Shivpreet Singh
Shivpreet Singh
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Shakespeare the playwright thinks the world is a stage and everyone is playing a part in it. Likewise it would be apt for a poet to think that the world is poetry.  Whatever the world is then decides what we are to do in it.  In Shakespeare's world we are all actors and this is a stage.  And a drama is happening on each day. An interesting take from Mary Oliver is how she takes out the actors from the play, and makes the play a poem. Why not? She is a poet after all. The poet thinks that the world is a poem. 

Mary Oliver's emphasis is on taking it all in. The emphasis on looking and listening. And then not needing to do anything else. This is a poet that is well versed in vismaad, in wonder, it is her.  It only makes sense that wonder is no less service than writing poetry or acting on the world stage.  John Milton so aptly said that God doesn't need "man's work or his own gifts;" even the ones who are standing and waiting, the blind folk like him, are serving!  But while they are standing and waiting, they can be looking and listening; and Mary asserts that is the "real work." What other purpose of life is better?  You don't need to be at your desk writing poetry when it is spring. You just need to look at the woods and listen to the thrush. Looking, listening, smelling, breathing ... taking it all in. 

The Book of Time

I rose this morning early as usual, and went to my desk.
But it’s spring,
and the thrush is in the woods,
somewhere in the twirled branches, and he is singing.
And so, now, I am standing by the open door.
And now I am stepping down onto the grass.
I am touching a few leaves.
I am noticing the way the yellow butterflies
move together, in a twinkling cloud, over the field.
And I am thinking: maybe just looking and listening
is the real work.
Maybe the world, without us,
is the real poem.


- Mary Oliver
The Leaf and the Cloud.


More from the Book of Time

1.

I rose this morning early as usual, and went to my desk
But it’s spring,

and the thrush is in the woods,
somewhere in the twirled branches, and he is singing.

And so, now, I am standing by the open door.
And now I am stepping down onto the grass.

I am touching a few leaves.
I am noticing the way the yellow butterflies
move together, in a twinkling cloud, over the field.

And I am thinking: maybe just looking and listening
is the real work.

Maybe the world, without us,
is the real poem.


2.

For how many years have you gone through the house
    shutting the windows,
while the rain was still five miles away

and veering, o plum-colored clouds, to the north,
away from you

and you did not even know enough
to be sorry,

you were glad
those silver sheets, with the occasional golden staple,

were sweeping on, elsewhere,
violent and electric and uncontrollable–

and will you find yourself finally wanting to forget
all enclosures, including

the enclosure of yourself, o lonely leaf, and will you
dash finally, frantically,

to the windows and haul them open and lean out
to the dark, silvered sky, to everything

that is beyond capture, shouting
I’m here, I’m here! Now, now, now, now, now.

3.

I dreamed
I was traveling

from one country
to another

jogging
on the back
of a white horse
whose hooves

were the music
of dust and gravel
whose halter
was made of the leafy braids

of flowers,
whose name
was Earth.
And it never

grew tired
though the sun
went down
like a thousand roses

and the stars
put their white faces
in front of the black branches
above us

and then
there was nothing around us
but water
and the white horse

turned suddenly
like a bolt of white cloth

opening
under the cloth cutter’s deft hands

and became
a swan.
Its red tongue
flickered out

as it perceived
my great surprise
my huge and unruly pleasure
my almost unmanageable relief. . . .

4.

“‘Whoever shall be guided so far towards the mysteries of love, by
contemplating beautiful things rightly in due order, is approaching the last
grade. Suddenly he will behold a beauty marvellous in its nature, that very
Beauty, Socrates, for the sake of which all the earlier hardships had been
borne: in the first place, everlasting, and never being born nor perishing,
neither increasing nor diminishing; secondly, not beautiful here and ugly
there, not beautiful now and ugly then, not beautiful in one direction and
ugly in another direction, not beautiful in one place and ugly in another
place. Again, this beauty will not show itself like a face or hands or any
bodily thing at all, nor as a discourse or a science, nor indeed as residing in
anything, as in a living creature or in earth or heaven or anything else,
but being by itself with itself always in simplicity; while all the beautiful
things elsewhere partake of this beauty in such manner, that when they are
born and perish it becomes neither less nor more and nothing at all
happens to it. . . .'”

5.

What secrets fly out of the earth
when I push the shovel-edge,
when I heave the dirt open?

And if there are no secrets
what is that smell that sweetness rising?

What is my name,
o what is my name
that I may offer it back
to the beautiful world?

