age of Kali Yuga. ||6||

ਚੇਰੀ ਕੀ ਸੇਵਾ ਕਰਹਿ ਠਾਕੁਰੁ ਨਹੀ ਦੀਸੈ ॥
चेरी की सेवा करहि ठाकुरु नही दीसै ॥
Cẖerī kī sevā karahi ṯẖākur nahī ḏīsai.
He serves the maid, and does not see his Lord and Master.

ਪੋਖਰੁ ਨੀਰੁ ਵਿਰੋਲੀਐ ਮਾਖਨੁ ਨਹੀ ਰੀਸੈ ॥੭॥
पोखरु नीरु विरोलीऐ माखनु नही रीसै ॥७॥
Pokẖar nīr virolīai mākẖan nahī rīsai. ||7||
Churning the water in the pond, no butter is produced. ||7||

ਇਸੁ ਪਦ ਜੋ ਅਰਥਾਇ ਲੇਇ ਸੋ ਗੁਰੂ ਹਮਾਰਾ ॥
इसु पद जो अरथाइ लेइ सो गुरू हमारा ॥
Is paḏ jo arthāe lee so gurū hamārā.
One who understands the meaning of this verse is my Guru.

ਨਾਨਕ ਚੀਨੈ ਆਪ ਕਉ ਸੋ ਅਪਰ ਅਪਾਰਾ ॥੮॥
नानक चीनै आप कउ सो अपर अपारा ॥८॥
Nānak cẖīnai āp kao so apar apārā. ||8||
O Nanak, one who knows his own self, is infinite and incomparable. ||8||

ਸਭੁ ਆਪੇ ਆਪਿ ਵਰਤਦਾ ਆਪੇ ਭਰਮਾਇਆ ॥
सभु आपे आपि वरतदा आपे भरमाइआ ॥
Sabẖ āpe āp varaṯḏā āpe bẖarmāiā.
He Himself is All-pervading; He Himself misleads the people.

ਗੁਰ ਕਿਰਪਾ ਤੇ ਬੂਝੀਐ ਸਭੁ ਬ੍ਰਹਮੁ ਸਮਾਇਆ ॥੯॥੨॥੧੮॥
गुर किरपा ते बूझीऐ सभु ब्रहमु समाइआ ॥९॥२॥१८॥
Gur kirpā ṯe būjẖīai sabẖ barahm samāiā. ||9||2||18||
By Guru's Grace, one comes to understand, that God is contained in all. ||9||2||18||

The Hypocrisy of Heaven


This poem reminds me of two other poems, one by Mirza Ghalib and another by Rumi who both questioned hypocrisies of their times:

Mirza Ghalib on the hypocrisy of "heaven":

Humko  Maloom  Hai   Jannat  Ki  Haqiqat   Lekin
Dil Ke Bahlaane Ko, 'Ghalib' Yeh Khayaal Achcha Hai

I know the truth about the existence of heaven 
It is a good distraction for the happiness of the hear

Go Back to Sleep by Rumi

Go back, go back to sleep. Yes, you are allowed. You who have no Love in your heart, you can go back to sleep. The power of Love is exclusive to us, you can go back to sleep. I have been burnt by the fire of Love. You who have no such yearning in your heart, go back to sleep. The path of Love, has seventy-two folds and countless facets. Your love and religion is all about deceit, control and hypocrisy, go back to sleep. I have torn to pieces my robe of speech, and have let go of the desire to converse. You who are not naked yet, you can go back to sleep.

In the Bookstore Called Humanity
- Shivpreet Singh

In this strange world,
they call the sleeping awake,
and the woken asleep.
- Guru Nanak

This makes me weep.
- Kabir

Sometimes I imagine spirituality
like wandering into an unfamiliar bookstore,
rows upon rows of titles promising truth,
each with a bright cover,
shouting answers or secrets in bold fonts.

You pick one up, flip through pages
filled with empty promises,
the metaphors barely believable—
like churning butter from clear water,
wishing desperately for cream.

