Shivpreet Singh
Shivpreet Singh
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Shakespeare the playwright thinks the world is a stage and everyone is playing a part in it. Likewise it would be apt for a poet to think that the world is poetry.  Whatever the world is then decides what we are to do in it.  In Shakespeare's world we are all actors and this is a stage.  And a drama is happening on each day. An interesting take from Mary Oliver is how she takes out the actors from the play, and makes the play a poem. Why not? She is a poet after all. The poet thinks that the world is a poem. 

Mary Oliver's emphasis is on taking it all in. The emphasis on looking and listening. And then not needing to do anything else. This is a poet that is well versed in vismaad, in wonder, it is her.  It only makes sense that wonder is no less service than writing poetry or acting on the world stage.  John Milton so aptly said that God doesn't need "man's work or his own gifts;" even the ones who are standing and waiting, the blind folk like him, are serving!  But while they are standing and waiting, they can be looking and listening; and Mary asserts that is the "real work." What other purpose of life is better?  You don't need to be at your desk writing poetry when it is spring. You just need to look at the woods and listen to the thrush. Looking, listening, smelling, breathing ... taking it all in. 

The Book of Time

I rose this morning early as usual, and went to my desk.
But it’s spring,
and the thrush is in the woods,
somewhere in the twirled branches, and he is singing.
And so, now, I am standing by the open door.
And now I am stepping down onto the grass.
I am touching a few leaves.
I am noticing the way the yellow butterflies
move together, in a twinkling cloud, over the field.
And I am thinking: maybe just looking and listening
is the real work.
Maybe the world, without us,
is the real poem.


- Mary Oliver
The Leaf and the Cloud.


More from the Book of Time

1.

I rose this morning early as usual, and went to my desk
But it’s spring,

and the thrush is in the woods,
somewhere in the twirled branches, and he is singing.

And so, now, I am standing by the open door.
And now I am stepping down onto the grass.

I am touching a few leaves.
I am noticing the way the yellow butterflies
move together, in a twinkling cloud, over the field.

And I am thinking: maybe just looking and listening
is the real work.

Maybe the world, without us,
is the real poem.


2.

For how many years have you gone through the house
    shutting the windows,
while the rain was still five miles away

and veering, o plum-colored clouds, to the north,
away from you

and you did not even know enough
to be sorry,

you were glad
those silver sheets, with the occasional golden staple,

were sweeping on, elsewhere,
violent and electric and uncontrollable–

and will you find yourself finally wanting to forget
all enclosures, including

the enclosure of yourself, o lonely leaf, and will you
dash finally, frantically,

to the windows and haul them open and lean out
to the dark, silvered sky, to everything

that is beyond capture, shouting
I’m here, I’m here! Now, now, now, now, now.

3.

I dreamed
I was traveling

from one country
to another

jogging
on the back
of a white horse
whose hooves

were the music
of dust and gravel
whose halter
was made of the leafy braids

of flowers,
whose name
was Earth.
And it never

grew tired
though the sun
went down
like a thousand roses

and the stars
put their white faces
in front of the black branches
above us

and then
there was nothing around us
but water
and the white horse

turned suddenly
like a bolt of white cloth

opening
under the cloth cutter’s deft hands

and became
a swan.
Its red tongue
flickered out

as it perceived
my great surprise
my huge and unruly pleasure
my almost unmanageable relief. . . .

4.

“‘Whoever shall be guided so far towards the mysteries of love, by
contemplating beautiful things rightly in due order, is approaching the last
grade. Suddenly he will behold a beauty marvellous in its nature, that very
Beauty, Socrates, for the sake of which all the earlier hardships had been
borne: in the first place, everlasting, and never being born nor perishing,
neither increasing nor diminishing; secondly, not beautiful here and ugly
there, not beautiful now and ugly then, not beautiful in one direction and
ugly in another direction, not beautiful in one place and ugly in another
place. Again, this beauty will not show itself like a face or hands or any
bodily thing at all, nor as a discourse or a science, nor indeed as residing in
anything, as in a living creature or in earth or heaven or anything else,
but being by itself with itself always in simplicity; while all the beautiful
things elsewhere partake of this beauty in such manner, that when they are
born and perish it becomes neither less nor more and nothing at all
happens to it. . . .'”

