Shivpreet Singh
Shivpreet Singh
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I was listening and meditating upon this beautiful ghazal by Faiz Ahmed Faiz, beautifully composed by Mehdi Hassan. It is one of my favorite ghazals of Mehndi Hassan which I first heard in a ghazal baithak at my uncle's home in the late 80s.  

People used to asked Mehdi Hassan, ‘Mehdi bhai, please sing the badalo bahar ghazal for us.’ He used to tell them it is "bad-e-naubahar" to which they would reply, ‘We don’t understand it but it is really good’. Here is an attempt to expand the aura of this beautiful ghazal by providing a better understanding of it through multiple translations. 

"Gulon Main Rang Bhare" is a love poem, in which the poet expresses his feelings of longing and desire for his beloved. The first couplet is arguably the most beautiful. The poet starts with a request: "Colors are filling the flowers, the spring breeze blows the atmosphere. O love, why don't you come so the business of the garden can continue?". Love is not a business, it is not an occupation. But the poet is preoccupied with his love. The color filling the flowers, and the spring breeze blowing gently is beautiful - but it seems empty without the love.  So, the poet requests the love to come so spring can be spring, and flowers can be flowers. 

Lyrics and three translations are given below. I love the one by Mustansir Dalvi the best.  It is truly compact and innovative. I wrote a poem inspired by this which I excerpt here:

A Breeze of Spring in Fall

- After Faiz Ahmed Faiz


I like to think of the garden
as a place with its own timetable,
a bureaucrat of blossoms and weeds
negotiating with the breeze of spring,
petals posing as unsigned documents
awaiting the flourish of love's approval.


Lyrics of Gulon Mein Rang Bhare


The following lyrics include all the seven couplets of the ghazal.  The 6th couplet was usually not sung by Mehndi Hassan; one of the translations does not include it.  

gulon mein rang bhare, baad-e-naubahaar chale
chale bhi aao ki gulshan kaa karobaar chale 

qaffas udaas hai yaro, sabaa se kuchh to kaho
kahin to bahr-e-Khudaa aaj zikr-e-yaar chale 

kabhi to subh tere kunj-e-lab se ho aagaaz
kabhi to shab sar-e-kaakul se mushkabaar chale 

bada hai dard ka rishtaa, ye dil garib sahi
tumhaare naam pe aayenge gam gusaar chale 

jo ham pe guzari so guzari magar shab-e-hijraa
hamaare ashk teri aaqabat sanawaar chale 

huzoor-e-yaar hui daftar-e-junoon ki talab
girah mein leke garebaan kaa taar taar chale 

maqaam ‘Faiz’ koii raah mein jachaa hii nahiin
jo kuu-e-yaar se nikale to suu-e-daar chale 


Gulon Main Rang Bhare Translated by Mustansir Dalvi


Like the new breeze of spring
that grants blossoms their hue,
come forth love, grant the garden
leave to go about its business.

This birdcage is forlorn.
Call upon the gentle wind, friends
to petition the Lord, if it will,
to speak of my beloved.

Let the dawn, for once, arrive
through the archway of your lips.
Let the dusk spread its perfume
like musk from your tresses.

This impoverished heart
is privileged to suffer
and, hearing your name,
to swell, leaving comfort behind.

What is done is done
but, sundering night,
know that your passing
is adorned with our tears.

So insatiable is my vehemence
to be in your presence, my love,
I bunch up my shirt in a knot
and rip its collar to shreds.

No destination along the way
has any appeal for Faiz,
a step away from his beloved’s street
is a giant leap to the gallows pole.

Translation of Gulon Mein Rang Bhare with Vocabulary


1. Gulon mein rang bhare baad-e-naubahaar* chale
Chale bhi aao ke gulshan** ka kaarobaar chale

गुलों मे रंग भरे, बाद-ए-नौबहार चले
चले भी आओ कि गुलशन का कारोबार चले

Let the breeze of a new spring, flow and Fill the flowers with colours
Please do come so that the garden can get on with its daily business

Gul गुल گل = flower

shammaa parvaanaa hon ke Gunchaa o gul
zindagii kis ko raas aa.ii hai #Shakeel badayuni

baad-e-naubahaar बाद-ए-नौ-बहार
بادِ نوبہار =breeze of new spring
Baad= here it means breeze , wind, air but also means afterwards , subsequent )
Gulshan , गुलशन
گلشن = garden/ rose garden

ai nau-bahaar-e-naaz terii nikhaton* kii KHair (*khushbu)
daaman jhaTak ke nikle tere gulsitaan se ham #Ahmed Nadeem Qasmi

Kaarobaar ,कारोबार , کاروبار = business, affair, kaamkaaj
kaarobaar-e-jahaan sanvarte hain
hosh jab be-KHudii* se miltaa hai Jigar Moradabadi ( Being besides Oneself, Intoxication, Rapture, Senseless)

2. Qafas* udaas hai yaaron sabaa** se kuchh tau kaho
Kahin to bahr-e-Khuda*** aaj zikr-e-yaar chale

कफ़स उदास है यारों सबा से कुछ तो कहो
कहीं तो बह्र-ए-खुदा आज ज़िक्र-ए-यार चले

The prison is sad, friends ask the breeze to say something
At least somewhere for God’s sake, let there be discussion of the beloved

Qafas क़फ़स قفس = cage, prison ( emphasis on ‘f’)

qafas mein jii nahiin lagtaa kisii tarah
lagaa do aag koii aashiyaan men #Altaf Hussain Hali

Sabaa सबा صبا = a gentle breeze

KHush-buu pighalte lamhon kii saanson mein kho gaii
KHush-buu kii vaadiyon mein sabaa le gaii mujhe
#Iffat Zarrin

Bahr e Khuda बहर-ए-ख़ुदा بہر خدا = khuda ke liye, for God’s sake
zikr-e-yaar ज़िक्र-ए-यार ذکرِ یار = mehboob ki baatein , mention of the beloved

maahaul saaz-gaar karo main nashe mein huun//
zikr-e-nigaah-e-yaar karo main nashe mein huun
Ganesh Bihari ‘tarz’

3. kabhi tau subah tere kunj-e-lab* se ho aaghaz**
Kabhi to shab sar-e-kaakul se mushakbaar *** chale

कभी तो सुब्ह तेरे कुन्ज-ए-लब से हो आगाज़
कभी तो शब् सर-ए-काकुल से मुश्कबार चले

At least once let the morning start from the corner of your lips ( a gentle morning kiss/touch)
At least once let the night be filled with the musky smell of your tresses

Kunj e lab कुन्ज -ए-लब کنج لب = kunj=corner. Lab =lips here it refers to a smile or a touch/ kiss
سرِ کاکل Sar e kakul सर-ए-काकुल = tresses
आग़ाज़ AaGaaz beginning, commencement,start, genesis