And yet, amid this cacophony
of counterfeit wisdom,
one quiet book sits patiently on a lower shelf—
no flashy dust jacket, no sales pitch, just waiting,
filled with words that quietly illuminate
the dark corners.

You hold it gently, as if handling something alive,
as the ink whispers clarity through the noise,
naming itself softly:
Shabad Guru.
"To do something crazy and to be amazing, to achieve something crazy, you have to do something crazy. You have to sacrifice and do something that's not normal, because you want to become not normal. To become a great champion, you can't do what the average Joe does. Because you're not going to get there." 



“There is always some madness in love. But there is also always some reason in madness.” —  Friedrich Nietzsche
This is the bedtime story I am telling the kids tonight. Its the story of from Robert Fulghum's book, "UH, OH." I recently read it today in Michael Yaconelli's book "Messy Spirituality." This story shows that its not just ok to be a misfit, that it is an advantage. In essence, Norman's story reminds us of the value of authenticity, creativity, dedication, emotional connection, and the potential for unconventional success when we are true to ourselves. A different song is a more interesting song. 

Satnam: A meditation on authenticity

Lessons from the Story of Norman


Individuality and Authenticity: Norman stands out as a unique individual who is comfortable with himself. He doesn't conform to societal expectations or peer pressure, even when it comes to choosing a role in a play. His willingness to be different and authentic is a reminder of the importance of staying true to oneself.

Creativity and Innovation: Norman's decision to create a new character, the pig, in a well-known story like Cinderella demonstrates his creativity and innovation. It shows that sometimes thinking outside the box and embracing unconventional ideas can lead to surprising and delightful results.

Dedication, Enthusiasm, Passion: Norman's commitment to his role as the pig is evident through his dedication and enthusiasm. He fully immerses himself in the character, mirroring Cinderella's emotions and even barking with joy at the end. This teaches us that regardless of the role we play in life, giving it our all and showing enthusiasm can make a significant impact.

The Power of Emotion: Norman's pig character serves as a mirror for Cinderella's emotions, highlighting the power of emotional connection in storytelling and human interaction. It emphasizes that understanding and expressing emotions can create a deep and meaningful connection with others. This reminds me of the three things that Guru Nanak said, Singing, Listening and Loving (Guru Nanak said Bhao, which could be interpreted as emotion). 

Recognition of Unconventional Success: The standing ovation that Norman receives at the end of the play demonstrates that success doesn't always follow traditional paths. Norman's unconventional approach and dedication lead to his recognition and applause, highlighting that there are many ways to excel and make a positive impact.

The story of Norman 


An elementary class was putting on the play Cinderella. The best parts get passed out first, of course, and upon asking who wanted to play Cinderella and the handsome prince, the hand of every girl and boy shot up.

'Pick me! Pick me! Pick me!'

Soon, the students realized only two people could have the choicest parts, so many of the requests quickly changed to: 'Can I be the ugly stepsister?' and 'Can I play the mean stepmother?' Being the wonderful diplomat she was, the teacher soon navigated thru the selections until everyone had a part. Except for Norman.

Norman was a quiet young man who didn't say much in class. It wasn't that he was super-shy or bashful; he just didn't like talking as much as everyone else. Norman thought talking where nothing was really said was a waste of time, so he talked only when he really had something to say. Norman had a mind of his own and was completely comfortable just being himself.

Knowing all the parts were taken, the teacher approached Norman and asked: 'Norman, I'm afraid all the big parts are taken. Is there a part you're interested in?'

'I'd like to be the pig,' said Norman.

'The pig?' said the teacher. 'But I'm afraid there is no pig in Cinderella.'

'There is now,' said Norman.

