Shivpreet Singh
Shivpreet Singh
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I was just listening to random music on Sirius and came across this beautiful song ...




I've tried so hard my dear to show
That you're my every dream
Yet you're afraid each thing I do
Is just some evil scheme

A memory from your lonesome past
Keeps us so far apart
Why can't I free your doubtful mind
And melt your cold cold heart

Another love before my time
Made your heart sad an' blue
And so my heart is paying now
For things I didn't do

In anger unkind words are said
That make the teardrops start
Why can't I free your doubtful mind
And melt your cold cold heart

There was a time when I believed
That you belonged to me
But now I know your heart is shackled
To a memory

The more I learn to care for you
The more we drift apart
Why can't I free your doubtful mind
And melt your cold cold heart

The original:



More on Cold, Cold Heart from Wikipedia



"Cold, Cold Heart" is a country music and popular music song, written by Hank Williams. This blues ballad is both a classic of honky tonk and an entry in the Great American Songbook.
 
Williams first recorded and released the song in 1951, originally as the B-side (MGM-10904B) to "Dear John" (MGM-10904A). "Dear John" peaked at #8 after only a brief four-week run on Billboard magazine's country music charts, but "Cold, Cold Heart" proved to be a favorite of disk jockeys and jukebox listeners, whose enthusiasm for the song catapulted it to #1 on the country music charts. The song achingly and artfully describes frustration that the singer's love and trust is unreciprocated due to a prior bad experience in the other's past.
 
That same year, it was recorded in a pop version by Tony Bennett with a light orchestral arrangement from Percy Faith. This recording was released by Columbia Records as catalog number 39449. It first reached the Billboard magazine charts on July 20, 1951 and lasted 27 weeks on the chart, peaking at #1.[1]
The popularity of Bennett's version has been credited with helping to expose both Williams and country music to a wider national audience. Allmusicwriter Bill Janovitz discusses this unlikely combination: "That a young Italian singing waiter from Queens could find common ground with a country singer from Alabama's backwoods is testament both to Williams' skills as a writer and to Bennett's imagination and artist's ear."
 
Williams subsequently telephoned Bennett to say, "Tony, why did you ruin my song?" But that was a prank – in fact, Williams liked Bennett's version and played it on jukeboxes whenever he could. In his autobiography The Good Life, Bennett described playing "Cold, Cold Heart" at the Grand Ole Opry later in the 1950s. He had brought his usual arrangement charts to give to the house musicians who would be backing him, but their instrumentation was different and they declined the charts. "You sing and we'll follow you," they said, and Bennett says they did so beautifully, once again recreating an unlikely artistic merger.
 
The story of the Williams–Bennett telephone conversation is often related with mirth by Bennett in interviews and on stage; he still performs the song in concert. In 1997, the first installment ofA&E's Live By Request featuring Bennett (who was also the show's creator), special guest Clint Black performed the song, after which Bennett recounted it. A Google Doodle featured Bennett's recording of the song on its Valentine's Day doodle in February 2012.
 
"Cold, Cold Heart" has since been recorded by many other artists, including Louis Armstrong (recorded September 17, 1951, released Decca Records catalog number 27816[2]), Donald Peers(recorded October 5, 1951, released EMI via His Master's Voice label as catalog number B 10158), Petula Clark, Johnny Cash, Nat King Cole, Aretha Franklin (1964), Bill Haley & His Comets,Rosemary Clooney, Dinah Washington, Norah Jones, Lucinda Williams, Ronnie Hawkins, Raul Malo, George Jones, David Allan Coe, Guy Mitchell, Teresa Brewer, Jerry Lee Lewis, Cowboy Junkies, Frankie Laine, Nick Curran, and Jo Stafford. Recently it was recorded by Vicentico in collaboration to Tony Bennett.
 
Freddy Fender had a Spanish-language hit with his own translation under the title "Tu Frio Corazon".
Over the past few days, I've been completely immersed in the mesmerizing tunes of an incredibly inspiring song. What makes it even more extraordinary is the unusual fusion of genres behind it. When Grace Shultz and Tony White first met, they embarked on a musical adventure that no one could have anticipated. Combining elements of punk, folk, bluegrass, and Texas swing, they dared to tread beyond the conventional boundaries of music, giving birth to a wholly new creation they aptly named "Punkgrass."

 



The result of their audacious experimentation is a harmonious blend of melodies that resonate with those yearning for something extraordinary, something beyond the norm. Listening to this genre-defying masterpiece, I find myself entranced by the sheer brilliance of this novel music style.

Honing their newfound brand of music on the vibrant sidewalks of downtown Nashville, Grace & Tony embarked on a path they couldn't foresee. Undeterred by the uncertainty, they were determined to share their artistry with a larger audience. Hence, they began booking local shows across Tennessee and neighboring regions, leaving a trail of awe-struck listeners in their wake.

In 2011, fate led them to collaborate with producer Lloyd Aur Norman and engineer Stephen D Jones at Villain Place in Nashville. Together, they recorded their debut EP, "Inside a 7 Track Mind." The songs they crafted delved into themes of murder, addiction, and lost love, yet they skillfully intertwined a happy twist, making for emotionally connective music that left a lasting impression.