Have I walked
long enough
where the sea breaks raspingly
all day and all night upon the pale sand?

Have I admired sufficiently the little hurricane
of the hummingbird?

the heavy
thumb
of the blackberry?

the falling star?

6.

Count the roses, red and fluttering.
Count the roses, wrinkled and salt.
Each with its yellow lint at the center.
Each with its honey pooled and ready.
Do you have a question that can’t be answered?
Do the stars frighten you by their heaviness
    and their endless number?
Does it bother you, that mercy is so difficult to
    understand?
For some souls it’s easy; they lie down on the sand
    and are soon asleep.
For others, the mind shivers in its glacial palace,
    and won’t come.
Yes, the mind takes a long time, is otherwise occupied
than by happiness, and deep breathing.
Now, in the distance, some bird is singing.
And now I have gathered six or seven deep red,
    half-opened cups of petals between my hands,
and now I have put my face against them
and now I am moving my face back and forth, slowly,
    against them.
The body is not much more than two feet and a tongue.
Come to me, says the blue sky, and say the word.
And finally even the mind comes running, like a wild thing,
    and lies down in the sand.
Eternity is not later, or in any unfindable place.
Roses, roses, roses, roses.

7.

Even now
I remember something

the way a flower
in a jar of water

remembers its life
in the perfect garden

the way a flower
in a jar of water

remembers its life
as a closed seed

the way a flower
in a jar of water

steadies itself
remembering itself

long ago
the plunging roots

the gravel the rain
the glossy stem

the wings of the leaves
the swords of the leaves

rising and clashing
for the rose of the sun

the salt of the stars
the crown of the wind

the beds of the clouds
the blue dream

the unbreakable circle.

"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139. The speech compares the world to a stage and life to a play and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man. 

Oscar Wilde put his own spin on this phrase and says, “The world is a stage, and the play is badly cast.” Allan Moore in his novel, V for Vendetta, says, “All the world’s a stage, and everything else is vaudeville.”

It reminds me of Guru Nanak's poem in Raag Shri, Jag Supna Baaji Bani, where he says "the world is a drama staged in a dream. It only takes a moment to play out. The fortunate ones are united in joy, while others are separated in sadness. Whatever the director pleases happen; nothing is in our hands."


All the world’s a stage

                                        All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lin’d,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.

- William Shakespeare
(from As You Like It, spoken by Jaques)



In the beginning of Shakespeare's Macbeth, (Act one, Scene one, line 12), the witches say, “Fair is foul and foul is fair.” Good and evil coexist together! Not a novel thought, but enlightening nevertheless. For centuries writers and philosophers have written about good and evil.  The topic is as young today as it was in the Vedic times, during the birth of Christ or Muhammad, in Shakespearean times.

Why should we pass judgement on others based on their own biases, experiences, or beliefs? If we can instead have humility and empathy, and recognize that everyone has their own unique perspective, we would not pass judgement. We often do not know everything. We have limited information upon which we act.  And we ourselves make mistakes.  Everyone makes mistakes and has their own struggles and challenges, and it is important to show compassion and understanding towards others. 

Additionally, judging others can be harmful, not only to the person being judged but also to us when are are judging. It can create feelings of resentment and animosity, and can lead to a lack of empathy and understanding. These feelings can eat our own souls.  

And Guru Nanak says at the end of his sentinal composition, Japji Sahib:
The righteous one judges good and evil
Deeds make some close and others far
Pavan Guru - Shivpreet Singh

 

Kabir says in his popular couplet -
बुरा जो देखन मैं चला, बुरा न मिलिया कोई।
जो मन खोजा अपना, तो मुझसे बुरा न कोई ।। 
When I tried looking outside, I couldn't find anyone dirty
When I saw my own heart, I found no one dirtier than me

Bible: Mathew 7:3
Why do you look at the speck of sawdust in your brother’s eye and pay no attention to the plank in your own eye?”

Here is an excerpt from Midnight in the Garden of Good and Evil is a non-fiction work by John Berendt. Published in 1994.
Midway through Jim Williams's second year in jail, Savannah more or less forgot about him. The city turned its attention to other topics. There was a good deal of talk, for example, about the divine intervention allegedly visited upon George Mercer 3d.
 
George Mercer 3d was a prominent businessman and the half-brother of the late Johnny Mercer. Mr. Mercer was leaving his house in Ardsley Park one evening to go to a dinner party when he suddenly realized he'd forgotten his car keys. He went back inside to get them. In the front hall he heard a voice say loud and clear, "George, you drink too much!"
 