Norman designed his own costume - a paper cup for a nose and pink long underwear with a pipe cleaner for a tail. Norman's pig followed Cinderella around everywhere on stage and became a mirror for the main character. If Cinderella was happy, so was the pig. If she was sad, so was the pig. Afraid, afraid. Worried, worried. One look at Norman and you knew the emotion of the moment. At the end of the play when the handsome prince placed the glass slipper on Cinderella and they walked happily offstage arm in arm, Norman went wild with joy, dancing around on his hind legs and barking with incredible enthusiasm. In rehearsal, the teacher had tried to explain to Norman that pigs don't bark. But, as she expected, Norman calmly explained that this pig barked.

The presentation was a smashing success - and really, surprising to no one - guess who received the standing ovation? Norman, the barking pig - who was, after all, the real Cinderella story.

What I love about that story is Norman's persistence, impervious to intimidation - Norman refused to believe he had no place.


All things are subject to interpretation. Whichever interpretation prevails at a given time is a function of power and not truth. ~Nietzsche

Here is a poem about "Lotan Baba" or the rolling saint. And also a video about him.  Per Reuters: "Lotan Baba, a holy man from India, rolled on his side for four thousand kilometers across the country in his quest for world peace and eternal salvation." Per Wikipedia: 

Mohan Das, more commonly known as Lotan Baba (or "rolling saint") is an Indian holy man promoting peace by rolling his body along the ground when he travels. He claims to have covered 30,000 kilometers (19,000 mi) to various cities in India, including Kashmir, first setting off from his hometown Ratlam, in Madhya Pradesh. Witnesses report Mohan travels on average roughly 10 to 12 kilometers (six to eight miles) a day rolling on the ground, at times smoking a cigarette while in motion. Media reports indicate Mohan Das began his life as a mystic after leaving home at age 12, and once undertook penance for 7 years by standing in one place and eating grass.

Different people sing in different colors.  And this baba sings by rolling.  Its an interesting kind of singing. Its not really hurting anyone.  He says his aim was peace.  And he seems be raising awareness about it.  

I first found his rolling and standing on foot for 7 years ludicrous; what useless waste of a man's energy I am thinking.  But after 15 minutes of the shock of reading this and watching his video, I felt much better.  Is our routine any less ludicrous -- we have been working for years and years, or studying for years and years. Are we not the dog chasing its tail? And a dog that craves attention.  He might also be craving attention, at least from he also carries the message of peace -- in a very unique color.  No wonder he thinks he hears God whisper when he rolls.  

I also read that he tried to roll his way to Pakistan to Nankana sahib.  He was stopped because he did not have a passport.  He said the government should get him a passport and visa.  He did end up going to Darbar Sahib in Amritsar, where he was given a bath before he entered the temple.  

Quite an interesting story.  I just think this rolling saint should have a twitter account so we know what he is doing everyday. What do you think?  Do you think your endeavors are more meaningful than his?  

The Rolling Saint
BY AIMEE NEZHUKUMATATHIL
            Lotan Baba, a holy man from India, rolled on his side for
            four thousand kilometers across the country in his quest for
            world peace and eternal salvation.                                                
                                                                —Reuters
He started small: fasting here and there,
days, then weeks. Once, he stood under
a banyan tree for a full seven years, sitting
            for nothing—not even to sleep. It came
            to him in a dream: You must roll
            on this earth, spin your heart in rain,
                        desert, dust. At sunrise he’d stretch, swab
                        any cuts from the day before, and lay prone
                        on the road while his twelve men swept
            the ground in front of him with sisal brooms.
            Even monkeys stopped and stared at this man
            rolling through puddles, past storefronts
where children would throw him pieces
of butter candy he’d try and catch
in his mouth at each rotation. His men
            swept and sang, swept and sang
            of jasmine-throated angels
            and pineapple slices in kulfi cream.
                        He rolled and rolled. Sometimes
                        in his dizzying spins, he thought
                        he heard God. A whisper, but still.
Aimee Nezhukumatathil, "The Rolling Saint" from Miracle Fruit. Copyright © 2003 by Aimee Nezhukumatathil.  Reprinted by permission of Tupelo Press.


