Translation and Video of a sufi song by Nusrat:
Aiwain Bol Na Banere Utte Kaavaan
(For other translations see: http://shivsangels.blogspot.com/search/label/Translation)
Notes (Swaras): Komal Rishabh, both Shuddha and Tivra Madhyam. All other notes are Shuddha.
Raag Bhatiyar is a morning Raaga. An offshoot of Thaat Marwa, Raag Bhatiyar has a strong emotional undercurrent – something you might not expect from a morning melody. The Raaga begins with all Shuddha notes; Sa-Ma-Pa-Dha-Ni.. all pure just like the morning dew. It almost lulls you back into that tasteful sleep you just woke up from. You sit back enjoying a cup of hot tea with the newpaper lying on the table in your front and that is when Bhatiyar takes a wild turn while on Nishad, skipping the higher Shadja and falling upon Komal Rishibh revealing a deep sorrow that has always been lingering beneath the seemingly serene surface of the pure notes of the Raaga. In the audio clip, focus on the connection between Shuddh Nishad and Komal Rishabh while Mashkoor Ali Khan sings the words ‘…Murata Murari’.
But after that unexpcted emotional burst, just when you begin to experience melancholy, Raag Bhatiyar returns to its jovial mood with sequences like (Sa) Dha-Ni-Pa, Pa-Ma-Pa, Ga-Pa-Ga-Re-Sa and brings the smile back on your face.
Raag Bhatiyar is not an easy Raaga to perform what with its intricate and complex tactics. Only an acclaimed artiste can unfold this Raaga for your experience and only an acclaimed artiste can reveal the essence of this Raaga. Raag Bhatiyar is immensely pleasing and peaceful to ears. Raag Bhatiyar possesses healing qualities; it can effectively console an aggrieved mind and calm your soul.