Shivpreet Singh
Shivpreet Singh
  • Home
  • Music
    • Spotify
    • Apple Music
    • Amazon
    • Pandora
    • SoundCloud
    • Google
    • You Tube
      • Music on YouTube
      • Uplifting Shabads
      • Guru Nanak Shabads
      • Meditation & Chanting
      • Shabads for Kids
      • Shabads of Guru Arjan
      • Shabads of Guru Gobind Singh
  • Videos
    • Latest
    • Popular
    • Uplifting
    • Guru Nanak
    • Meditation
    • For Kids
    • Guru Arjan
    • Guru Gobind Singh
  • Projects
    • DhunAnand Foundation
    • Pandemic 2020
    • Guru Nanak 550
    • Namdev 750
    • Thoughts and Ruminations
    • What I Love to Read
  • News
  • Meet Me
    • Meet Me
    • Request
    • Send Email
    • Newsletter
    • FAQs
  • About
    • Biography
    • Photos
    • Music
    • FAQs
Sukhmani Sahib - Walk Slowly, Bow Often

In the quiet of the morning, a hummingbird visits my window, seeking nectar from the flowers outside. It flits rapidly, here and there, its wings a blur of motion, until it finally hovers, almost still, over a single blossom. 

This weekend in my weekly meditation, I described how Guru Arjan's concept of Ek Kinka has been transformational for me. Guru Arjan speaks of Ek Kinka—a single, small granule, a droplet from the vast ocean, a twig from the tree of seekers, a single grain of sand from life’s endless shore, or a note lifted from the grand symphony of existence. It reminded me of both Mary Oliver's poem (When I am among the trees) Bhagat Kabir's shabad (Har Ka Bilovana) where he talks about how Brahma and his sons missed out on focusing on the small details and instead got lost in the vastness. 

What about the ocean's depths, where fish swim in schools, unseen? What about the countless leaves of the tree, each a green flag waving in the wind? What of the beach that stretches out like a promise, endless and inviting, where life unfolds in grains too numerous to count? And what about the songs—all the songs we might have sung, each a melody waiting to be born? These questions reflect a common human fear—the fear of missing out, the quiet ache known as *birha*—the separation that lingers within us, reminding us of the vastness from which we have come. This separation, this feeling that we are somehow missing the bigger picture, is a thread we pull but cannot follow to its end.

Yet, the poem suggests that it is precisely this separation that renews us. It is this distance that sharpens our sight, allowing us to see more clearly. *Separation is the Amrit*—the nectar that sweetens our understanding and clears our vision. This concept is further illustrated by an ancient bard's wisdom, which tells us that darkness is another kind of light. Each granule of darkness is like a photon, invisible to the eye but still carrying light within it.

As the hummingbird remains still over the flower, drawing in the nectar, this moment becomes a microcosm of all the world’s sweetness. It is a reminder that in such small, simple moments, all the wisdom we need is contained. No other scriptures are necessary; this moment of connection, of understanding, is enough for emancipation. We are left to reflect on the significance of smallness and separation in our lives. The vastness of existence lies in appreciating the tiny, seemingly insignificant moments that make up our everyday experience. Just as the hummingbird finds sustenance in a single flower, we too can find profound meaning in the smallest details of our lives, realizing that they are not separate from the whole but an essential part of it.


When I am among the trees
by Mary Oliver

When I am among the trees,
especially the willows and the honey locust,
equally the beech, the oaks and the pines,
they give off such hints of gladness.
I would almost say that they save me, and daily.

I am so distant from the hope of myself,
in which I have goodness, and discernment,
and never hurry through the world
but walk slowly, and bow often.

Around me the trees stir in their leaves
and call out, “Stay awhile.”
The light flows from their branches.

And they call again, “It’s simple,” they say,
“and you too have come
into the world to do this, to go easy, to be filled
with light, and to shine.”