Ibtidaa* ishq kii hai dekh ‘amaanat’ hushyaar
ye vo aaGaaz** hai jis kaa ko.ii anjaam nahii.n (both mean beginning, start, commencement but aaghaaz also used for genesis #Amaanat Lukhnavi

Aaghaaz karna= Commence, Start
Aaghaaz hona= start
Din ka aaghaaz = start of day
Mushk-baar मुश्क-बार مشکبار = scented like musk

kah sabaa vo khulii hai zulf kahaa.n
tujh me.n buu mushk-naab* kii sii hai ( smell of pure, unadulterated musk )
#Sher Mohd Imaan

4. Jo hum pe guzri so guzri magar shab-e-hijraan*
Hamaare ashk** teri aaqibat*** sanwaar chale

जो हम पे गुज़री सो गुज़री मगर शब्-ए-हिजरां
हमारे अश्क तेरी आक़िबत संवार चले

Whatever befell me, I endured but at least on the night of separation
My tears adorned your future

Guzri — ‘z’ not ‘j’
Shab e hijraan शब-ए- हिजरां شبِ ہجراں = the night of separation ( shab = night| hijr = separation)
Ashk अश्क اشک ( k not q ) = aansoo, tears
Aaqibat आक़िबत عاقبت = the end, conclusion , future life
And aaqabat (conclusion, future, future life, life after death, other world),
http://www.websters-online-dictionary.org/definition/conclusion
future 2) other world 3) life after death 4) conclusion

5. huzuur-e-yaar huyii daftar-e-junuun* kii talab
girah men le ke girebaan kaa taar taar chale

हुज़ूर-ए-यार हुई दफ़्तर-ए-जुनूँकी तलब
गिरह मे लेके गरेबां के तार-तार चले

The beloved has summoned me to her court with my documents of infatuation
I have only my torn to tatters collar, which I take tied in a knot

Daftar e junuun دفتر جنوں = literally multitude of frenzy/ but here documentation of infatuation

Roz-e-hisaab jab mera pesh ho daftar-e-amal
Aap bhi sharmsaar ho, mujh ko bhi sharmsaar kar #Iqbal

daftar didn’t originally mean office .It was a colloquial term 4 file/folder The clerk looking after them in govt offices was called daftari, a Class IV position in govt offices.

girah गिरह گرہ = here it means a knot, but is also used for one-sixteenth of gaz(yard)
the famous song “dil ki girah khol do, chup na baitho koi geet gao”.
girebaan गरेबां گریبان = literally means the collar,the opening of breast portion of a garment
apne girebaan mein jhank kar dekho = self introspection
chaak-e-garebaan = collar torn to bits in amorous frenzy.
Girebaan-geer= adj.: accuser, one catching by neck or collar, plaintiff

aashiq hain magar ishq numaayaa’n nahiin rakhte
ham dil kii tarah chaak girebaan nahiin rakhte Bekhud dehalvi

kaanTon ko bhii ab baad-e-sabaa chheD rahii hai
phuulon ke hasiin chaak girebaan se guzar ke #Ali Jawwad Zaidi

6. Maqaam* Faiz koi raah mein jacha** hi nahin
Jo ku e yaar*** se nikle to su e daar**** chale

मक़ाम फैज़ कोई राह मे जचा ही नही
जो कू-ए-यार से निकले तो सू-ए-दार चले

No place attracted Faiz, en-route
After leaving the Beloved’s lane he headed for the gallows

Maqaam मक़ाम مقام = dwelling,occasion,place,position ( here place)
جچا जचा jacha = liked
Kuu e yaar कू-ए-यार کوئے یار = yaar ki gali , lover’s street

kitnaa hai bad-nasiib ‘zafar’ dafn ke liye
do gaz zamiin bhii na milii kuu-e-yaar me.n

yaaro kuu-e-yaar kii baate’n kare’n
phir gul o gul-zaar kii baate’n kare’n
Akhtar Shiraani

Suu e daar सू-ए-दार سُوئے دار = towards the gallows ( suu-e = towards / suu = evil, bad |
daar = gallows as here but also means house ,place )

ham na iisaa na Sarmad* o Mansur(name of a Sufi saint who was hanged for saying “I am God”)
log kyuu.n suu-e-daar le ke chale (* hanged for heresy by Aurangzeb) #Naushad Ali


Another Translation of Gulon Mein Rang Bhare


gulon mein rang bhare, baad-e-naubahaar chale
chale bhi aao ki gulshan kaa karobaar chale 

The flowers need to flush with color,
The winds need to blow in the change,
Love, would waft in like the spring?
The flowers, they need to bloom again.

qaffas udaas hai yaro, sabaa se kuchh to kaho
kahin to bahr-e-Khudaa aaj zikr-e-yaar chale 

The cage around us is still, and silent,
Please, speak of kindness into the breeze
For god’s sake, fill the quiet around us,
With beautiful descriptions of my lover.

kabhi to subh tere kunj-e-lab se ho aagaaz
kabhi to shab sar-e-kaakul se mushkabaar chale 

Someday, somewhere, my day will start
From the corner of your smiling lips,
Someday, somewhere, my day will end
With the heady perfume of your hair.

bada hai dard ka rishtaa, ye dil garib sahi
tumhaare naam pe aayenge gam gusaar chale 

The bond that pain forges is strong,
Though we, alone, have broken, weak hearts,
But we will wait, in anticipation of you,
Your call pulling us through the haze.

jo ham pe guzari so guzari magar shab-e-hijraa
hamaare ashk teri aaqabat sanawaar chale 

What we have felt, and we have borne,
Will end as this evening of separation will,
Maybe my tears will drip on your soul,
And washed it clean for your next life.

huzoor-e-yaar hui daftar-e-junoon ki talab
girah mein leke garebaan kaa taar taar chale 

We welcomed them as friends, but their
Greed was a vast, unquencing thirst,
And they tied us up, preparing our bodies
For how they carved us out into pieces.

maqaam ‘Faiz’ koii raah mein jachaa hii nahiin
jo kuu-e-yaar se nikale to suu-e-daar chale 

Unfortunately, Faiz could not find any
Solace in this exiled wanderings, home
Was nowhere to be found, nor love, and
So, I chose to find death at the gallows.


Mere Ridai Tu Aao on Baisakhi

Today on Baisakhi the sunset makes everything saffron and it inspires the hope of guru darshan ... so the seeker takes a long journey to meet at the guru at harimandir and asks the guru for this gift: Let me slow down from the hustle bustle of life to remember and sing hari's name until my mind is fashioned by hari's shabad.  Give me this wisdom that is exalted, this mati that has been made uttam like the sunset has made everything saffron. And the true guru leads the seeker gently to a deep journey within.