5.

What secrets fly out of the earth
when I push the shovel-edge,
when I heave the dirt open?

And if there are no secrets
what is that smell that sweetness rising?

What is my name,
o what is my name
that I may offer it back
to the beautiful world?

Have I walked
long enough
where the sea breaks raspingly
all day and all night upon the pale sand?

Have I admired sufficiently the little hurricane
of the hummingbird?

the heavy
thumb
of the blackberry?

the falling star?

6.

Count the roses, red and fluttering.
Count the roses, wrinkled and salt.
Each with its yellow lint at the center.
Each with its honey pooled and ready.
Do you have a question that can’t be answered?
Do the stars frighten you by their heaviness
    and their endless number?
Does it bother you, that mercy is so difficult to
    understand?
For some souls it’s easy; they lie down on the sand
    and are soon asleep.
For others, the mind shivers in its glacial palace,
    and won’t come.
Yes, the mind takes a long time, is otherwise occupied
than by happiness, and deep breathing.
Now, in the distance, some bird is singing.
And now I have gathered six or seven deep red,
    half-opened cups of petals between my hands,
and now I have put my face against them
and now I am moving my face back and forth, slowly,
    against them.
The body is not much more than two feet and a tongue.
Come to me, says the blue sky, and say the word.
And finally even the mind comes running, like a wild thing,
    and lies down in the sand.
Eternity is not later, or in any unfindable place.
Roses, roses, roses, roses.

7.

Even now
I remember something

the way a flower
in a jar of water

remembers its life
in the perfect garden

the way a flower
in a jar of water

remembers its life
as a closed seed

the way a flower
in a jar of water

steadies itself
remembering itself

long ago
the plunging roots

the gravel the rain
the glossy stem

the wings of the leaves
the swords of the leaves

rising and clashing
for the rose of the sun

the salt of the stars
the crown of the wind

the beds of the clouds
the blue dream

the unbreakable circle.
On Nature: 
  • Those who know her, know her less - Emily Dickinson
  • "We live with mysteries too marvelous to be understood" - Mary Oliver
On Stars:
  • Emerson on Stars - Quote from Emerson on Stars
  • Whitman on Stars - When I heard the learn'd astronomer
  • Kaisi aarti - Guru Nanak Dhanasri
Vismad (Vismaad) from Gurbani
  • Kaisi aarti - Guru Nanak Dhanasri
  • Vismad from Asa ki vaar - Guru Nanak Asa
  • Rang rataa mera sahib
  • Dheeron dekh tumhare ranga
It will be tough to just gather a few poems on this. So many poems are about wonder; maybe even all!


Marveling at the astonishing mysteries with Mary Oliver, while reading this today ... 




Mysteries, Yes
Mary Oliver

Truly, we live with mysteries too marvelous
   to be understood.

How grass can be nourishing in the
   mouths of the lambs.
How rivers and stones are forever
   in allegiance with gravity
      while we ourselves dream of rising.
How two hands touch and the bonds will
   never be broken.
How people come, from delight or the
   scars of damage,
to the comfort of a poem.

Let me keep my distance, always, from those
   who think they have the answers.

Let me keep company always with those who say
   “Look!” and laugh in astonishment,
   and bow their heads.

Vismaad in Asa Ki Vaar

I was listening to Maskeen ji's katha on Vismaad and thought I would write my thoughts on it.  Vismaad, a word derived from the Punjabi language, embodies the concept of wonder and astonishment that transcends mere intellectual comprehension. It is a state of being that goes beyond the limitations of ego and encompasses a deep appreciation for the mysteries of life. While individuals such as children, poets, and saints often possess this capacity for vismaad, many others are consumed by ego, depriving themselves of the beauty and awe that can be found in the world around them.