ਦੁਤੁਕੇ
dhutuke
Dho-Thukay
à©´ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ ॥
ikOankaar satigur prasaadh ||
One Universal Creator God. By The Grace Of The True Guru:

ਆਸਾ ਸ੍ਰੀ ਕਬੀਰ ਜੀਉ ਕੇ ਚਉਪਦੇ ਇਕਤੁਕੇ ॥
aasaa sree kabeer jeeau ke chaupadhe ikatuke ||
Aasaa Of Kabeer Jee, Chau-Padhay, Ek-Thukay:

ਸਨਕ ਸਨੰਦ ਅੰਤੁ ਨਹੀ ਪਾਇਆ ॥
sanak sana(n)dh a(n)t nahee paiaa ||
Sanak and Sanand, the sons of Brahma, could not find the Lord's limits.
ਬੇਦ ਪੜੇ ਪੜਿ ਬ੍ਰਹਮੇ ਜਨਮੁ ਗਵਾਇਆ ॥à©§॥
bedh paRe paR brahame janam gavaiaa ||1||
Brahma wasted his life away, continually reading the Vedas. ||1||

ਹਰਿ ਕਾ ਬਿਲੋਵਨਾ ਬਿਲੋਵਹੁ ਮੇਰੇ ਭਾਈ ॥
har kaa bilovanaa bilovahu mere bhaiee ||
Churn the churn of the Lord, O my Siblings of Destiny.
ਸਹਜਿ ਬਿਲੋਵਹੁ ਜੈਸੇ ਤਤੁ ਨ ਜਾਈ ॥à©§॥ ਰਹਾਉ ॥
sahaj bilovahu jaise tat na jaiee ||1|| rahaau ||
Churn it steadily, so that the essence, the butter, may not be lost. ||1||Pause||

ਤਨੁ ਕਰਿ ਮਟੁਕੀ ਮਨ ਮਾਹਿ ਬਿਲੋਈ ॥
tan kar maTukee man maeh biloiee ||
Make your body the churning jar, and use the stick of your mind to churn it.
ਇਸੁ ਮਟੁਕੀ ਮਹਿ ਸਬਦੁ ਸੰਜੋਈ ॥੨॥
eis maTukee meh sabadh sa(n)joiee ||2||
Gather the curds of the Word of the Shabad. ||2||

ਹਰਿ ਕਾ ਬਿਲੋਵਨਾ ਮਨ ਕਾ ਬੀਚਾਰਾ ॥
har kaa bilovanaa man kaa beechaaraa ||
The churning of the Lord is to reflect upon Him within your mind.
ਗੁਰ ਪ੍ਰਸਾਦਿ ਪਾਵੈ ਅੰਮ੍ਰਿਤ ਧਾਰਾ ॥à©©॥
gur prasaadh paavai a(n)mirat dhaaraa ||3||
By Guru's Grace, the Ambrosial Nectar flows into us. ||3||

ਕਹੁ ਕਬੀਰ ਨਦਰਿ ਕਰੇ ਜੇ ਮਂੀਰਾ ॥
kahu kabeer nadhar kare je ma(n)eeraa ||
Says Kabeer, if the Lord, our King casts His Glance of Grace,
ਰਾਮ ਨਾਮ ਲਗਿ ਉਤਰੇ ਤੀਰਾ ॥੪॥à©§॥੧੦॥
raam naam lag utare teeraa ||4||1||10||
one is carried across to the other side, holding fast to the Lord's Name. ||4||



This is one of my favorite Billy Collins' poems.  It is very accessible and doesn't necessarily need explanation or analysis. At the same time, like any Billy Collin poem it has deep meaning.  Let me first share the poem and then some meditative thoughts on this. 



The Trouble with Poetry

Billy Collins

The trouble with poetry, I realized
as I walked along a beach one night --
cold Florida sand under my bare feet,
a show of stars in the sky --

the trouble with poetry is
that it encourages the writing of more poetry,
more guppies crowding the fish tank,
more baby rabbits
hopping out of their mothers into the dewy grass.

And how will it ever end?
unless the day finally arrives
when we have compared everything in the world
to everything else in the world,

and there is nothing left to do
but quietly close our notebooks
and sit with our hands folded on our desks.

Poetry fills me with joy
and I rise like a feather in the wind.
Poetry fills me with sorrow
and I sink like a chain flung from a bridge.

But mostly poetry fills me
with the urge to write poetry,
to sit in the dark and wait for a little flame
to appear at the tip of my pencil.

And along with that, the longing to steal,
to break into the poems of others
with a flashlight and a ski mask.

And what an unmerry band of thieves we are,
cut-purses, common shoplifters,
I thought to myself
as a cold wave swirled around my feet
and the lighthouse moved its megaphone over the sea,
which is an image I stole directly
from Lawrence Ferlinghetti --
to be perfectly honest for a moment --

the bicycling poet of San Francisco
whose little amusement park of a book
I carried in a side pocket of my uniform
up and down the treacherous halls of high school.

Extending The Trouble With Poetry to Music

This is a poem how good poetry inspires more poetry.  It does what John Keats says poetry ought to do: "It should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance." 