Video with my translation follows. Lyrics and alternative translations are below along with additional Gurbani that I meditated upon on hearing this shabad. 

My Translation 

O exalted wisdom
come into my heart
let me sing and ponder
the virtues of Govinda
and let me be enthralled
in the true essence

With the Guru's word
let me fashion my mind.
Envisioning the Guru
let me collect Hari's wealth.

Let me be sated
only by the truth
Instead of 68 holy pilgrimages
let me choose the dust of saints' feet

Let me recognize 
the one doer in everyone
Engaging with the saints
let my wisdom blossom

Let me serve everyone
giving up my pride
To me, O guru, 
give this blessing


English Lyrics and Translation - Bhai Manmohan Singh


Āsā mėhlā 5.
Asa 5th Guru.

Gur kai sabaḏ banāvahu ih man.
In the mould of Guru's instruction, I fashion this mind of mine.

Gur kā ḏarsan sancẖahu har ḏẖan. ||1||
I see Guru's sight and amass God's wealth.

Ūṯam maṯ merai riḏai ṯūʼn āo.
O sublime understanding come thou into my mind.

Ḏẖiāvao gāvao guṇ govinḏā aṯ parīṯam mohi lāgai nāo. ||1|| rahāo.
That I may ponder on and sing Lord's praise and exceedingly love His Name. Pause.

Ŧaripaṯ agẖāvan sācẖai nāe.
Through the True Name I am sated and satiated.

Aṯẖsaṯẖ majan sanṯ ḏẖūrāe. ||2||
The dust of saints feet is my ablution at the sixty eight shrines.

Sabẖ mėh jāno karṯā ek.
I realize that the Creator alone is contained amongst all.

Sāḏẖsangaṯ mil buḏẖ bibek. ||3||
By meeting saints society acute becomes my understanding.

Ḏās sagal kā cẖẖod abẖimān.
Abandoning pride, I have become the servant of all.

Nānak kao gur ḏīno ḏān. ||4||25||
Unto Nanak, the great Lord has granted this boon.

Punjabi Lyrics and Translation - Prof. Sahib Singh


ਆਸਾ ਮਹਲਾ ੫ ॥ 
ਗੁਰ ਕੈ ਸਬਦਿ ਬਨਾਵਹੁ ਇਹੁ ਮਨੁ ॥ 
ਗੁਰ ਕਾ ਦਰਸਨੁ ਸੰਚਹੁ ਹਰਿ ਧਨੁ ॥੧॥ 

ਊਤਮ ਮਤਿ ਮੇਰੈ ਰਿਦੈ ਤੂੰ ਆਉ ॥ 
ਧਿਆਵਉ ਗਾਵਉ ਗੁਣ ਗੋਵਿੰਦਾ 
ਅਤਿ ਪ੍ਰੀਤਮ ਮੋਹਿ ਲਾਗੈ ਨਾਉ ॥੧॥ ਰਹਾਉ ॥ 

ਤ੍ਰਿਪਤਿ ਅਘਾਵਨੁ ਸਾਚੈ ਨਾਇ ॥ 
ਅਠਸਠਿ ਮਜਨੁ ਸੰਤ ਧੂਰਾਇ ॥੨॥ 

ਸਭ ਮਹਿ ਜਾਨਉ ਕਰਤਾ ਏਕ ॥ 
ਸਾਧਸੰਗਤਿ ਮਿਲਿ ਬੁਧਿ ਬਿਬੇਕ ॥੩॥ 

ਦਾਸੁ ਸਗਲ ਕਾ ਛੋਡਿ ਅਭਿਮਾਨੁ ॥ 
ਨਾਨਕ ਕਉ ਗੁਰਿ ਦੀਨੋ ਦਾਨੁ ॥੪॥੨੫॥ 

ਪਦ ਅਰਥ: ਸਬਦਿ = ਸ਼ਬਦ ਦੀ ਰਾਹੀਂ। ਬਨਾਵਹੁ = ਨਵੇਂ ਸਿਰੇ ਘੜੋ, ਸੋਹਣਾ ਬਣਾ ਲਵੋ। ਸੰਚਹੁ = ਇਕੱਠਾ ਕਰੋ।1।

ਮਤਿ = ਹੇ ਮਤਿ! ਮੇਰੈ ਰਿਦੈ = ਮੇਰੇ ਹਿਰਦੇ ਵਿਚ, ਮੇਰੇ ਅੰਦਰ। ਧਿਆਵਉ = ਮੈਂ ਧਿਆਵਾਂ। ਗਾਵਉ = ਮੈਂ ਗਾਵਾਂ। ਅਤਿ ਪ੍ਰੀਤਮ = ਬਹੁਤ ਪਿਆਰਾ। ਮੋਹਿ = ਮੈਨੂੰ।1। ਰਹਾਉ।

ਤ੍ਰਿਪਤਿ = ਰੱਜ। ਅਘਾਵਨੁ = ਰੱਜ। ਨਾਇ = ਨਾਮ ਦੀ ਰਾਹੀਂ। ਅਠਸਠਿ = ਅਠਾਹਠ। ਮਜਨੁ = ਇਸ਼ਨਾਨ। ਧੂਰਾਇ = ਧੂੜ।2।

ਜਾਨਉ = ਮੈਂ ਜਾਣਦਾ ਹਾਂ, ਜਾਨਉਂ। ਮਿਲਿ = ਮਿਲ ਕੇ। ਬਿਬੇਕ = ਚੰਗੇ ਮੰਦੇ ਦੀ ਪਰਖ।3।

ਕਉ = ਨੂੰ। ਗੁਰਿ = ਗੁਰੂ ਨੇ।4।

ਅਰਥ: ਹੇ ਸ੍ਰੇਸ਼ਟ ਮਤਿ! (ਜੇ ਗੁਰੂ ਮੇਹਰ ਕਰੇ ਤਾਂ) ਤੂੰ ਮੇਰੇ ਅੰਦਰ ਆ ਵੱਸ ਤਾ ਕਿ ਮੈਂ ਪਰਮਾਤਮਾ ਦੇ ਗੁਣ ਗਾਵਾਂ ਪਰਮਾਤਮਾ ਦਾ ਧਿਆਨ ਧਰਾਂ ਤੇ ਪਰਮਾਤਮਾ ਦਾ ਨਾਮ ਮੈਨੂੰ ਬਹੁਤ ਪਿਆਰਾ ਲੱਗ ਪਏ।1। ਰਹਾਉ।

