Eid Mubarak folks! This morning I woke up and read new poetry from Rattle and this poem was very moving.
https://rattle.com/dua-for-dervishes-by-michael-cirelli/
Dua for Dervishes
The poem begins with a Sufi dancer—spinning, sacred, almost cosmic. The kind of image we like to associate with devotion. A body becoming a circle, a human turning into something beyond himself. But then the dance ends.
The guy unexpectedly steps outside, lights a cigarette, scrolls on his phone, earbuds in, wearing knockoffs—completely ordinary. He’s even listening to Katy Perry. Which made me smile. I guess in the reverent it may feel like a a small disappointment, as if the sacred has slipped.
By the end of the poem, we are finding everyone—even an accountant—“for the love of Allah.”
Maybe the point isn’t that the sacred disappeared. Maybe it’s that we were expecting it to look a certain way: clean, elevated, separate.
Which brings me to what I have been meditating on this week. Maya. This is maya—the illusion that the divine lives only in the perfect moment, the perfect person, the perfect posture. Guru Amardas says, “maya viche paya” — what is beyond illusion is found within it. The love of God is discovered through the love of His gifts, welcome and unwelcome.
Those who are praying are human too. They are not finished beings. They are not pure symbols. They are people—smoking, scrolling, stumbling, singing pop songs—still trying to find Allah in the noise, in the mess, in the middle of their lives.
And maybe that is the prayer. To find what is beyond counting in the counting. To glimpse the infinite even in an accountant. To realize that nothing has fallen away— only our idea of what the sacred should look like. And once that illusion loosens, everything begins again “for the love of Allah.”
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