As Billy Collins states, creatives are a "unmerry band of thieves," feeling sometimes jealous, and at other times dissatisfied with the beautiful art of others. Whether it be poetry, music, or visual art, we attempt to recreate and improve upon what we see, hear, or feel. The act of starting with something beautiful is a calculated risk in pursuit of making something even more beautiful.

I muse about my own trouble with music. When I listening to music that I really enjoy I end up listening to it again and again, a meditative process.  And its not just casual listening; as a musician I tend to disintegrate what I am hear - I can hear the melody, chords, rhythm and bass separately.  I experience a sense of jealousy and a desire to "steal" elements and create my own improved piece. I may use similar chord progressions but change the rhythm or take the ending theme of a melody and create something new. Other times, I may use the beat or bassline as inspiration and recreate the rest of the song.

Inspiration is key to creativity


Inspiration is often considered a key component of creativity, as it can provide the spark for new ideas and projects. Inspiration can come from a wide range of sources, such as nature, art, music, other people, and personal experiences. When a person is inspired, their mind is open and receptive to new ideas, and they may feel a sense of excitement and motivation to create.

Additionally, inspiration can also help to overcome creative blocks and overcome feelings of stagnation or frustration in one's work. Inspiration can provide a renewed sense of purpose and direction, and can help to generate new ideas and approaches.

It is important to note that inspiration is not the only factor in the creative process. Inspiration is the spark that ignites the fire but the discipline and hard work are the ones that keep it burning. Inspiration can be a powerful catalyst for creativity, but it is often necessary to put in the time and effort to develop and refine one's ideas and skills.

Therefore, Inspiration can be a valuable and important resource, but it should be used in conjunction with other creative strategies and practices, such as brainstorming, experimentation, and hard work to enhance creativity.

Inspirational Poets

There are many poets throughout history who have served as inspiration for other poets. Some examples include:

  • William Shakespeare, who is widely considered to be one of the greatest poets in the English language. His plays and sonnets have had a profound influence on literature and continue to inspire poets today.
  • John Keats, who is known for his romantic poetry and his emphasis on the beauty of nature. His work has been an inspiration to many poets in the romantic tradition.
  • Walt Whitman, an American poet who is considered one of the most influential poets of the 19th century. His work, particularly "Leaves of Grass," has been an inspiration to many poets and continues to be widely read today.
  • T.S. Eliot, an American poet, playwright, and literary critic, who is considered one of the most important poets of the 20th century. His work, particularly "The Waste Land," has had a profound influence on modern poetry and continues to inspire poets today.
  • Emily Dickinson, an American poet whose work was mostly unknown during her lifetime but now widely considered one of the most important poets in American literature. Her poems are known for their intense emotional power, and many poets have been inspired by her unique style and use of language.
  • Langston Hughes, an American poet, novelist, and playwright, who was a leader of the Harlem Renaissance. His work dealt with themes of race and identity, and has been an inspiration to many poets, particularly those of the African American community.


This poem reminds me of Mirza Ghalib's Hazaron Khwahishen Aisi where guppies become desires. More desires inspire even more desires. And more and more desires, each one to kill oneself for.  

Unending Troubles

- After Billy Collins

When someone asks me 
to do more of a certain kind 
of composition or video
I am reminded of 
Billy Collins

I am reminded of 
the desires coming out
of Mirza Ghalib's ghazals
one goes and is displaced
by one hundred more

I am reminded of 
the kitten emerging 
from my consciousness, 
the millionfish  swimming 
out of my imagination
in their rainbow colors.

I am reminded of 
a new head of Raavan
replacing the one
that was just fell
by Raam's arrow.

And I am reminded of 
that lingering question:
How will they every end ...
the troubles that poetry 
shares with all art forms. 

It’s nice to be complete
Like a cloud over the green hill
And the blue sky. Without any fires. 
Like being free to open
The windows and sunroof 
In the car and to inhale. Truly. 
So today I give you
What you need the most 
Both truth and beauty completely 


 

He Won't Give Up

He walked through heat and through cries
while kings stayed hidden from the skies.

At seven years, calm among deathbeds,
he cupped the sick, stroked their heads.

No long sermons, no throne, no sword—
just water touched by love’s accord.

The little Guru served, soft and small,
his large presence stilling the city's calls.

And still that well, through time and flame,
pours sweet relief in Shri Harkrishan’s name.