(ਹੇ ਭਾਈ!) ਗੁਰੂ ਦੇ ਸ਼ਬਦ ਵਿਚ ਜੁੜ ਕੇ (ਆਪਣੇ) ਇਸ ਮਨ ਨੂੰ ਨਵੇਂ ਸਿਰੇ ਘੜੋ। (ਗੁਰੂ ਦਾ ਸ਼ਬਦ ਹੀ) ਗੁਰੂ ਦਾ ਦੀਦਾਰ ਹੈ (ਇਸ ਸ਼ਬਦ ਦੀ ਬਰਕਤਿ ਨਾਲ) ਪਰਮਾਤਮਾ ਦਾ ਨਾਮ-ਧਨ ਇਕੱਠਾ ਕਰੋ।1।

(ਹੇ ਭਾਈ!) ਗੁਰੂ ਦੇ ਚਰਨਾਂ ਦੀ ਧੂੜ ਅਠਾਹਠ ਤੀਰਥਾਂ ਦਾ ਇਸ਼ਨਾਨ ਹੈ। (ਗੁਰੂ ਦੀ ਰਾਹੀਂ) ਸਦਾ ਕਾਇਮ ਰਹਿਣ ਵਾਲੇ ਪਰਮਾਤਮਾ ਦੇ ਨਾਮ ਵਿਚ ਜੁੜਿਆਂ ਤ੍ਰਿਸ਼ਨਾ ਮੁੱਕ ਜਾਂਦੀ ਹੈ ਮਨ ਰੱਜ ਜਾਂਦਾ ਹੈ।2।

(ਹੇ ਭਾਈ!) ਗੁਰੂ ਦੀ ਸੰਗਤਿ ਵਿਚ ਮਿਲ ਕੇ ਮੈਂ ਚੰਗੇ ਮੰਦੇ ਦੀ ਪਰਖ ਕਰਨ ਵਾਲੀ ਅਕਲ ਪ੍ਰਾਪਤ ਕਰ ਲਈ ਹੈ ਤੇ ਮੈਂ ਹੁਣ ਸਭਨਾਂ ਵਿਚ ਇਕ ਕਰਤਾਰ ਨੂੰ ਹੀ ਵੱਸਦਾ ਪਛਾਣਦਾ ਹਾਂ।3।

(ਹੇ ਭਾਈ! ਮੈਨੂੰ) ਨਾਨਕ ਨੂੰ ਗੁਰੂ ਨੇ (ਬਿਬੇਕ ਬੁਧਿ ਦੀ ਅਜੇਹੀ) ਦਾਤਿ ਬਖ਼ਸ਼ੀ ਹੈ ਕਿ ਮੈਂ ਅਹੰਕਾਰ ਛੱਡ ਕੇ ਸਭਨਾਂ ਦਾ ਦਾਸ ਬਣ ਗਿਆ ਹਾਂ।4। 25।

Hindi Lyrics and Translation - Prof. Sahib Singh

आसा महला ५ ॥ गुर कै सबदि बनावहु इहु मनु ॥ गुर का दरसनु संचहु हरि धनु ॥१॥

पद्अर्थ: सबदि = शब्द के द्वारा। बनावहु = नए सिरे से घड़ो, सुंदर बना लो। संचहु = इकट्ठा करो।1।

अर्थ: (हे भाई!) गुरु के शब्द में जुड़ के (अपने) इस मन को नए सिरे से घड़ो। (गुरु का शब्द ही) गुरु का दीदार है (इस शब्द की इनायत से) परमात्मा का नाम-धन इकट्ठा करो।1।

ऊतम मति मेरै रिदै तूं आउ ॥ धिआवउ गावउ गुण गोविंदा अति प्रीतम मोहि लागै नाउ ॥१॥ रहाउ॥

पद्अर्थ: मति = हे मति! मेरै रिदै = मेरे हृदय में, मेरे अंदर। धिआवउ = मैं ध्याऊँ। गावउ = मैं गाऊँ। अति प्रीतम = बहुत प्यारा। मोहि = मुझे।1। रहाउ।

अर्थ: हे श्रेष्ठ मति! (अगर गुरु मेहर करे तो) तू मेरे अंदर आ के बस ता कि मैं परमात्मा के गुण गाऊँ परमात्मा का ध्यान धरूँ और परमात्मा का नाम मुझे बहुत प्यारा लगने लगे।1। रहाउ।

त्रिपति अघावनु साचै नाइ ॥ अठसठि मजनु संत धूराइ ॥२॥

पद्अर्थ: त्रिपति = तृप्ति, संतुष्टि। अघावन = पेट भर जाना, तृप्ति। नाइ = नाम के द्वारा। अठसठि = अढ़सठ। मजनु = स्नान। धूराइ = धूल।2।

अर्थ: (हे भाई!) गुरु के चरणों की धूल अढ़सठ तीर्थों का स्नान है। (गुरु के द्वारा) सदा कायम रहने वाले परमात्मा के नाम में जुड़ने से तृष्णा खत्म हो जाती है, मन की भूख मिट जाती है।2।

सभ महि जानउ करता एक ॥ साधसंगति मिलि बुधि बिबेक ॥३॥

पद्अर्थ: जानउ = मैं जानता हूँ, जानूँ। मिलि = मिल के। बिबेक = अच्छे बुरे की परख।3।

अर्थ: (हे भाई!) गुरु की संगति में मिल के मैंने अच्छे-बुरे की परख करने वाली बुद्धि प्राप्त कर ली है और मैं अब सभी में एक कर्तार को ही बसता पहचानता हूँ।3।

दासु सगल का छोडि अभिमानु ॥ नानक कउ गुरि दीनो दानु ॥४॥२५॥

पद्अर्थ: कउ = को। गुरि = गुरु ने।4।

अर्थ: (हे भाई! मुझे) नानक को गुरु ने (बिबेक बुद्धि की ऐसी) दाति बख्शी है कि मैं अहंकार त्याग के सभी का दास बन गया हूँ।4।25।


Additional Related Gurbani

Singing is a dissolution into truth


ਤੇਰੇ ਗੁਣ ਗਾਵਾ ਦੇਹਿ ਬੁਝਾਈ ॥
तेरे गुण गावा देहि बुझाई ॥
Ŧere guṇ gāvā ḏėh bujẖāī.
Please bless me with such understanding, that I may sing Your Glorious Praises.

ਜੈਸੇ ਸਚ ਮਹਿ ਰਹਉ ਰਜਾਈ ॥੧॥ ਰਹਾਉ ॥
जैसे सच महि रहउ रजाई ॥१॥ रहाउ ॥
Jaise sacẖ mėh rahao rajāī. ||1|| rahāo.
May I dwell in Truth, according to Your Will. ||1||Pause||


Minting the wealth of Hari


ਜਤੁ ਪਾਹਾਰਾ ਧੀਰਜੁ ਸੁਨਿਆਰੁ ॥
जतु पाहारा धीरजु सुनिआरु ॥
Jaṯ pāhārā ḏẖīraj suniār.
Let self-control be the furnace, and patience the goldsmith.