Translation of
"Nindau nindau mo ko log nindau"
Also Nindo Nindo Mo Ko Log Nindo
More Shabads on Slander

Slander me, slander me - go ahead, people, and slander me.
Slander is pleasing to Kabir.

Slander father, slander mother!

Slandered, I go to heaven;
I remember the truth.
Slander makes my heart pure,
Slander. washes my clothes. ||1||

One who slanders me is my friend;
the slanderer is in my thoughts.
The slanderer is the one who prevents me from being slandered.
The slanderer wishes me long life. ||2||

I have love and affection for the slanderer.
Slander is my salvation.
Slander is the best thing for servant Kabeer.
The slanderer is drowned, while I am carried across. ||3||20||71||




Says Kabeer, I have become mute, insane and deaf.

I am crippled - the Guru of truth has pierced me with His Arrow. ||193||

ਕਬੀਰ ਰਾਮ ਕਹਨ ਮਹਿ ਭੇਦੁ ਹੈ ਤਾ ਮਹਿ ਏਕੁ ਬਿਚਾਰੁ ॥
Kabīr rām kahan mėh bẖeḏ hai ṯā mėh ek bicẖār.
Kabeer, it does make a difference, how you chant the Lord's Name, 'Raam'. This is something to consider.

ਸੋਈ ਰਾਮੁ ਸਭੈ ਕਹਹਿ ਸੋਈ ਕਉਤਕਹਾਰ ॥੧੯੦॥
Soī rām sabẖai kahėh soī kauṯakhār. ||190||
Everyone uses the same word for the one who made miracles (the son of Dasrath) ||190||

ਕਬੀਰ ਰਾਮੈ ਰਾਮ ਕਹੁ ਕਹਿਬੇ ਮਾਹਿ ਬਿਬੇਕ ॥
Kabīr rāmai rām kaho kahibe māhi bibek.
Kabeer, use the word 'Raam', only to speak of the All-pervading Lord. You must make that distinction.

ਏਕੁ ਅਨੇਕਹਿ ਮਿਲਿ ਗਇਆ ਏਕ ਸਮਾਨਾ ਏਕ ॥੧੯੧॥
Ėk anekėh mil gaiā ek samānā ek. ||191||
One 'Raam' is pervading everywhere, while the other is contained only in himself. ||191||

Also read about the true meaning of Raghunath - where I discuss what I think about when I sing about Raam/Raghunath. 

The glimpse of Raam - A story


Ram Das was a devoted young man who wished to see God. Desperately seeking a miracle, he turned to Kabir, confident that Kabir could help him. With tears in his eyes, Ram Das asked Kabir for this blessing and Kabir humbled himself before his request, noting that he would need time to make the necessary preparations.

The next day, Ram Das sold all his worldly possessions and procured an abundance of rice, flour, sugar, butter, and milk.  He invited many saints from all over to join in a great feast, intended to usher in the appearance of God. As the invitees prayed fervently, Ram Das remained in deep meditation, eagerly awaiting his chance to experience the divine.

As time wore on, people grew hungry and impatient. Ram Das persevered, hoping that his faith would pay off, but tension built as the expected time for God’s appearance came and passed. Just when things could not feel any more bleak, a buffalo rampaged through the kitchen, destroying everything, including the feast. Everyone started beating the buffalo with a stick and the buffalo got injured badly. 

Everyone was also furious with the saint and with Ram Das. They ran after the animal, but were suddenly stopped in their tracks by a stunning sight: Kabir was hugging the buffalo and crying genuine tears of repentance. Kabir had realized that God was within the buffalo. 

Becoming indignant is easy, so too is feeling overcome with godliness in a transformative moment, and the group hung their heads in shame. The veil of distinction between viewer and viewed lifted, replaced with a realization that they were all united in a singular consciousness.

In essence, they all fleetingly captured the essence of darshan, uniting their individual consciousness with the Universal Self.



Some call me a ghost; 
some a demon.
Some have pity on me, 
poor human! 