And those who bow with emptied cup
are filled with what just won’t give up

-Shivpreet Singh
March, 2020


This shabad is about Guru Harkrishan, the eighth Guru. The lyrics were written by Guru Gobind Singh. I have added some lines from Bhai Nandlal (because Guru Gobind Singh talks about all the other gurus but himself; I added the lines from Bhai Nandlal who describes Guru Gobind Singh's relationship with him).

Pritham Bhagauti Simar Kai Gur Nanak Layi Dhiyaye
Phir Angad Gur Te Amardas Raamdaas-ai Hoyi Sahaye
Arjan Hargobind Nu Simro Shri Har Rai
Shri Harkrishan Dhiyayiyeh Jis Dithai Sab Dukh Jaye
Tegh Bahadur Simariyeh Ghar Nau Nidh Avai Dhaye
Sab Thaayi Hoye Sahaye

Shri Harkrishan Dhiyayiyeh Jis Dithai Sab Dukh Jaye

I remember Shri Harkrishan envisioning whom all pain vanishes

Interesting that Guru Gobind uses the “Shri” suffix, which is used to respect the elders, the gurus and the avatars of God, as in Shri Raam and Shri Krishna. It is clear how respected Guru Harkrishan was a short time after his departure.

When Guru Har Rai, the 7th Guru in the lineage of Guru Nanak, passed away on 20 October 1661, he chose Shri Harkrishan, the younger of his two sons to be the next Guru. At this time Shri Harkrishan was merely 5 years old. While he was young in years, he was mature in wisdom. Bhai Santokh Singh writes,
The early morning sun looks small in size, but its light is everywhere. So was Guru Harkrishan' s fame, without limit.
Shri Harkrishan was very popular in northwest India -- so much so that the Mughal Emperor Aurangzeb wanted to meet him.  Aurangzeb was notorious and would have not been able to access to Shri Harkrishan were it not for Mirza Raja Jai Singh, a Rajput king from Amer, Rajasthan who held the followers of Guru Nanak in very high esteem.  He convinced Shri Harkrishan to visit Aurangzeb in Delhi and he was invited to live as a guest in the bungalow in 1663.

During Shri Harkrishan's visit there was an ongoing epidemic of cholera and smallpox and seven year old Shri Harkrishan boldly decided to serve the community.  While the rulers of his time were hiding in palaces, Guru Harkrishan went from community to community, house to house, and connected with them. He used his resources to help the community with aid and highly sought clean water from the well at Raja Jai Singh's bungalow. 

The Hindus called him "Bal Guru" and the muslims called him "Bala Peer" ... the child guru. He served the community of Delhi no matter what their religion or social status was. It is said that anyone he met was overwhelmed with reverence, and a calming sense of peace. It became well known that whoever met Shri Harkrishan was relieved of suffering. He served the community until he himself succumbed to small pox infection.

Where he was cremated now stands Gurudwara Bala Sahib; I have a fond memory of walking to Bala Sahib with my grandfather when I was very young.  In place of Raja Jai Singh's bungalow where Shri Harkrishan lived now stands the Gurudwara Bangla Sahib, one of the most prominent Sikh house of worship. It was first built as a small shrine by Sikh General Sardar Baghel Singh in 1783 during the reign of Mughal Emperor, Shah Alam II.

Millions of people visit Bangla Sahib every year and thousands get free food every day. The water from the well of the well is considered holy. The bed where he used to sleep is found within the premises of the Gurdwara. When I recently visited Delhi, I drank some water from the well and had langar sitting next to a local laborer who told me that he often eats here. Even when most of Delhi was closed during the COVID-19 pandemic, the homeless are being fed outside Bangla Sahib.

Guru Harkrishan's boldness and his kindness at such a young age remains exemplary in the history of humankind. He lost his life early, but he won the hearts of people forever, gained the respect of generations to come, and continues to inspire us with his courage and generosity. It is no surprise that his legacy lives on.

- March 2020.
The difference between a poetry book and other books are that you are never done reading a poetry book. #OnPoetry

When I pick up a book to read

You are introduced to a character
you become his friend, alibi or his hater,
or you become

And then one day you are done
Shiv, the difference with poetry
is that the reading is circularly infinite.

Book, Heart, Love, Grains, Sand, Sea, Reading

[O my Lord]

by rabi'A

Translated by Jane hirshfield

O my Lord,
the stars glitter
and the eyes of men are closed.
Kings have locked their doors
and each lover is alone with his love.

Here, I am alone with You

When Rabia Came Over
-Shivpreet Singh

It was sometime after midnight—
the parrot had stopped practicing
his whistle from that Bollywood song,
and the dishwasher had entered
its contemplative rinse cycle.