Guru Nanak says: 

Vismaad naad vismaad ved. Vismaad je-a vismaad bhed.
Vismaad roop vismaad rang. Vismaad nagnae phireh jant.
Vismaad pa-un vismaad paanee. Vismaad agneekhaydeh vidaanee.
Vismaad dhartee vismaad khaanee. Vismaad saad lageh paraanee.
Vismaad sanjog vismaad vijog. Vismaad bhukh vismaad bhog.
Vismaad sifat vismaad saalaah. Vismaad ujharh vismaad raah.
Vismaad nayrhai vismaad door(h). Vismaad daykhai haajraa hajoor.
Vaiykh vidaan rahi-aa vismaad. Nanak bujhan pooraibhaag. ||1||
(SGGS, Pg. No. 463)

Paraphrasing Guru Nanak's Vismaad Pauri: 

I am filled with wonder as I observe the wind blowing in one place and water flowing in another. The mesmerizing dances of fire never fail to astonish me. It is truly remarkable how the Earth sustains the myriad creatures through various means of birth, be it from an egg, a womb, the earth itself, or even through perspiration. The enjoyment of your abundant blessings by mortals is a spectacle that fills me with awe.

The experience of people coming together or being separated is nothing short of astonishing. Oh God, it is difficult to comprehend that while some suffer from acute hunger, others are surrounded by abundance and indulgence. Somewhere, the Creator is being praised and glorified. It is wondrous to witness the divergent paths taken by individuals, some straying away from the divine commands while others walk along the well-laid paths. The play of this wondrous existence is simply astounding.

It is incredible how some claim that You are very near, while others believe You to be far away, and yet some perceive Your presence right beside them, permeating every corner of existence. Witnessing these marvels, I am left wonderstruck. Oh Nanak, those who comprehend the astonishing wonders you manifest are blessed with perfect destiny.

Vismaad in Children, Poets, and Saints:

Children, with their innocent and untainted perspectives, possess an innate sense of wonder. They marvel at the simplest things like butterflies, the sun, snow, flowers, and the moon. To them, the world is filled with endless mysteries waiting to be explored, and their vismaad allows them to revel in these wonders without the constraints of ego.

Similarly, poets are blessed with the gift of vismaad. Through their poetic expressions, they capture the ineffable essence of life and evoke emotions that transcend ordinary understanding. Poets possess a heightened sense of observation and tap into the deeper dimensions of existence, allowing them to perceive and convey the beauty and wonder that often eludes others.

Saints, particularly those who have attained spiritual enlightenment, embody the highest form of vismaad. They possess a profound connection with their souls and possess the ability to perceive the divine within all things. Guru Nanak, the founder of Sikhism, emphasized the significance of vismaad when he proclaimed, "Vekh vidaan rehaa vismaad" - witnessing your wonders, I am in wonder. This ability to experience vismaad is considered a rare blessing bestowed upon individuals through good fortune.

The Pitfall of Ego:

Ego, the antithesis of vismaad, acts as a hindrance to the experience of wonder. When one becomes consumed by the ego, they adopt a sense of omniscience, falsely believing that they possess complete knowledge. This inflated sense of understanding eliminates the mystery and curiosity that accompanies vismaad. Scientists, who often approach the world with a purely analytical mindset, may lack vismaad as they seek to unravel the mechanisms and intricacies of the natural world, focusing solely on objective knowledge rather than embracing the wonder it holds.

Vismaad in Everyday Life:

Namdev, a revered saint and poet from India, professed that vismaad can be found in every aspect of existence. He emphasized that everything in creation resonates with wisdom, even the smallest leaf or a droplet in the vast ocean. The sheer diversity and uniqueness of every living being, whether animal or plant, evoke a sense of wonder. Each organism, down to the minutest detail, exhibits distinct characteristics, captivating those with vismaad.

Moreover, vismaad extends beyond living beings to encompass the vast array of shapes and colors in the world. The intricacy and diversity found in nature's creations evoke awe and fascination. Even a single fish can exhibit a multitude of vibrant hues, each contributing to its individuality. Saints, with their heightened perception, may even find divinity in seemingly ordinary objects, recognizing the presence of God in an eggplant, for instance, while others remain oblivious to such revelations due to their lack of vismaad.

Fostering Vismaad

Vismaad, the state of wonder that surpasses intellectual understanding, holds immense value in our lives. It allows us to transcend the limitations of ego, opening our minds to the mysteries and beauty of the world. Children, poets, and saints serve as exemplars of vismaad, demonstrating how embracing wonder can lead to a deeper connection with ourselves and the world around us. By fostering vismaad, we can unlock the hidden wisdom and appreciate the awe-inspiring diversity that permeates every aspect of existence.