I am fearful of the one.
for I fear no one else

I gave up my cleverness
for I am in his wisdom

I am bad, all else good. 
I am truly in love 

Yes, I am Crazy

- Guru Nanak




Other posts with the "Crazy" theme:
http://shivsangels.blogspot.com/search/label/Crazy


Yesterday I sung this beautiful Kabir poem, "I am crazy but I yours"

Practice on Piano - Jo Hum Baora




What do people know?
- Kabir

Silly religious marks on foreheads
Meditating with rosaries in their hands
Like devotion is some child's play

And they call me senseless
What do people know?

They cut living leaves,
They burn dead candles
They worship milk-stoned idols

What do people know?

Who I worship
And who I celebrate
are you, my dear love!

What do people know?

Only you, my love,
Know my secret!
Let people call me crazy!

- Kabir

Translated by Shiv

I read this poem to the kids today.  The poem is "Do you have any advice for those of us just starting out?"The poem gives advice on writing.

Learn from a 2 year old kid visiting a library.  While other people are enjoying themselves reading books (or are there because of an assignment that needs to be done), he picks books based on their appearance, not their content, and makes a tower with them; then watches them fall.  And laughs out loud and repeats this feat despite people objecting to it with Shhhhs.  Be like that child.  Write creatively.  Sing in a different color than the music around.



“Do You Have Any Advice For Those of Us Just Starting Out?"
- Ron Koertge

Give up sitting dutifully at your desk. Leave
your house or apartment. Go out into the world.

It's all right to carry a notebook but a cheap
one is best, with pages the color of weak tea
and on the front a kitten or a space ship.

Avoid any enclosed space where more than
three people are wearing turtlenecks. Beware
any snow-covered chalet with deer tracks
across the muffled tennis courts.

Not surprisingly, libraries are a good place to write.
And the perfect place in a library is near an aisle
where a child a year or two old is playing as his
mother browses the ranks of the dead.

Often he will pull books from the bottom shelf.
The title, the author's name, the brooding photo
on the flap mean nothing. Red book on black, gray
book on brown, he builds a tower. And the higher
it gets, the wider he grins.

You who asked for advice, listen: When the tower
falls, be like that child. Laugh so loud everybody
in the world frowns and says, "Shhhh."

Then start again.




“Believe nothing because a wise person said it. Believe nothing because it is generally held. Believe nothing because it is written. Believe nothing because it is said to be Divine. Believe nothing because someone else believes it. But believe only what you yourself judge to be true.”

 



This day we are commemorating the witness of Harriet Beecher Stowe, a woman who used her words to set the captive free. I’ll say more about her later, but right now I want to note that in 1943-44 her witness was celebrated in a Broadway play titled “Harriet.”

It was Helen Hayes who played the part of Harriet Beecher Stowe. At the end of the play Beecher Stowe’s family stands around Harriet and sings the words of “The Battle Hymn of the Republic,” affirming the Christian witness of this brave and bold woman. Part of the hymn goes like this:


In the beauty of the lilies Christ was born across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,

While God is marching on.
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.



For a text today, I offer these words from Mark 3:19-21 (NRSV):
Then [Jesus] went home; and the crowd came together again, so that they could not even eat. When his family heard it, they went out to restrain him, for people were saying, ‘He has gone out of his mind.'

The King James Version of the Bible translates the concern of Jesus’ family for him in these words: “He is beside himself.” The old J.B. Phillips New Testament translates it, “People were saying, ‘He must be mad!’” But my favorite is from the 1995 Contemporary English Version, which says, “When Jesus’ family heard what he was doing, they thought he was crazy and went to get him under control.”

So forgive me for saying it this way, but Jesus was, and is, crazy! And those who would follow him, those who would be his disciples, those who would live as and be the people of the Way, are called and summoned and challenged to be just as crazy as Jesus. So I want to speak on the subject “We need some crazy Christians.”