Then Rabia knocked,
without knocking, really.
She just appeared,
as if my thoughts had gotten too noisy
and someone had to intervene.

She didn’t say much at first.
She looked around the room,
nodded at the moonlight
slipping in through the blinds,
then pulled her robe tighter and said,
“Kings have locked their doors.”

I offered her tea.
She declined, but the steam
rose between us like a small prayer.

Outside, the stars were holding
their breath.

She looked at me—
that look your grandmother gives
right before she tells you
you’ve forgotten God
but she still loves you anyway.

“I’m not alone,” I said,
thinking of my family,
my dog, the leftover curry
still warm in the fridge.

“No,” she said,
and the syllable floated
through the kitchen like a blessing—
or maybe a broom,
sweeping everything else aside.

And then she was gone.
And then she never left. 


This poem reminds me of Guru Arjan's shabad, Bhinni Rainariye Chamkan Taare:




More on Rabi'a


Rabi'a al-Adawiyya (also known as Rabi'a al-Basri) was not primarily known as a poet but as a prominent Muslim mystic and saint. She was born in the 8th century CE in Basra, which is now present-day Iraq. Rabi'a is considered one of the early Sufi mystics and is revered for her profound spiritual insights and devotion to God.

While Rabi'a is primarily remembered for her teachings and spiritual practices, she did express her mystical experiences through poetry. Her poems often reflected her intense love and longing for union with the divine. Rabi'a's poetry is characterized by themes of divine love, the pursuit of spiritual closeness to God, and the renunciation of worldly attachments.

Although the exact corpus of Rabi'a's poetry is not widely known, her poems have been preserved and passed down through oral tradition and various Sufi texts. Rabi'a's spiritual teachings and poetry have had a significant influence on Sufism and Islamic spirituality. Her life and writings continue to inspire many seekers on the path of divine love and devotion.

More on Rabi'a's poem O My Lord

This poem by Rabi'a al-Adawiyya conveys her profound longing for a deep and intimate connection with God. Let's explore its meaning line by line:

"O my Lord,
the stars glitter
and the eyes of men are closed."

In these lines, Rabi'a addresses God, expressing her awareness of the beauty and radiance of the stars. The stars symbolize the magnificence and wonders of the universe. However, she contrasts this with the closed eyes of human beings, suggesting that despite the beauty around them, people are spiritually unaware or disconnected from the divine.

"Kings have locked their doors
and each lover is alone with his love."

Here, Rabi'a speaks metaphorically. The "kings" refer to those in power or positions of authority who have shut themselves away and isolated themselves. This can represent worldly distractions, ego, and attachments that prevent people from seeking a connection with God. The mention of "each lover" being alone with their love implies that everyone has their individual pursuit or object of affection, but Rabi'a acknowledges that true fulfillment and union lie in being alone with God.

"Here, I am alone with You."

In this final line, Rabi'a expresses her personal state of being. She emphasizes her spiritual solitude, highlighting the deep connection she feels with God. Rabi'a finds solace and fulfillment in her intimate relationship with the divine, recognizing that true union and companionship are found in her devotion to God.

Overall, this poem reflects Rabi'a's intense longing for divine connection and her belief that true fulfillment can only be achieved through a deep and personal relationship with God. It highlights her detachment from worldly distractions and her devotion to seeking spiritual closeness with the divine presence.


I am no emperor 

I can't leave you palaces

But I will do better dear stranger


I will leave you marble melodies

assured that buried shallow

in these love ruins


our hearts will be found, shiv,

greeting those who visit,

in unison, beating. 

Are you the new person drawn toward me?
by Walt Whitman

Are you the new person drawn toward me?
To begin with, take warning, I am surely far different from what you suppose;
Do you suppose you will find in me your ideal?
Do you think it so easy to have me become your lover?
Do you think the friendship of me would be unalloy’d satisfaction?
Do you think I am trusty and faithful?
Do you see no further than this façade, this smooth and tolerant manner of me?
Do you suppose yourself advancing on real ground toward a real heroic man?
Have you no thought, O dreamer, that it may be all maya, illusion?


My reflection on Walt Whitman's poem: 

Are You the One Drawn Toward Me?

(after Walt Whitman)

Are you the one drawn toward me?
Take heed—what you see here is merely an outline,
A sketch of some idea you had once 
about who you thought I might be.

Do you think you'll find in me your missing piece,
The puzzle's last corner that snaps into place?
Do you think you’ve stumbled upon a wellspring of wisdom,
a fountain of clarity to sip from at your leisure?