My notes from Maskeen ji's katha:



Asa DI vaar #5

Wonder is beyond intellect. 

When ego comes in, wonder goes away. There is no mystery if you know everything. If you understand that what we know is incomplete we are capable of vismaad. For that reason kids, poets and saints all have vismaad. Most other people have ego and don’t have vismaad. 

A kid loves butterflies. Sun. Snow. Flowers. Moon. Mystery abounds. Vismaad. 

Poets also have this vismaad. 

Saints also have the highest vismaad. They can see through their soul. Vekh vidaan rehaa vismaad says nanak. Nanak bujhe pure bhaag - only with good fortune does anyone get this. 

The normal person in his ego says I know clouds. I know earth. I know the sun. The scientist doesn’t have vismaad. 

Guru Nanak says I’m in wonder because of all this things  

He starts with sound  vismaad naad  

Clouds. Wind. Birds. Music. These make the saint wonder. But not for the layman. But do you really hear do you really listen  namdev says sabhai ghat Raam bole.

He says I’m in wonder because of knowledge. There is wisdom in everything  even the leaf has wisdom  even a droplet in the ocean has an ocean of wealth.

Then I am wonder because of all the living beings on earth. No animal is like any other animal.  Even every leaf of the same tree is different.  I am in wonder because of all the differences. 

Vismad roop ... rang

So many shapes and so many colors. Every organism is different.  Even one fish may have so many different colors.

A saint might fall in love with an eggplant because he sees God in it. But the layman might see an eggplant even if you showed him God. He wouldn’t recognize. 

Vismaad naange phire

I am surprised that animals are naked and they are not embarrassed. 

Vismaad pavan paani Agni ... 

I’m in vismaad looking at pavan. You give me life and refresh me.  You give me warmth. You quench my thirst. You fill me with wonder. 

Daava agan, badva agan, 


When I think of wonder, I think of Guru Nanak's Aarti:

Gagan mein thaal rav chand dipak bane, 
tarika mandal janak moti, 
dhoop malyanlo pavan chavro kare 
saal banray phulant joti.


(Notice the commas -- which are not found in the Guru Granth Sahib -- are in a different place than usual, but I believe are correct based on the meaning of these lines).

On my better evenings I hear Guru Nanak sing Arti in his melodious voice, describing how the entire sky is the platter on which the sun and moon are lamps for worship. The stars and the planets are the gems and pearls, the mythical Mount Meru, covered with sandalwood trees is the incense and the wind blowing from all directions is the grand fan for the beloved. See http://www.orissa.gov.in/e-magazine/orissareview/2012/Feb-March/engpdf/1-6.pdf for entire Aarti.

The other lines I think when I think of wonder come from Bhagat Kabir:

Sur Nar Mun Jan Kautak Aaye 
Kot Tentees Ujaana
Keh Kabir Mohe Byaah Chale Hain 
Purakh Ek Bhagwaana

Heavenly creatures have come
in thousands of chariots
As the one true Lord 
whisks me away following our wedding

Every time I read these lines, I think I understand them. But then every time I read these lines, I gain a new perspective on the wonder that is life.  I think I know but I don't.  But that temporary thought of knowing the unknown is beautiful. According to Emily Dickinson, that beautiful place, which enlivens, that is between the knowing and the unknown is wonder. She says, 

Wonder—is not precisely Knowing
And not precisely Knowing not—
A beautiful but bleak condition
He has not lived who has not felt—


"Those who know her, know her less." - Emily Dickinson on Nature.  

In "What mystery pervades a well," Emily talks about three strange and mysterious things: well, the sea and nature.  Their limits are unknown. Even to the ones who get near them.  In fact the ones who are nearer actually even more perplexed by its beauty.  

The ones who are truly near, are not afraid. Like the grass next to the well. Or the sedge next to the sea.  They are fearless.  Nirbhau says Guru Nanak in Mool Mantra.  Bold, not afraid, not timid in Emily's words.  