I don’t want to be too quick to judge Jesus’ mother and the whole family. They had good reason to be concerned. We just read from 1 Peter a teaching that reflects what Jesus taught in the Sermon on the Mount: “Do not repay evil for evil or abuse for abuse; but, on the contrary, repay with a blessing” (1 Peter 3:9). That’s crazy. In the Gospel reading from Matthew, read just a few moments ago, Jesus says, “The greatest among you will be your servant” (Matthew 23:11). That’s crazy.

What the world calls wretched, Jesus calls blessed. Blessed are the poor and the poor in spirit. Blessed are the merciful, the compassionate. Blessed are those who hunger and thirst that God’s righteous justice might prevail. Blessed are those who work for peace. Blessed are you when you are persecuted just for trying to love and do what is good. Jesus was crazy. He said, “Love your enemies, bless those who curse you, pray for those who despitefully use you.” He was crazy. He prayed while folk were killing him, “Father, forgive them; they know not what they do.” Now, that’s crazy.

We need some Christians who are as crazy as the Lord. Crazy enough to love like Jesus, to give like Jesus, to forgive like Jesus, to do justice, love mercy, walk humbly with God -- like Jesus. Crazy enough to dare to change the world from the nightmare it often is into something close to the dream that God dreams for it. And for those who would follow him, those who would be his disciples, those who would live as and be the people of the Way? It might come as a shock, but they are called to craziness.

Let me suggest one example of such a call from the New Testament: Mary of Magdala, Mary Magdalene. For whatever reason, Mary often gets a bum rap.

Think back to the crucifixion of Jesus. Crucifixion was execution by the empire for crimes against the state. It was public torture. It was an intentionally brutal means of capital punishment, an execution designed to send a message that revolution and revolutionaries would not be tolerated. If you were a supporter or follower of the person being crucified, it was dangerous to stand too close by during the execution. The rational and sensible thing to do was to go into hiding or exile.

Having said that, let’s call the roll of those Jesus called to follow him; let’s take the attendance of the apostles at the crucifixion of their Lord. Simon Peter? Absent. James? Absent. Andrew? Absent. Bartholomew? Absent. Thomas? Absent. Judas? Definitely absent. Mary Magdalene? Present and accounted for! That’s a disciple! When the old slaves sang, “Were you there when they crucified my Lord?” there was a woman named Mary who could answer, “I was there!” Now, that’s crazy!

Now, it may not be obvious at first, but we actually have a day to remember crazy Christians. I think we call it All Saints’ Day. It’s not called “All the Same Day”; it’s All Saints’ Day, because, though they were fallible and mortal, and sinners like the rest of us, when push came to shove, the people we honor as saints marched to the beat of a different drummer. In their lifetimes, they made a difference for the kingdom of God. As you know, we are even working on a book to help us commemorate them. We are calling it “Holy Women, Holy Men.” But we might as well call it “The Chronicles of Crazy Christians.”

One of the people we celebrate in the book is Harriet Beecher Stowe, a descendant of Mary Magdalene. She was born in 1811 into a devout family committed to the gospel of Jesus and to helping transform the world from the nightmare it often is into the dream God intends. She is best-known for a fictional work titled “Uncle Tom’s Cabin.”

In this fiction, she told the truth. She told the story of how chattel slavery afflicted a family, afflicted real people. She told the truth of the brutality, the injustice, the inhumanity of the institution of chattel slavery. Her book did what YouTube videos of injustices and brutalities do today. It went 19th-century viral. It rallied abolitionists and enraged vested interests.

The influence of that book was so powerful that Abraham Lincoln is reputed to have said, upon meeting Harriet Beecher Stowe for the first time, “So this is the little lady who started this great war!”

A woman of her era was supposed to write nice stories, not stories that would disturb the conscience of a nation. She was supposed to marry well, raise well-bred children, participate in a few charitable activities and be fondly remembered by all who knew her. That was the life she was supposed to have.

But she had been raised in a family that believed that following Jesus means changing the world from the nightmare it often is into the dream that God intends. And sometimes that means marching to the beat of a different drummer. Sometimes that means caring when it is tempting to care less, or standing up when others sit down. Sometimes it means speaking up when others shut up. Sometimes it means being different -- even being crazy.