Perhaps you’ve imagined I’m a steady ship in calm waters,
or a lighthouse, always anchored to its rock,
but I am more like driftwood, floating aimlessly,
carried along by currents I don't fully understand.

Do you think my words are untainted by doubt,
that my jokes are without an edge?
Or that the laughter I offer is untouched by tears
that have soaked into the wood of this desk where I write?

Do you imagine yourself stepping onto firm ground,
A place where you can rest, assured of your path?
Have you no thought, O curious traveler,
that this road may wind in circles, that the signs are faded,
and that I might be just as lost as you?

But come closer anyway, if you dare—
bring your questions, your hopes, and all your small certainties.
We’ll sit together and marvel at the gaps in our knowledge,
and perhaps, in that shared bewilderment,
we’ll find a song that feels a lot like love.

(first revision)
In the Bookstore Called Humanity
-Shivpreet Singh

In this strange world,
they call the sleeping awake,
and the woken asleep.
- Guru Nanak

This makes me weep.
- Kabir

Sometimes I imagine spirituality
like wandering into an unfamiliar bookstore,
rows upon rows of titles promising truth,
each with a bright cover,
shouting answers or secrets in bold fonts.

You pick one up, flip through pages
filled with empty promises,
the metaphors barely believable—
like churning butter from clear water,
wishing desperately for cream.

And yet, amid this cacophony
of counterfeit wisdom,
one quiet book sits patiently on a lower shelf—
no flashy dust jacket, no sales pitch, just waiting,
filled with words that quietly illuminate
the dark corners.

You hold it gently, as if handling something alive,
as the ink whispers clarity through the noise,
naming itself softly:
Shabad Guru.



Guru Nanak's Shabad in Raag Gauri
Gur Parsaadi boojh lay hoye nibera

By Guru's Grace, one comes to understand, and then, the account is settled.
In each and every heart is the Name of the Immaculate Lord; He is my Lord and Master. ||1||

Without the Word of the Guru's Shabad, no one is emancipated. See this, and reflect upon it.
Even though you may perform hundreds of thousands of rituals, without the Guru, there is only darkness. ||1||Pause||

What can you say, to one who is blind and without wisdom?
Without the Guru, the Path cannot be seen. How can anyone proceed? ||2||

He calls the counterfeit genuine, and does not know the value of the genuine.
The blind man is known as an appraiser; this Dark Age of Kali Yuga is so strange! ||3||

The sleeper is said to be awake, and those who are awake are like sleepers.
The living are said to be dead, and no one mourns for those who have died. ||4||

One who is coming is said to be going, and one who is gone is said to have come.
That which belongs to others, he calls his own, but he has no liking for that which is his. ||5||

That which is sweet is said to be bitter, and the bitter is said to be sweet.
One who is imbued with the Lord's Love is slandered - his is what I have seen in this Dark Age of Kali Yuga. ||6||

He serves the maid, and does not see his Lord and Master.
Churning the water in the pond, no butter is produced. ||7||

One who understands the meaning of this verse is my Guru.
O Nanak, one who knows his own self, is infinite and incomparable. ||8||

He Himself is All-pervading; He Himself misleads the people.
By Guru's Grace, one comes to understand, that God is contained in all. ||9||2||18||



In the following succinct couplet, Kabir ponders about how illogical world’s thinking is:
Rangi ko narangi kahe, bane doodh ko khoya
Chalti ko gaari kahe, yeh dekh Kabira roya.

They call an orange, non-colorful (na-rangi),
they call a delicious milk cake lost (khoya)
they call a moving object stuck (gaari)
Seeing this (hypocrisy of the world) Kabir cries

This description helped me understand better Robert Hayden's poem Monet's Water lillies and helped me improve the poem that I wrote inspired by that, Water lillies in my soul's lake

From wisegeek.com: http://www.wisegeek.com/what-are-water-lilies.htm

Water lilies are aquatic plants which are frequently found along the edges of ponds, lakes, and streams. They have distinctive large rounded leaves or lily pads, and flowers which can be white, yellow, or pink. In addition to proliferating in the wild, water lilies are also cultivated for personal pleasure gardens and small water pools all over the world. The broad flowers typically have a plethora of almond shaped petals, although no less than six, along with six stamens.