ਅਹਰਣਿ ਮਤਿ ਵੇਦੁ ਹਥੀਆਰੁ ॥
अहरणि मति वेदु हथीआरु ॥
Ahraṇ maṯ veḏ hathīār.
Let understanding be the anvil, and spiritual wisdom the tools.

ਭਉ ਖਲਾ ਅਗਨਿ ਤਪ ਤਾਉ ॥
भउ खला अगनि तप ताउ ॥
Bẖao kẖalā agan ṯap ṯāo.
With the Fear of God as the bellows, fan the flames of tapa, the body's inner heat.

ਭਾਂਡਾ ਭਾਉ ਅੰਮ੍ਰਿਤੁ ਤਿਤੁ ਢਾਲਿ ॥
भांडा भाउ अम्रितु तितु ढालि ॥
Bẖāʼndā bẖāo amriṯ ṯiṯ dẖāl.
In the crucible of love, melt the Nectar of the Name,

ਘੜੀਐ ਸਬਦੁ ਸਚੀ ਟਕਸਾਲ ॥
घड़ीऐ सबदु सची टकसाल ॥
Gẖaṛīai sabaḏ sacẖī taksāl.
and mint the True Coin of the Shabad, the Word of God.

ਜਿਨ ਕਉ ਨਦਰਿ ਕਰਮੁ ਤਿਨ ਕਾਰ ॥
जिन कउ नदरि करमु तिन कार ॥
Jin kao naḏar karam ṯin kār.
Such is the karma of those upon whom He has cast His Glance of Grace.

ਨਾਨਕ ਨਦਰੀ ਨਦਰਿ ਨਿਹਾਲ ॥੩੮॥
नानक नदरी नदरि निहाल ॥३८॥
Nānak naḏrī naḏar nihāl. ||38||
O Nanak, the Merciful Lord, by His Grace, uplifts and exalts them. ||38||


Collecting the Hari's wealth 


ਛਿਜੈ ਨ ਜਾਇ ਕਿਛੁ ਭਉ ਨ ਬਿਆਪੇ ਹਰਿ ਧਨੁ ਨਿਰਮਲੁ ਗਾਠੇ ॥੩॥
छिजै न जाइ किछु भउ न बिआपे हरि धनु निरमलु गाठे ॥३॥
Cẖẖijai na jā▫e kicẖẖ bẖa▫o na bi▫āpe har ḏẖan nirmal gāṯẖe. ||3||
I am not worn down, I do not die, and nothing strikes fear in me, since I have the wealth of the Lord's Immaculate Name in my purse. ||3||

Usage of Hari Naam


ਠਾਕੁਰ ਨਾਮੁ ਕੀਓ ਉਨਿ ਵਰਤਨਿ ॥
ठाकुर नामु कीओ उनि वरतनि ॥
Ŧẖākur nām kī▫o un varṯan.
They make the Name of their Lord and Master their way of life;

ਤ੍ਰਿਪਤਿ ਅਘਾਵਨੁ ਹਰਿ ਕੈ ਦਰਸਨਿ ॥੧॥
त्रिपति अघावनु हरि कै दरसनि ॥१॥
Ŧaripaṯ agẖāvan har kai ḏarsan. ||1||
they are satisfied and fulfilled with the Blessed Vision of the Lord's Darshan. ||1||

The light of the one doer is within everyone 


ਸਭ ਮਹਿ ਜੋਤਿ ਜੋਤਿ ਹੈ ਸੋਇ ॥
सभ महि जोति जोति है सोइ ॥
Sabẖ mėh joṯ joṯ hai so▫e.
Amongst all is the Light-You are that Light.

ਤਿਸ ਦੈ ਚਾਨਣਿ ਸਭ ਮਹਿ ਚਾਨਣੁ ਹੋਇ ॥
तिस दै चानणि सभ महि चानणु होइ ॥
Ŧis ḏai cẖānaṇ sabẖ mėh cẖānaṇ ho▫e.
By this Illumination, that Light is radiant within all.

The doer is one


ਆਪੇ ਮਾਛੀ ਮਛੁਲੀ ਆਪੇ ਪਾਣੀ ਜਾਲੁ ॥
आपे माछी मछुली आपे पाणी जालु ॥
Āpe mācẖẖī macẖẖulī āpe pāṇī jāl.
He Himself is the fisherman and the fish; He Himself is the water and the net.

ਆਪੇ ਜਾਲ ਮਣਕੜਾ ਆਪੇ ਅੰਦਰਿ ਲਾਲੁ ॥੨॥
आपे जाल मणकड़ा आपे अंदरि लालु ॥२॥
Āpe jāl maṇkaṛā āpe anḏar lāl. ||2||
He Himself is the sinker, and He Himself is the bait. ||2||




Mahi ve tere bajoN dil deya meharma ve
sada jeuuna kere chaj daa ay
meri loo loo vich meri nas nas wich
teri yaad da tumbaa vajdaa ay

Without you
Without you, my heart's desire
There's no point in living without you
Every vein sings your name

Akhiyan udeek diyan dil vajaa maarda
aja pardesiya vaasta ii pyaar da

My eyes wait for you, my heart calls you 
Come back home for the sake of our love

Jado da tu rus giya sade nal dholnaa
bhul gaya kawaaN nu banairay utte bolna

Since you left, I have felt utterly alone
Crows don't sing on the window sill

KaliaN nai meraa ji lagda 
bahaaraan aake lang chaliyaan
tu chetti aja dholna

I cannot bear this loneliness
Spring has come and it has gone
But still i wait for you

Hun , je na aaya fir kehre wele aawega?
Panchi murr gharaN nu aa gaye tu vi aaja dholna
tenu akhiyan udeek diyan

If not now, when will you come?
The birds of spring are here again
Why do you not come too?

Arriaa na kar beparwaiaaN ve 
rutaaN pyaar karan diyaN aayiaN
//chetti aaja dholna tenu akhiyan udeek diyan

Don't fail me, I beg to you, 
In this loving season, come back
Come back, my love, come back My eyes waiting…

PiplaaN te peengaaN payiaaN 
ral mil geet de gaundiaN sayiaN
//chetti aaja dholna tenu akhiyan udeek diyan

My friends call celebrate and sing
Sing the songs of love
Won't you come too, my love?..