I found it interesting that the grass and the sedge are male.  They don't understand. Even when they get near, and they try to know, they don't.  They might be talking about her all the time, citing her the the most. But they have never really visited her house, the haunted house.  They have not understood her invisible ghost.  Not understood. Not known.  Perhaps knowing is impossible.  And they should be focusing on loving, and not knowing. 

This poem reminds me of Guru Nanak's Aarti: "You have thousands of eyes, but none is yours. you have thousands of shapes, yet not one is yours. Thousands of pure scented paths are yours. I am amazed at how many scents you have." It also reminds me that he says, "As big you are, as big are your gifts."

What mystery pervades a well!

- Emily Dickinson

What mystery pervades a well!
That water lives so far --
A neighbor from another world
Residing in a jar

Whose limit none have ever seen,
But just his lid of glass --
Like looking every time you please
In an abyss's face!

The grass does not appear afraid,
I often wonder he
Can stand so close and look so bold
At what is awe to me.

Related somehow they may be,
The sedge stands next the sea --
Where he is floorless
And does no timidity betray

But nature is a stranger yet;
The ones that cite her most
Have never passed her haunted house,
Nor simplified her ghost.

To pity those that know her not
Is helped by the regret
That those who know her, know her less
The nearer her they get.

- Emily Dickinson


Another Emily Dickinson poem about how innumerable nature is:

Bring me the sunset in a cup


Bring me the sunset in a cup,
Reckon the morning’s flagons up
And say how many Dew,
Tell me how far the morning leaps
Tell me what time the weaver sleeps
Who spun the breadth of blue!

Write me how many notes there be
In the new Robin’s ecstasy
Among astonished boughs
How many trips the Tortoise makes
How many cups the Bee partakes,
The Debauchee of Dews!

Also, who laid the Rainbow’s piers,
Also, who leads the docile spheres
By withes of supple blue?
Whose fingers string the stalactite
Who counts the wampum of the night
To see that none is due?

Who built this little Alban House
And shut the windows down so close
My spirit cannot see?
Who’ll let me out some gala day
With implements to fly away,
Passing Pomposity?

- Emily Dickinson


More on this: http://nebo-lit.com/poetry/dickinson/What-mystery-pervades-a-well.html



I wonder if I wonder
about the presence
of God

or His immense hunger
His appetite for
love

His attention to detail
or whether there
was.
We cannot answer many questions. There is a mystery surrounding the answers. The mystery of the answers helps make the questions wonder-ful. Most answers to such unanswerable questions seem crazy. Why not then, have crazy questions to start with? This is what Billy does in this poem. Only to in the end reach the irrefutable conclusion that musicians sleep late.

Questions About Angels
BY BILLY COLLINS

Of all the questions you might want to ask
about angels, the only one you ever hear
is how many can dance on the head of a pin.

No curiosity about how they pass the eternal time
besides circling the Throne chanting in Latin
or delivering a crust of bread to a hermit on earth
or guiding a boy and girl across a rickety wooden bridge.

Do they fly through God's body and come out singing?
Do they swing like children from the hinges
of the spirit world saying their names backwards and forwards?
Do they sit alone in little gardens changing colors?

What about their sleeping habits, the fabric of their robes,
their diet of unfiltered divine light?
What goes on inside their luminous heads? Is there a wall
these tall presences can look over and see hell?

If an angel fell off a cloud, would he leave a hole
in a river and would the hole float along endlessly
filled with the silent letters of every angelic word?

If an angel delivered the mail, would he arrive
in a blinding rush of wings or would he just assume
the appearance of the regular mailman and
whistle up the driveway reading the postcards?

No, the medieval theologians control the court.
The only question you ever hear is about
the little dance floor on the head of a pin
where halos are meant to converge and drift invisibly.

It is designed to make us think in millions,
billions, to make us run out of numbers and collapse
into infinity, but perhaps the answer is simply one:
one female angel dancing alone in her stocking feet,
a small jazz combo working in the background.

She sways like a branch in the wind, her beautiful
eyes closed, and the tall thin bassist leans over
to glance at his watch because she has been dancing
forever, and now it is very late, even for musicians.



“If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.”

― Ralph Waldo Emerson, Nature and Selected Essays

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SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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