There are over 70 species in the Nympheaceae family, which encompasses water lilies, and they are found widely distributed on many parts of the planet. Water lilies are also very ancient, and appear in numerous examples of art from antiquity, suggesting that they were prized for their beauty thousands of years ago, just as they are today. Water lilies are also religious symbols in many traditions, including Buddhism and Hinduism, and they are commonly associated with enlightenment and resurrection, as many water lilies close up and appear to die at night, reviving in the morning with the sunlight.
In Egyptian art, many royal representatives were depicted holding sacred lotuses, members of the water lily family, and the gods were also associated with water lilies. In Buddhism, the lotus is an important symbol of enlightenment because it illustrates beauty rising through mud and water to bloom. Because many species tightly furl their blossoms at light, the lotus is also a symbol of opening to the light.
There are three basic types of water lily: night, tropical, and hardy. As the name would suggest, night lilies bloom only at night, and close up when the sun rises. Tropical lilies are water lilies adapted to tropical environments, and some tropical lilies can grow leaves which are large enough to support the weight of a human being. Hardy lilies will grow in almost any environment, and are commonly found in North America and Europe.
The roots of water lilies are embedded in the mud, well below the water line. The mud keeps the roots moist and provides a source of nutrition, while richly oxygenated water seeps into the roots. The long, trailing stems of water lilies also collect oxygen from the water they grow in, and the big leaves readily collect sunlight for energy. Most water lilies reproduce by budding new tubers, which will densely concentrate water lilies in one area of a waterway unless the tubers are distributed by animals and the current.
Older Posts Home

SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

Related Posts

Popular - 30 days

  • Vande Mataram - Lyrics and Translation
    I love the Vande Maataram composition in Raag Des sung by Lata Mangeshkar.  Vande Mataram is the national song of India. In 2003, BBC World ...
  • Sanson Ki Mala Pe - Lyrics, Translation and Background
    Sanson ki Maala was made famous by Nusrat Fateh Ali Khan sahib.  Although some have attributed this song to Mirabai and Khusro, this is a gh...
  • Kabir's Gao Gao Ri Dulhani - Lyrics and meanings
    One of my favorite Kabir's poem I call "Dulhani." In this beautiful poem, Kabir envisions himself as the bride and the univers...
  • Love and the Mool Mantra
    Guru Nanak's teachings are undoubtedly about love. So are Guru Arjan's teachings. The Mool Mantra is given the highest importance i...
  • Loving in the night - a poem by Rabi'a
    [O my Lord] by rabi'A Translated by Jane hirshfield O my Lord, the stars glitter and the eyes of men are closed. Kings have locked their...
  • The Many Types of Raag Malhar
    Pour love in your heart, like the rain pours on the land today. As I am working on a Meerabai song I am doing research on the different vari...
  • Gulon Mein Rang Bhare - Lyrics and Translation of Mehdi Hassan Ghazal
    I was listening and meditating upon this beautiful ghazal by Faiz Ahmed Faiz, beautifully composed by Mehdi Hassan. It is one of my favorite...
  • Ve Mahiya Tere Vekhan Nu - Tufail Niazi and Wadali Brothers
    I have recently heard this Bulleh Shah song and it has really touched my heart. Several people have sung it, but I love the original composi...
  • Saas Saas Simro Gobind - Lyrics and Meaning
    iTunes   Amazon   Google Play   Spotify Saas Saas Simro Gobind - Meaning  Listening to the complete Guru I come in the vicinity of oneness...
  • Nasro Mansoor Guru Gobind Singh - Bhai Nand Lal Goya
    I have been singing this shabad for over 30 years; I composed it when I was a teenager. It comes from a fairly long poem of 55 couplets, lyr...