RawaN tak tak thakh gayi aaN meiN
kaliaN reh reh ak gayi aaN meiN
ik ik pal dil gin ke guzaar da
aaja pardesiya vasta ii pyaar da
aaja tenu akhiyan udeek diyan-

I watch the streets and roads
I am forlorn, waiting for you
I count each moment
Each minute
Come back, my love


Uth uth jaan namazi masjid menu tatti nu teriyaN tangaN
Hun te aaja ve aaja ve… chheti aaja dholna

The devout go to the mosque to pray
But I just sit watching the way
Now, come back, my love, come love…

Bhul gayiaaN te rus gaye chaa ve
aj pata laga ay vichora ki bala ae
aaja tenu akhiyan udeek diyan-

Happiness has turned its face away
Joy has been banished from my life
Come love, My eyes wait for you to come…

Sajna ve tere bajoN lagda na jee ve 
jithe jaa ke beh gaya uthe tera kii ve 
aaja tenu akhiyan udeek diyan-

lover, I can no longer live
No longer live without you
What do you get by doing this to me?

Poore di hawa chale dil mera dolda
kamb kamb jawa jadoN kaaN kitte bolda
aawaiN te sunawaN meiN vichora kiwe marda
aaja pardesiya vasta ii pyaar da
aaja tenu akhiyan udeek diyan-

The easterly breeze brings only sorrow
I shudder when I hear the birds sing
If only you could see how I suffer
I beg you, please come back to me
Come My eyes waiting…

Tere waloN puchde ne galiaN de baal ve 
gum sum howaN jedoN karde sawaal ve
marda ay taanay menu mausam bahaar da
aaja pardesiya vasta ii pyaar da
aaja tenu akhiyan udeek diyan-

The street urchins make fun of me
I walk by, lost in though, alone
The seasons taunt my loneliness
Come back, come back, my love

Aaja dholna tenu akhiyan udeek diyan
chetti aaja dholna tenu akhiyan udeek diyan (Chants)

Come love, Come love, My eyes wait for you to come…
Come back, my love, come back My eyes waiting…

Akhiyan udeek diyan dil vajaa maarda


Altered Lyrics

Mahi ve tere bajoN dil deya meharma ve
sada jeuuna kere chaj daa ay
meri loo loo vich meri nas nas wich
teri yaad da tumbaa vajdaa ay

Without you
Without you, my heart's desire
There's no point in living without you
Every nerve and vein sings your name

Akhiyan udeekdiyan dil vajaa maarda
aja pardesiya vaasta ii pyaar da
Aa Ja tainu akhiyaan udeekdiyaan

[should be akhiyaan udeekdiyaan - udeekda is one word, udeekdiyaan is feminine plural for "waiting"]

My eyes wait for you, my heart calls you 
Come back home for the sake of our love
Come back, my eyes wait for you

Jado da tu rus giya sade nal dholnaa
bhul gaya kawaaN nu banairay utte bolna

Since you left, I have felt utterly alone
Crows don't sing on the window sill

[Also see Aiwain Bol Na Banere Utte Kaavaan]


Sab galaan karde jeen diyaan
mar mukeyaan da koi ki lagda
bahaaraan aake lang chaliyaan
ik jee bajon nai ji lagdaa

tu chetti aja dholna
KaliaN nai meraa ji lagda 


I cannot bear this loneliness
Spring has come and it has gone
But still i wait for you

Hun , je na aaya fir kehre wele aawega?
Panchi murr gharaN nu aa gaye tu vi aaja dholna
tenu akhiyan udeek diyan

If not now, when will you come?
The birds of spring are here again
Why do you not come too?


Arriaa na kar beparwaiaaN ve 
rutaaN pyaar karan diyaN aayiaN
//chetti aaja dholna tenu akhiyan udeek diyan

Don't fail me, I beg to you, 
In this loving season, come back
Come back, my love, come back My eyes waiting…


PiplaaN te peengaaN payiaaN 
ral mil geet de gaundiaN sayiaN
//chetti aaja dholna tenu akhiyan udeek diyan

My friends call celebrate and sing
Sing the songs of love
Won't you come too, my love?..


RawaN tak tak thakh gayi aaN meiN
kaliaN reh reh ak gayi aaN meiN
ik ik pal dil gin ke guzaar da
aaja pardesiya vasta ii pyaar da
aaja tenu akhiyan udeek diyan-

I watch the streets and roads
I am forlorn, waiting for you
I count each moment
Each minute
Come back, my love


Uth uth jaan namazi masjid menu tatti nu teriyaN tangaN
Hun te aaja ve aaja ve… chheti aaja dholna

The devout go to the mosque to pray
But I just sit watching the way
Now, come back, my love, come love…


Pul gayiaaN te rus gaye chaa ve
aj pata laga ay vichora ki bala ae
aaja tenu akhiyan udeek diyan-

Happiness has turned its face away
Joy has been banished from my life
Come love, My eyes wait for you to come…


Sajna ve tere bajoN lagda na jee ve 
jithe jaa ke beh gaya uthe tera kii ve 
aaja tenu akhiyan udeek diyan-

lover, I can no longer live
No longer live without you
What do you get by doing this to me?


Poore di hawa chale dil mera dolda
kamb kamb jawa jadoN kaaN kitte bolda
aawaiN te sunawaN meiN vichora kiwe marda
aaja pardesiya vasta ii pyaar da
aaja tenu akhiyan udeek diyan-


The easterly breeze brings only sorrow
I shudder when I hear the birds sing
If only you could see how I suffer
I beg you, please come back to me
Come My eyes waiting…

Tere waloN puchde ne galiaN de baal ve 
gum sum howaN jedoN karde sawaal ve
marda ay taanay menu mausam bahaar da
aaja pardesiya vasta ii pyaar da
aaja tenu akhiyan udeek diyan-

The street urchins make fun of me
I walk by, lost in though, alone
The seasons taunt my loneliness
Come back, come back, my love

Aaja dholna tenu akhiyan udeek diyan
chetti aaja dholna tenu akhiyan udeek diyan (Chants)

Come love, Come love, My eyes wait for you to come…
Come back, my love, come back My eyes waiting…

Akhiyan udeek diyan dil vajaa maarda


Abrar Ahmad - Nazm

is ghar meñ yā us ghar meñ 

is ghar meñ yā us ghar meñ 
tū kahīñ nahīñ hai 
darvāze bajte haiñ 
ḳhālī kamre 
terī bātoñ kī mahkār se bhar jaate haiñ 
dīvāroñ meñ 
terī sāñseñ soī haiñ 
maiñ jaag rahā huuñ 
kānoñ meñ 
koī guuñj sī chakrātī phirtī hai 
bhūle-bisre gītoñ kī 
chāñdnī raat meñ khilte hue 
phūloñ kī damak hai, yahīñ kahīñ 
tere ḳhvāb 
mirī be-sāya zindagī par 
bādal kī sūrat jhuke hue haiñ 
yaad ke dasht meñ 
āñkheñ kāñTe chuntī haiñ 
mere haath 
tire hāthoñ kī ThanDak meñ 
Duube rahte haiñ 
āḳhir... terī miTTī se mil jaane tak 
kitne pal 
kitnī sadiyāñ haiñ 
is sarhad se 
us sarhad tak 
kitnī masāfat aur paḌī hai 
un rastoñ meñ 
kitnī bārisheñ baras ga.ī haiñ 
āñkheñ mirī 
terī rātoñ ko taras ga.ī haiñ 


In Punjabi folklore, a crow crowing nearby is supposed to signal the coming of guests, especially a loved one. In this song, the singer has been waiting for a long time for his love and has given up hope.  He hears a crow crowing at the porch of his window and asks the crow to not sing and give him false hope. 