Since the EP's release, the doors of opportunity swung wide open for Grace & Tony, ushering them into a world they had never imagined possible. Their album found eager fans, with several hundred copies already sold. Their captivating performances led them to headline the illustrious Historic Crockett Theater, and they were honored to grace the stages of the legendary Daytrotter Sessions and Knoxville's Blue Plate Special, further solidifying their presence in the music scene.

As if that weren't enough, the duo achieved an impressive feat with two of their music videos airing regularly on The Country Network, reaching millions of households and captivating audiences across the nation.

With the anticipation building up, 2013 holds a world of promise for this young couple. Their debut full-length album, "November," has been carefully recorded and is set for an exhilarating release. The excitement among their devoted fans is palpable, having already successfully funded Grace & Tony's Kickstarter campaign and witnessing their hometown shows sell out a remarkable month in advance.

In essence, what I've been listening to is not just music; it's an exquisite fusion of passion, creativity, and unyielding determination. It is a testament to the boundless possibilities that can arise when artists dare to step beyond the confines of convention. Grace & Tony have crafted a musical gem that stands as a shining example of how music is truly meant to be - beautiful, innovative, and capable of touching the very core of our souls.

Read more about Grace and Tony at http://www.graceandtony.com or https://en.wikipedia.org/wiki/Grace_%26_Tony

This is a song he wrote when he converted to Christianity my neighbor on my flight just told me. Even if you are a king, you are serving somebody.

You may be an ambassador to England or France
You may like to gamble, you might like to dance
You may be the heavyweight champion of the world
You may be a socialite with a long string of pearls

But you’re gonna have to serve somebody, yes indeed
You’re gonna have to serve somebody
Well, it may be the devil or it may be the Lord
But you’re gonna have to serve somebody

You might be a rock ’n’ roll addict prancing on the stage
You might have drugs at your command, women in a cage
You may be a businessman or some high-degree thief
They may call you Doctor or they may call you Chief

But you’re gonna have to serve somebody, yes indeed
You’re gonna have to serve somebody
Well, it may be the devil or it may be the Lord
But you’re gonna have to serve somebody

You may be a state trooper, you might be a young Turk
You may be the head of some big TV network
You may be rich or poor, you may be blind or lame
You may be living in another country under another name

But you’re gonna have to serve somebody, yes indeed
You’re gonna have to serve somebody
Well, it may be the devil or it may be the Lord
But you’re gonna have to serve somebody

You may be a construction worker working on a home
You may be living in a mansion or you might live in a dome
You might own guns and you might even own tanks
You might be somebody’s landlord, you might even own banks

But you’re gonna have to serve somebody, yes indeed
You’re gonna have to serve somebody
Well, it may be the devil or it may be the Lord
But you’re gonna have to serve somebody

You may be a preacher with your spiritual pride
You may be a city councilman taking bribes on the side
You may be workin’ in a barbershop, you may know how to cut hair
You may be somebody’s mistress, may be somebody’s heir

But you’re gonna have to serve somebody, yes indeed
You’re gonna have to serve somebody
Well, it may be the devil or it may be the Lord
But you’re gonna have to serve somebody

Might like to wear cotton, might like to wear silk
Might like to drink whiskey, might like to drink milk
You might like to eat caviar, you might like to eat bread
You may be sleeping on the floor, sleeping in a king-sized bed

But you’re gonna have to serve somebody, yes indeed
You’re gonna have to serve somebody
Well, it may be the devil or it may be the Lord
But you’re gonna have to serve somebody

You may call me Terry, you may call me Timmy
You may call me Bobby, you may call me Zimmy
You may call me R.J., you may call me Ray
You may call me anything but no matter what you say

You’re gonna have to serve somebody, yes indeed
You’re gonna have to serve somebody
Well, it may be the devil or it may be the Lord
But you’re gonna have to serve somebody




I'm okay, I'm alright
Hurricanes and trainwrecks only last one night
Would you believe all I've been through?
Had the hands of tempted fate
Oh, if you only knew
What it costs, how I wait
What I got, what I gave

Chorus:
I'm still here...
After the heartache, after the storm blew through
I kept me and it saved me
I'm still standin', right where you left me
On a cold dark cloud, with nowhere to fall but down
Like a single, naked unrelenting tear...
I'm still here

There was darkness, all around me
There were times I was sure I was drowning
There were people, who tried to reach me
But no matter how they loved me, I kept sinking
I got tired of my own hell, I reached inside and I saved myself

[Chorus]

This time I can survive.
I ain't dying on nobody else's cross
I ain't sufferin' no more unforgivin' loss
Oh, no.

I'm still here...
After the heartache, after the storm blew through
I kept me and it saved me
And I'm still standin', right where you left me
On a cold dark cloud, with nowhere to fall but down
Like a single, naked unrelenting tear...
I'm still here
I'm still here
Older Posts Home

SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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