Blog Archive

  • ▼  2025 (13)
    • ▼  September (1)
      • Soulful conversation with Shivpreet Singh - LuckyT...
    • ►  August (2)
    • ►  July (2)
    • ►  June (3)
    • ►  March (1)
    • ►  February (2)
    • ►  January (2)
  • ►  2024 (21)
    • ►  December (1)
    • ►  November (2)
    • ►  October (3)
    • ►  September (2)
    • ►  August (4)
    • ►  July (2)
    • ►  June (3)
    • ►  May (1)
    • ►  April (1)
    • ►  February (1)
    • ►  January (1)
  • ►  2023 (41)
    • ►  December (4)
    • ►  November (3)
    • ►  October (4)
    • ►  September (7)
    • ►  August (5)
    • ►  July (7)
    • ►  June (3)
    • ►  May (3)
    • ►  April (1)
    • ►  March (1)
    • ►  February (3)
  • ►  2022 (8)
    • ►  March (2)
    • ►  January (6)
  • ►  2021 (139)
    • ►  December (15)
    • ►  November (2)
    • ►  October (6)
    • ►  September (7)
    • ►  August (2)
    • ►  July (4)
    • ►  May (21)
    • ►  April (21)
    • ►  March (35)
    • ►  February (23)
    • ►  January (3)
  • ►  2020 (149)
    • ►  December (2)
    • ►  November (13)
    • ►  October (31)
    • ►  September (47)
    • ►  August (37)
    • ►  July (5)
    • ►  June (3)
    • ►  May (3)
    • ►  April (3)
    • ►  March (2)
    • ►  February (1)
    • ►  January (2)
  • ►  2019 (44)
    • ►  December (5)
    • ►  November (8)
    • ►  October (14)
    • ►  September (4)
    • ►  July (3)
    • ►  June (1)
    • ►  May (2)
    • ►  March (1)
    • ►  February (1)
    • ►  January (5)
  • ►  2018 (53)
    • ►  December (8)
    • ►  November (5)
    • ►  October (3)
    • ►  September (4)
    • ►  August (6)
    • ►  July (3)
    • ►  June (4)
    • ►  May (6)
    • ►  April (5)
    • ►  March (2)
    • ►  February (4)
    • ►  January (3)
  • ►  2017 (72)
    • ►  December (2)
    • ►  November (12)
    • ►  October (8)
    • ►  September (1)
    • ►  August (7)
    • ►  July (6)
    • ►  June (12)
    • ►  May (5)
    • ►  April (4)
    • ►  March (7)
    • ►  February (3)
    • ►  January (5)
  • ►  2016 (141)
    • ►  December (1)
    • ►  November (9)
    • ►  October (16)
    • ►  September (19)
    • ►  August (2)
    • ►  July (5)
    • ►  June (7)
    • ►  May (3)
    • ►  April (18)
    • ►  March (34)
    • ►  February (16)
    • ►  January (11)
  • ►  2015 (28)
    • ►  December (1)
    • ►  November (1)
    • ►  October (2)
    • ►  September (12)
    • ►  August (1)
    • ►  May (1)
    • ►  April (7)
    • ►  March (1)
    • ►  February (1)
    • ►  January (1)
  • ►  2014 (107)
    • ►  December (1)
    • ►  November (6)
    • ►  October (1)
    • ►  August (2)
    • ►  July (1)
    • ►  June (11)
    • ►  April (10)
    • ►  March (15)
    • ►  February (24)
    • ►  January (36)
  • ►  2013 (242)
    • ►  December (13)
    • ►  October (5)
    • ►  September (3)
    • ►  August (3)
    • ►  June (7)
    • ►  May (62)
    • ►  April (79)
    • ►  March (12)
    • ►  February (23)
    • ►  January (35)
  • ►  2012 (145)
    • ►  December (29)
    • ►  November (31)
    • ►  October (44)
    • ►  September (5)
    • ►  August (9)
    • ►  July (7)
    • ►  June (1)
    • ►  May (3)
    • ►  April (1)
    • ►  March (4)
    • ►  February (9)
    • ►  January (2)
  • ►  2011 (252)
    • ►  December (1)
    • ►  November (1)
    • ►  October (4)
    • ►  September (13)
    • ►  August (28)
    • ►  July (44)
    • ►  June (33)
    • ►  May (15)
    • ►  April (2)
    • ►  March (45)
    • ►  February (43)
    • ►  January (23)
  • ►  2010 (70)
    • ►  December (31)
    • ►  November (20)
    • ►  October (2)
    • ►  September (3)
    • ►  August (1)
    • ►  July (2)
    • ►  May (5)
    • ►  March (4)
    • ►  February (1)
    • ►  January (1)
  • ►  2009 (15)
    • ►  December (1)
    • ►  November (3)
    • ►  October (2)
    • ►  September (2)
    • ►  August (1)
    • ►  June (1)
    • ►  April (1)
    • ►  March (1)
    • ►  February (1)
    • ►  January (2)
  • ►  2008 (15)
    • ►  November (1)
    • ►  July (2)
    • ►  June (5)
    • ►  May (1)
    • ►  April (2)
    • ►  March (1)
    • ►  February (1)
    • ►  January (2)
  • ►  2007 (9)
    • ►  November (4)
    • ►  October (2)
    • ►  September (1)
    • ►  August (2)
  • ►  1999 (1)
    • ►  May (1)

Message

Name

Email *

Message *

Twitter

Tweets by @shivpreetsingh


Copyright © Shivpreet Singh. Designed by OddThemes