Translation and Video of a sufi song by Nusrat:
Aiwain Bol Na Banere Utte Kaavaan

Simple Lyrics (for all the quoted poems see below)

Aiwain Bol Na Banere Utte Kaavaan
Sajjana Nahi Aunaa
Paiyaan Kadon diyaan Sunjiyaan Raavaan
Sajjana Nahi Aunaa

Dil mere noo vad bhadkaaven
Kaanu aiwain boliyan Paaven
Chup kar jaa main tainu samjhaavaan

Naa toon bolee bol banere
Ud Jaa Tarley paavan tere
Naa Joothiyaan de sadaavaan

karke bol nibhaunda koi nai
Ja ke vaapas aanda koi nai
tainu lakh di ik sunaavan

Sochan de wich dil ghabraya
Sadik mud vataneen nahi aayaa
Auna hove te dasse sarnaavan 


Simple Translation

Don't crow on my window
My love is not going to come
For a long time this street is empty
My love is not going to come

You are giving hope to my heart
Why are you speaking these lies
Be quiet I am trying to explain
My love is not going to come

Don't speak on my window
I beg you fly away please
Don't make these false prayers
My love is not going to come

No one keeps their word
No one comes back once gone
Of all things I know, I know this best
My love is not going to come

In thoughts my heart trembles
My love will not return home
If he planned to come he would give me an address
My love is not going to come

Vocabulary

Sarnava (sarnaavan) - Address

Additional antaras (Akram Rahi)

Ud jaa ve kaavan avain boliyan na bol ve
jind saadi ditti maahi rol ve
ve main ro ro ke vakat langhaavan

Assan jide pyaar diyaan kitiyaan abadataan
oh sanu ron diyaan paa gaya e aadataan
hoyian puriyaan na sadiyaan duaavaan

ja ke onnu aakhi dukhi kalle bai ke ronde ni
teriyaan udeekan laake raavan 'ch khalonde ni
jinnu ditiyaan tu lammiyaan sazaavaan

guzre zamane jadoon yaad mainu aande ne
teri hi khayaan sadi akhiyaan ch bhaunde ne
jithe milde saan ron paiyaan thaavaaan









More Lyrics

pardes gayaan pardesi hoyaan
teriaan nitt vatnaan val loran
jogan kamli karke sutt gayaan
baithi kakh galiyan de bhoraan
chaal piya di aisi niraali
jivein pehlaan payiyaan moraan
yaar fareed main kaafir howan
je mukh sajna walon moraan

You went far away, became a stranger
I constantly remember you here
You made me crazy, then threw me away
I can't find anything on the streets
My love walks so beautifully
like a peacock dancing
I would be called an outcast 
if I turn away from my love

kook dilan kaddi rabb sunesi
ehna dard mandan diyan aahin
tailan baaj na ballan mashaalan
kitte dardan baaj na aahin
lokan diyan jhokan payiyaan wasdiyan aayiyaan
kaddi saddi vi wasdi aahi
ki hoya tussan bolan chaddeya
assan vekhan chaddna naahi

Someday God will hear my cry
Such are the sorrowful sighs
without oil mashaals don't burn
there are no sighs

so what if you don't talk to me
I won't stop 

aa kaaga tainu churiyaan paawan
kaddi sadde vi baith banere
de paigaam koi sajna waala
ve main shagan manaawan tere
aa ke baith banere sadde
shayad aa jaan saajan mere
addiyaan chuk chuk yaar fareeda
raah takkan main shaam savere

come crow, sit on my window sill
I will make you a sweet dessert
give me some message from my love
I will celebrate your coming
come and sit on my window sill
perhaps my love would also come
I am standing on my heels O Fareed
looking for you on the way all day

avein bol na banere utte kaawaan sajna nahi aaona

chete haar shingaar na mainu
bhul gayiyaan sab sakhiyaan
har dam ohdi raahwan vekhan
eh dukhiyaariyaan ankhiyaan
tak tak ohdiyaan sunjhiyaan raahwan
hun nazaran vi ne thakkiyaan
saadik sajna nahi aaona
assi pher vi aasaan rakhiyaan

yaad ohdi vich chham chham raunde nain ne dardan maare
kulli yaad bhulaayan vi na kite lakh main chaare
mukh partaake tur gaya maahi karke jhoothe kaare
saadik rehndiyan dinne udeekan raat nu ginn diyan taare

avein bol na banere utte kaawaan sajna nahi aaona
payiyaan kadon diyan sunjiyaan raahwaan sajna nahi aaona

dil mere nu wad wad khaawe
kaanu evein boliyan paawe
chup kar ja tainu main samjhaawan
sajna nahi aaona

na tu boli bol banere
mud ja tarle paawan tere
na jhoothiyan de sadaawaan
sajna nahi aaona

sochan de vich dil ghabraaya
'Saadik' mud watani nahi aaya
aaona howe te dasse sarnaawa

sajna nahi aaona


(For other translations see: Translations)

Raag: Bhatiyar
Thaat: Marwa
Time: Dawn

Notes (Swaras): Komal Rishabh, both Shuddha and Tivra Madhyam. All other notes are Shuddha.
Raag Bhatiyar is a morning Raaga. An offshoot of Thaat Marwa, Raag Bhatiyar has a strong emotional undercurrent – something you might not expect from a morning melody. The Raaga begins with all Shuddha notes; Sa-Ma-Pa-Dha-Ni.. all pure just like the morning dew. It almost lulls you back into that tasteful sleep you just woke up from. You sit back enjoying a cup of hot tea with the newpaper lying on the table in your front and that is when Bhatiyar takes a wild turn while on Nishad, skipping the higher Shadja and falling upon Komal Rishibh revealing a deep sorrow that has always been lingering beneath the seemingly serene surface of the pure notes of the Raaga. In the audio clip, focus on the connection between Shuddh Nishad and Komal Rishabh while Mashkoor Ali Khan sings the words ‘…Murata Murari’.

But after that unexpected emotional burst, just when you begin to experience melancholy, Raag Bhatiyar returns to its jovial mood with sequences like (Sa) Dha-Ni-Pa, Pa-Ma-Pa, Ga-Pa-Ga-Re-Sa and brings the smile back on your face.