When Steve Jobs, one of the founders of Apple Inc., died last year, an old Apple commercial from the 90s went viral on YouTube. It was a commercial that aired in 1997 and that attempted to re-brand Apple products. The tag line for the commercial and the company was “Think different,” a phrase that is grammatically incorrect -- which is part of the point.

In the commercial, they showed a collage of photographs and film footage of people who have invented and inspired, created and sacrificed to improve the world, to make a difference. They showed Bob Dylan, Amelia Earhart, Frank Lloyd Wright, Maria Callas, Muhammad Ali, Martin Luther King Jr., Jim Henson, Albert Einstein, Pablo Picasso, Mahatma Gandhi and on and on and on. As the images rolled by, a voice read this poem:


Here’s to the crazy ones. The misfits. The rebels.
The troublemakers. The round pegs in the square holes.
The ones who see things differently. They’re not fond of rules.
And they have no respect for the status quo.
You can quote them, disagree with them, glorify or vilify them.
About the only thing you can’t do is ignore them.
Because they change things.
They push the human race forward.
While some may see them as the crazy ones, we see genius.
Because the people who are crazy enough
to think they can change the world,
are the ones who do.

We need some crazy Christians. Sane, sanitized Christianity is killing us. That may have worked once upon a time, but it won’t carry the gospel anymore. We need some crazy Christians like Mary Magdalene and Harriet Beecher Stowe. Christians crazy enough to believe that God is real and that Jesus lives. Crazy enough to follow the radical way of the gospel. Crazy enough to believe that the love of God is greater than all the powers of evil and death. Crazy enough to believe, as Dr. King often said, that though “the moral arc of the universe is long, … it bends toward justice.”

We need some Christians crazy enough to believe that children don’t have to go to bed hungry; that the world doesn’t have to be the way it often seems to be; that there is a way to lay down our swords and shields, down by the riverside; that, as the slaves used to sing, “there’s plenty good room in my Father’s kingdom,” because every human being has been created in the image of God, and we are all equally children of God and meant to be treated as such.

In the beauty of the lilies, Christ was born across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,
While God is marching on.
Glory, glory, hallelujah!
God’s truth is marching on.


Here's to the crazy ones. 
The misfits. The rebels. 
The trouble-makers. 

The round heads 
in the square holes.

The ones who see things differently. 
They're not fond of rules, 
and they have no respect for the status-quo. 

You can quote them, 
disagree with them, 
glorify, or vilify them. 

But the only thing 
you can't do is ignore them. 
Because they change things. 

They push the human race forward. 
And while some may see them 
as the crazy ones, we see genius. 

Because the people who are crazy 
enough to think they can change the world, 
are the ones who do.

What do people know?
- Kabir

Silly religious marks on foreheads
Meditating with rosaries in their hands
Like devotion is some child's play

And they call me senseless
What do people know?

They cut living leaves,
They burn dead candles
They worship milk-stoned idols

What do people know?

Who I worship
And who I celebrate
are you, my dear love!

What do people know?

Only you, my love,
Know my secret!
Let people call Shiv crazy!

- Kabir

Translated by Shiv
Bhaya Divana Shah Ka - Puratan Kirtan


Maaroo (in the color of death)

Some call him a ghost; some say that he is a demon.
Some call him a mere mortal; O, poor Nanak! ||1||

Crazy Nanak has gone insane, after his Lord, the King.
He knows of none other than the Lord. ||1||Pause||

He alone is known to be insane, when he goes insane with the Fear of God.
He recognizes none other than the One Lord and Master. ||2||

He alone is known to be insane, if he works for the One Lord.
Recognizing the Hukam, the Command of his Lord and Master, what other cleverness is there? ||3||

He alone is known to be insane, when he falls in love with his Lord and Master.
He sees himself as bad, and all the rest of the world as good. ||4||7||
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SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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