Mr. Mercer turned around, but the hall was empty. "Who are you?" he asked. "And where are you?"
"I am the Lord," said the voice. "I am everywhere."
 
"Well, I know I drink more than I should," said Mr. Mercer, "but how do I know you're the Lord? If you really are, show me. Show me now. If you can prove to me you're God I'll never drink again." Suddenly, Mr. Mercer felt himself being lifted high in the air. Up over his house. Up over Ardsley Park. He was lifted so high he could look down and see all of Savannah -- the downtown squares, the river, Tybee Island and Hilton Head. And the voice said, "Have I proved to you that I am real?" Mr. Mercer declared then and there that he did believe, and the Lord put him back down in the front hall. George Mercer 3d never took another drink after that.

Even people who doubted the truth of that story had to admit that on a spiritual level at least something very strange was happening to Savannah's upper crust.

Posts related to Pavan Guru

Good and Evil coexist; who are we to judge?
Pavan Guru Pani Pita - Lyrics & Translation
Breath Ripens The Unripe Grapes Within
Pavan Guru - Song of the Wind
Pavan Guru - An opportunity to sing supremely sweet 


SONNET CXXXVIII: 
WHEN MY LOVE SWEARS THAT SHE IS MADE OF TRUTH
By William Shakespeare

When my love swears that she is made of truth,
I do believe her, though I know she lies,
That she might think me some untutored youth,
Unlearnèd in the world's false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false-speaking tongue:
On both sides thus is simple truth suppressed.
But wherefore says she not she is unjust?
And wherefore say not I that I am old?
Oh, love's best habit is in seeming trust,
And age in love loves not to have years told.
    Therefore I lie with her and she with me,
    And in our faults by lies we flattered be.


Not from the stars do I my judgement pluck;
And yet methinks I have Astronomy,
But not to tell of good or evil luck,
Of plagues, of dearths, or seasons' quality;
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain and wind,
Or say with princes if it shall go well
By oft predict that I in heaven find:
But from thine eyes my knowledge I derive,
And, constant stars, in them I read such art
As truth and beauty shall together thrive,
If from thyself, to store thou wouldst convert; 
   Or else of thee this I prognosticate:
   Thy end is truth's and beauty's doom and date.

This sonnet introduces a variant of the procreation theme, tying it in with predictions of the future made, not through astrology (Astronomy), as would normally be expected, but through taking the youth's eyes as stars in the heavens which foretell the future.

The comparison of stars with eyes is traditional love lore in which the beloved assumes the qualities of everything that is angelic and heavenly. Drayton, Sydney and other contemporary poets made use of it. (See the example from Sidney at the bottom of this page). Shakespeare implies here that the foreknowledge he has from the 'stars' of the youth's eyes surpasses that derived from traditional astrology. He asserts that truth and beauty are doomed forever unless the young man chooses to perpetuate his line by having children.


"Things done well and with a care, exempt themselves from fear" -William Shakespeare

How to exempt yourself from fear

Things done well and with care exempt themselves from fear. So said William Shakespeare, and I have found no sentence more fitting for these hurried days.

The world rushes. It rushes to speak, to build, to judge, to buy. We are told speed is virtue, efficiency is god. But I have walked in the woods and seen otherwise. The spider, in her slow genius, builds a web that holds morning dew like a string of pearls. She is not afraid. The tree sends roots into the dark earth for decades before lifting its arms. It does not tremble.

What is done with care holds its own weight. It needs no defense, no apology. When I build my table with hands steady and heart still, I do not fear its collapse. It will outlast me. It will hold the books I love and the bowls I fill. This is enough.

I have learned, too, that the hurried man is the anxious man. He forgets what he just said. He checks his phone to remember who he is. But the one who acts with attention, who listens while he speaks and breathes while he walks, becomes his own peace. He is not haunted.

To do something well is not to be perfect. It is to be present. When the painter mixes her colors with care, when the teacher pauses before she answers, when the child ties her shoelaces just so—something sacred enters the act. It becomes immune to mockery.

In my garden, I water the herbs slowly. I trim with scissors, not shears. The tomatoes grow. The basil leans toward the sun. If they fail, I will know I met them with care. I will not be afraid.

So I say: take your time. Build what you love. Say what you mean. Hold the hammer as if the nail were your own thumb. Then let the world judge. What you have done—if it was done well, and with care—will need no armor.

It will already be free.

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SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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