Raag Bhatiyar is not an easy Raaga to perform what with its intricate and complex tactics. Only an acclaimed artiste can unfold this Raaga for your experience and only an acclaimed artiste can reveal the essence of this Raaga. Raag Bhatiyar is immensely pleasing and peaceful to ears. Raag Bhatiyar possesses healing qualities; it can effectively console an aggrieved mind and calm your soul.



The song of the crow
- Devdutt Pattanaik

Everyone wonders: Why do good things happen to bad people? Why do fortunes never come the way we desire? Why are we unhappy? Why do we have to marry and produce children? From these questions come our understanding of the world.

The word ‘why’ is translated as ka in Sanskrit, the sacred language of Hinduism. Ka is the first consonant of the Sanskrit language. It is both an interrogation as well as an exclamation. It is also one of the earliest names given to God in Hinduism.

During funeral ceremonies, Hindus are encouraged to feed crows. The crow caws, “Ka?! Ka?!” It is the voice of the ancestors who hope that the children they have left behind on earth spend adequate time on the most fundamental question of existence, “Why?! Why?!”

In mythology there is a crow called Kakabhusandi who sits on the branch of Kalpataru, the wish-fulfilling tree. The tree fulfills every wish but is unable to answer Kakabhusandi’s timeless and universal question, “Ka?! Ka?!”

The question need not be why. It can be who. Who is responsible for giving me this life? Or it can be what. What can be responsible for giving me this life? From the root ‘ka’ comes the various interrogatives that are parts of Hindi, a modern Indian language which has Sanskrit as one of its major tributaries: what or kya, who or kaun, why or kyon, how or kaise.

The 19th century European Orientalists presented Hinduism to the world as a religion when they discovered in Vedic scriptures an underlying thought that unified the diversity of Indian customs, hitherto deemed pagan and heathen. But the religions they were exposed to, such as Judaism, Christianity and Islam, tended to be prescriptive, with very clear rules and codes of conduct. Vedic is more reflective than prescriptive. Reflections are timeless and universal while prescriptions are contextual specific to communities of a particular place in a particular period. Many therefore do not like viewing Hinduism as a religion and prefer to see it as a way of life. Reflections begin when we ask the question, ‘why’. There is no hurry to conclude or to cling to a convenient answer. The exploration  continues for as long as it takes, until one is satisfied.

In India, the answer offered for the circumstances over which one has no control is karma. Actions in our past lives determine the fortunes and misfortunes of this life. We thus are made responsible for our bodies and our families. Actions performed in this life will determine our body and our family in our next life.

Is this true? No one knows. But the consequences of believing it are far-reaching.

Belief in rebirth puts the responsibility of our life squarely on our shoulders. For actions that we committed we have been given the life that we are living. We may not remember those past actions, but we are responsible for the present moment, nevertheless.

Mandavya one day found himself being arrested and brutally punished by the king’s guard for a crime he did not commit. “Why?” he asked Yama, the god of death. Yama looked at the book of karma and replied, “As a child you tortured insects. This is the reaction of that action. What seems unfair in one lifetime, becomes fair when one considers several lifetimes.”

Who then is responsible for my life and my fortunes and misfortunes? I am. This means I cannot blame anyone for my misfortune, not my parents, not my circumstances, not my DNA, not even God.

Karma is loosely translated as fate.

Only humans can ask these questions and reflect on life. Ka ?!  Because humans have an evolutionary advantage. We are blessed with the neo-frontal cortex, the part of the brain behind the forehead. This is the human brain located on top of the animal brain. It allows us to do what no other creature can do: it allows us to imagine!

Hindus smear their forehead with ash or sandal paste or red kumkum powder. It is the dot known as bindi on the forehead of women. It is the vertical and upwardly directed line known as tilak on the forehead of men. It is a ritual through which voiceless ancestors are telling the children they left behind on earth: use this unique organ behind your forehead. It is what makes you human!

Only humans can imagine a world that is distinct from reality. We can compare reality with an imagined reality and therefore wonder why reality is the way it is. We can imagine being born in another family and wonder: why was I born in this one? We can imagine being born with a taller or shorter, fairer or darker, body and wonder: why was I born with this one? Imagination propels us towards the question: Ka?!

Imagination is translated as manas. Humans possess manas. Therefore the human race is the race of Manavas, those who can imagine. The leader of the human race becomes Manu. Manas also means the mind, the mind which can take flight like a bird or slither like a serpent, and look at the world both broadly and narrowly, reflect on things here and not here, exist both here and now and also over there in the past and over here in the future.

While the human brain enjoys imagination, it does not enjoy introspection. Pondering on questions and seeking answers needs a lot of energy in the form of glucose. Glucose is a precious body fuel. The body would rather conserve this energy for moments of crisis. Naturally, though humans are the only creatures with the wherewithal to introspect, human physiology is geared to block this process. It takes a great amount of will to overpower this block and introspect and seek the answer to Ka. In a way, this is very similar to exercise. It demands huge will power. Few indulge in this quest. Fewer still are naturally inclined for it. The one who indulges in this quest is called a brahmana.

The word brahmana is derived from the Sanskrit root ‘brh’ meaning ‘to grow’ and ‘manas’. All living creatures grow physically after birth. But there is a limit to this physical growth. Humans are the only creatures capable of limitless growth. Why? Because of manas. The possibilities offered by imagination and introspection are infinite. The one who uses these infinite possibilities to discover Ka therefore becomes brahmana, the one with expanded imagination.

From the root ‘brh’ also comes the name of God. Not one, but two. One is Brahma. The other is brahmn. Notice the difference in spelling and the use of capitals. Brahma is pronounced by laying stress to the latter vowel; brahmn is pronounced laying stree to no vowel; brahmana is produced by laying stress to the first vowel and the last consonant. Brahma is a proper noun, brahmn is not considered a noun while brahmana is a common noun. Brahma is a finite personality, brahmn is an infinite abstract notion. The brahmana is the one who seeks to move from the finite to the infinite, from the form to the formless, from Brahma to brahmn.

Every human being is a Brahma. The day he seeks to decipher the puzzle of Ka, the song of the crow, he becomes a brahmana. Every human being has the wherewithal to realize Ka, hence brahmn. Brahma is who we are while brahmn is who we can become. One transforms from Brahma to brahmn, from finiteness to infiniteness, from restlessness to repose, from anxiety to self-assurance, by using the neo-frontal context to imagine and introspect. Bowing to deities in temples and fellow human beings is to remind those before us of the Vedic maxim, “Tat Tvam Asi,” meaning ‘that’s what you are’, you are Brahma who is capable of realizing brahmn. That’s what I am too, hence “Aham Brahmasmi.”
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SHIVPREET SINGH

Singing oneness!
- Shivpreet Singh

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